Hotel Transylvania


Hotel Transylvania

Count Dracula dispenses some fatherly advice.

(2012) Animated Feature (Columbia) Starring the voices of Adam Sandler, Selena Gomez, Andy Samberg, Kevin James, Steve Buscemi, Fran Drescher, David Spade, Cee-Lo Green, Molly Shannon, Jon Lovitz, Brian James, Luenell, Rob Riggle. Directed by Genndy Tartakovsky

 

Being the father of a teenage daughter is  a special kind of hell. We, as dads, know what the world is capable of and it’s natural to be a bit overprotective of our baby girls. Still, it must be way harder to raise a daughter in a world where the majority wants to kill off your entire species.

Count Dracula (Sandler) has more reason than most to fear the humans. While vacationing in Hawaii he met a beautiful vampire named Martha whom he married and had a daughter with. However, angry locals discovered that they had two vampires in their midst and set fire to the house. Dracula was able to rescue his daughter but not his wife. Enraged over the loss of his wife, he swears to protect his daughter from the real monsters and builds a castle in Transylvania that will be forever hidden from human view, a place where his fellow monsters can relax, retreat and be themselves. It’s Hotel Transylvania and every boy and ghoul is just dying to get there (couldn’t help it).

Operating on a strictly humans forbidden basis, the hotel becomes a success. Drac’s daughter Mavis (Gomez) is now 118 and getting restless with her protected lifestyle. She wants to live (which is a bit problematic for the undead), travel, see the world and experience everything. Dracula seems to be all for it at first, but this turns out to be a bit of a ruse.

All of their friends are gathering, from the henpecked Frankenstein (James) and his shrewish wife Eunice (Drescher) to the exhausted werewolf dad Wayne (Buscemi), his also exhausted wife Wanda (Shannon) and their brood of…I don’t know, say 150? – werewolf pups. Then there’s the coolest mummy ever, Murray (Green). They’re all gathering for Mavis’ birthday, an annual event.

Into this chaos rolls (or rather walks) Johnny (Samberg), a hiker who could pass for a surfer or a stoner or both. Rather than being terrified (although at first he does have a bit of a panic attack), he becomes fascinated by the monsters and one in particular – Mavis with whom he is instantly smitten.

Dracula is in a quandary. Not only must he keep his daughter safe from this human, he must keep the guests from finding out about him or else their confidence in their safety at the hotel would be compromised. The problem is that Johnny really isn’t a bad guy once you get to know him. And Mavis has developed feelings for him as well. What’s a dad – and the king of the undead at that – to do?

Tartakovsky, best known for his Cartoon Network classics Star Wars: Clone Wars, Dexter’s Laboratory and Powerpuff Girls tackles his first animated feature with an all-star cast and a much more detailed animation than you usually get on the hideously bad CN. It doesn’t hurt that he has an all-star cast to work with.

Sandler usually has a tendency to be over-the-top but here he’s actually fairly restrained. We get all of the things that are endearing about him and none of the things that are irritating. It’s one of his better performances in the past five years. He gives the overprotective Dracula a touch of humanity that many other performances lack. Yes this is a comedy and meant to be about as scary as Mickey’s Not-So-Scary Halloween Party at Disney World but that doesn’t mean it has to be depth-less. Sandler gives the character a whole lot of reasons for us to identify with him.

Most of the other characters are given less to work with, although Samberg actually acquits himself nicely as the heart-of-gold stoner dude and Lovitz gets to go a little bit over-the-top with his Quasimodo chef’s role. Sadly, that’s about the extent of it. While there are plenty of in-jokes that adults – particularly those who love classic horror films – are going to chuckle at, there really isn’t much in the way of story which we’ve all seen more than once before.

The universe inhabited here is familiar and fun and makes internal sense. While the ending scene with the rap concert at Mavis’ party is unnecessary and simply awful, almost Disney Channel-esque in it’s bad rappery (Cee-Lo baby – you’re better than this, dawg) most of the rest is merely predictable. There are some fun little gags – like Dracula making a demonic face every time he is annoyed.

This isn’t groundbreaking or head-turning in any real way. It’s merely pleasant entertainment that will keep the kids satisfied and the parents won’t necessarily be squirming in their chairs waiting for the show to end. It will probably end up being a Halloween perennial, showing up on cable and later on broadcast TV every October without fail. In that sense it will become a classic because of repeated viewings but it will be one that while inoffensive isn’t necessarily a classic because of exceptional merit.

REASONS TO GO: Nicely drawn universe. Plenty of in-jokes for classic horror fans.

REASONS TO STAY: Story is kind of ho-hum. Rap scene at the end gratuitous and stupid.

FAMILY VALUES: There are a few scary images, some rude humor and a bit of cartoon action.

TRIVIAL PURSUIT: The film was released on World Rabies Day.

CRITICAL MASS: As of 10/8/12: Rotten Tomatoes: 45% positive reviews. Metacritic: 48/100. The movie is getting seriously mixed reviews..

COMPARISON SHOPPING: Mad Monster Party

MONSTER LOVERS: Among the famous movie monsters that make an appearance here are Dracula, Frankenstein’s monster, the Werewolf, the Invisible Man, the Mummy, the Blob, the Fly and Quasimodo.

FINAL RATING: 6/10

NEXT: The Hunt for Red October

New Releases for the Week of September 28, 2012


September 28, 2012

HOTEL TRANSYLVANIA

(Columbia/Sony Animation) Starring the voices of Adam Sandler, Selena Gomez, Andy Samberg, Kevin James, Cee-Lo Green, Steve Buscemi, David Spade. Directed by Genndy Tartakovsky

In an effort to insulate his willful daughter Mavis from the world, Count Dracula decides to turn his castle into a hotel for monsters only. There, he and Mavis can hang out with Frankenstein and his bride, the Wolf Man, the Mummy, the Invisible Man and all of their friends. However when a human hiker stumbles into the Castle and Mavis takes a liking to him, all manner of chaos will ensue. However, I don’t know how eager I’d be to have Dracula as my father-in-law.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Animated Feature

Rating: PG (for some rude humor, action and scary images)

Looper

(Tri-Star) Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano. In the future time travel has been discovered but it’s illegal; so only criminals use it, to dispose of their “problems.” They send the people they want to whack back in time to the present day where an assassin – called a Looper – murders them and disposes of the body. Nice. Neat. But for one Looper, he is put in a very disconcerting situation when his assignment turns out to be his own future self. So would that be homicide or suicide?

See the trailer, an interview and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Science Fiction

Rating: R (for strong violence, language, some sexuality/nudity and drug use)

OMG – Oh My God!

(Viacom18) Mithun Chakraborty, Paresh Rawal, Akshay Kumar, Poonam Jhawer. When an antique shopkeeper loses everything to a tornado, his faith in God wavers to the point where he makes it his mission to convince others of the non-existence of God. This leads to mayhem until he gets an unexpected visit from Lord Krishna himself.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

Pitch Perfect

(Universal) Anna Kendrick, Brittany Snow, Anna Camp, Rebel Wilson. A shy young girl who has just enrolled in college is roped into the a cappella group, even though she’d much rather listen to music than make it. However she resolves to take the group from their traditional arrangements to mash-ups of modern hits which might lead them to success at competitions. Or unfair comparisons to “Glee.”

See the trailer and featurettes here.

For more on the movie this is the website.

Release formats: Standard

Genre: Musical

Rating: PG-13 (for sexual material, language and drug references)

Robot & Frank

(Goldwyn) Frank Langella, Susan Sarandon, James Marsden, Liv Tyler. The concerned children of a retired thief are worried that he is unable to care for himself living alone. So against the old man’s wishes, his son buys him a robot that is programmed to improve his physical and mental health. The old man soon finds his life changing in some ways – and returning back to what it used to be in others.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Science Fiction

Rating: PG-13 (for some language)

Solomon Kane

(Radius) James Purefoy, Max von Sydow, Pete Postlethwaite, Alice Krige. A soldier in the 16th century discovers his actions have damned his soul. He vows to redeem himself and refrain from violence for the remainder of his days, but when a supernatural threat descends upon the land, he discovers that his skills may be the only thing to save his home and people.

See the trailer, featurettes, a clip and a link to stream the full movie from Amazon here.

For more on the movie this is the website.

Release formats: Standard

Genre: Fantasy

Rating: R (for violence throughout)

Won’t Back Down

(20th Century Fox) Maggie Gyllenhaal, Viola Davis, Oscar Isaac, Holly Hunter. Two mothers, horrified at the state of education in their poverty-level neighborhood, resolve to improve the quality of the education in their area. Met with opposition from the city and education bureaucracy they find themselves forced to take the fight much further than they thought possible.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG (for thematic elements and language)

Jack and Jill


 

Jack and Jill

Dumb and Dumberer.

(2011) Comedy (Columbia) Adam Sandler, Katie Holmes, Al Pacino, Elodie Tougne, Rohan Chand, Eugenio Derbez, David Spade, Nick Swardson, Tim Meadows, Norm MacDonald, Allen Covert, Geoff Pierson, Valerie Mahaffey, Dana Carvey, Regis Philbin, Gary Valentine. Directed by Dennis Dugan

 

Have you ever had a houseguest who just drove you up a wall? Their habits were completely disgusting; they broadcast their opinions at volumes that would drown out a jet engine and before long even the  sight of them makes you want to scream. And why would you admit a houseguest like that? Because they’re family, that’s why.

Jack (Sandler) is a successful TV director who live in a beautiful home in Beverly Hills, a beautiful wife (Holmes) named Erin and two beautiful kids. He has a Mexican gardener (Derbez), courtyard seats at Laker games – everything you need for what qualifies for the perfect life in El Lay.

He also has two impossible tasks in front of him. The first is to satisfy a client – Dunkin Donuts to be exact but who’s keeping score – who want him to sign Al Pacino to be the celebrity spokesman for their new Dunkaccino product. Yeah, that’ll happen – but the most daunting task is to survive the annual Thanksgiving visit of his twin sister Jill (also Sandler) without shooting her in the face and dumping her body in a wood chipper.

That’s because Jill has all the tact of a rampaging rhinoceros on crystal meth. With her broad Bronx accent (which her brother has pretty much lost) and near-incomprehensible dumbness (she doesn’t know what the Internet is….seriously?) she may be the single most obnoxious and unlikable character in the movies in the last 20 years that I can think of. Maybe ever.

She wants some “twin time” so her Thanksgiving stay stretches into December, through Chanukah and beyond. Jack wants her gone by the time his family leaves for a much anticipated and much needed cruise. She has a list of things she wants to do, including  a Laker game where Jack runs into Al Pacino (playing himself). To the astonishment of everyone not named Al Pacino (including everyone in the audience) Pacino falls crazy head over heels for Jill which to me should have alone qualified him for an honorary Oscar, if not psychiatric evaluation.

Now Jack has the perfect “in” with Pacino but Jill, being the dim bulb she is, refuses to help a brother out. Now Jack stands to lose everything – including the sister who was one his Womb Mate (bwah haw haw haw haw). Maybe that’s not such a bad thing after all.

This is a real mess. The crux of the movie is Sandler playing two roles that are similar but with some compelling differences beyond the obvious one of gender. Whereas Jack is composed, literate and successful, Jill is shrill, oblivious and a bit of a failure. Yet they still have the same mannerisms and look a lot like Adam Sandler which is pretty unfortunate for Jill because she looks pretty mannish and is never really convincing as a woman – she lacks the innate grace of movement that women possess. She is literally the Man Who Came to Dinner…and then stayed..and stayed…and stayed.

In fact Sandler is so unlikable in both roles that he won Razzies for both – the first time an actor has taken awards for each gender in the history of the dubious honor that is the Golden Raspberry. Jack and Jill in fact took a total of ten of them including all of the “major” awards, marking it the worst film of 2011. I guess you can make a case for it, although personally I’d have put Hop and Melancholia both ahead of it.

What saves this movie for me is Pacino. He is the very definition of a good sport, lampooning himself somewhat as a hyper-sensitive, temperamental diva of an actor who has abysmal taste in women and sees something in Jill NOBODY else can see; not even her brother. Sometimes strangers see us more truly than our own family does.

It’s easy to kick a dead horse, and this movie has all the stench of a rotting equine cadaver. While there are some bright spots – besides Pacino, Holmes acquits herself well – the lack of a truly funny script sinks the movie beyond all redemption. The sad thing is, the makers of this movie have all made very funny film previous to this, so it’s obvious they know how. Unfortunately, this is all base stuff that has the humor level of two six year olds on a school playground screaming “PEE PEE! DOO DOO! CACA!” and laughing hysterically at each other as they do. If you still do that, by all means rent this. If you think Adam Sandler can do no wrong, rent this. Otherwise, look elsewhere.

WHY RENT THIS: Holmes at least maintains a shred of dignity. Kind of fun seeing all the SNL vets onscreen, plus all the celebrity cameos. Pacino is fun to watch.

WHY RENT SOMETHING ELSE: Hideously unfunny. Sandler overacts shamelessly as Jill.

FAMILY VALUES:  The humor can be pretty crude; there’s also a little bit of violence for comic effect as well as some bad and/or suggestive language.

TRIVIAL PURSUIT: Allen Covert plays Otto in the movie, the same role he had in Happy Gilmore.

NOTABLE HOME VIDEO EXTRAS: There’s a featurette on filming on the Royal Caribbean cruise ship Allure of the Seas. There’s also a featurette on the various cameos that appear in the movie.

BOX OFFICE PERFORMANCE: $149.7M on a $79M production budget; the movie just about broke even.

COMPARISON SHOPPING: Mr. Deeds

FINAL RATING: A very generous 4/10

NEXT: Goats

New Releases for the Week of November 11, 2011


November 11, 2011

J. EDGAR

(Warner Brothers) Leonardo di Caprio, Naomi Watts, Judi Dench, Armie Hammer, Josh Lucas, Ken Howard, Ryan McPartlin, Dermot Mulroney, Denis O’Hare, Stephen Root, Lea Thompson. Directed by Clint Eastwood

One of America’s icons takes on another icon. Clint Eastwood undertakes to tell the story of J. Edgar Hoover, the longtime head of the FBI. Long one of the most enigmatic figures of the 20th Century, the legends and myths around America’s top cop have grown regarding his personality, his sexuality and of course his paranoia. He kept files on all sorts of Americans, ranging from Eleanor Roosevelt to John Lennon. Who was the man behind the myth? Eastwood aims to expose the man J. Edgar Hoover was.

See the trailer and promos here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biographical Drama

Rating: R (for brief strong language)

Immortals

(Relativity)Henry Cavill, Stephen Dorff, Freida Pinto, Mickey Rourke. Director Tarsem Singh, with such visual treats as The Cell and The Fall to his credit, takes on Greek mythology. Specifically in this case, the story of Theseus, a young stonemason out to avenge the death of his mother at the hands of a power-mad King bent on not only conquering all of Greece but destroying the Gods as well.

See the trailer, a promo, a featurette and web-only content here.

For more on the movie this is the website

Release formats: Standard, 3D

Genre: Fantasy

Rating: R (for sequences of strong bloody violence and a scene of sexuality)

Jack and Jill

(Columbia) Adam Sandler, Katy Holmes, Al Pacino, David Spade. An advertising executive in Los Angeles trying to get Al Pacino to do a Dunkin Donuts commercial finds the hook when Pacino falls for his identical twin sister who is visiting from New York. Adam Sandler in two obnoxious roles? Oy vey!

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for some language)

Martha Marcy May Marlene

(Fox Searchlight) Elizabeth Olsen, Christopher Abbott, John Hawkes, Sarah Paulson. A woman who has escaped from a violent cult seeks refuge at the home of her older sister. She is reticent to talk about her experiences until her memories begin to surface, leading to increasing paranoia that she is being stalked by the cult who wish to reclaim their lost member. As this occurs, the line between reality and delusion begins to blur.

See the trailer, a clip, a featurette and web-only content here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: R (for disturbing violent and sexual content, nudity and language)

Grown Ups


Grown Ups

Kevin James hangs on for dear life.

(Columbia) Adam Sandler, Kevin James, Chris Rock, David Spade, Rob Schneider, Salma Hayek Pinault, Maria Bello, Maya Rudolph, Joyce van Patten, Ebony Jo-Ann, Di Quon, Colin Quinn, Steve Buscemi, Tim Meadows. Directed by Dennis Dugan

The problem with life is that we grow up, we move on. We never have the kind of friends we had as children (I learned that as a child, but was reminded of it some years ago when I first saw Stand By Me) and even when we reconnect, we find that our childhood friends aren’t the same people they were when we were young.

The coach of a championship middles school basketball team has died. A gruff, genial sort, he had a major effect on the lives of the starting five, who gather for his funeral; Eric Lamonsoff (James), a beefy guy who is married to Sally (Bello) who still breastfeeds their four-year-old; Kurt McKenzie (Rock) who is now a somewhat whipped househusband with a dismissive wife Deanne (Rudolph) and the mother-in-law from Hell, Madea…I mean, Mama Ronzoni (Jo-Ann); Rob Hilliard (Schneider) who is on his third marriage, this time to Gloria (van Patten), a woman 30 years his senior and who along with him have embraced a New Age vegan lifestyle; Marcus Higgins (Spade), a womanizer whose women are getting younger as he gets older and finally Lenny Feder (Sandler), the star of the team who has gone on to be a super-rich Hollywood agent married to a hot (in every sense of the word) fashion designer Roxanne (Hayek Pinault).

Lenny decides to rent the same lake house the five were taken to by the coach to celebrate their championship back in 1978. All of them are bringing a good deal of baggage with them, much of it residing in their relationships with their wives and children. Maybe all it takes is a weekend recapturing the magic of youth when a summer day seemed endless, the Fourth of July was a reason to celebrate and the possibilities were unlimited.

That’s basically all you need to know about the plot. The good news is that this is a pleasant movie that really isn’t offensive, despite some of its attempts to be as in Sally’s milk-spray into Deanne’s face, or Marcus taking a header into a pile of dog poo. The bad news is that the movie tends to settle into a rut of pleasantness, taking the bite out of comics who ten years ago would have made fun of efforts like this.

The movie is somewhat uneven; there were places where I was laughing out loud and others where I was rolling my eyes. The comics seem to be going for a juvenile kind of humor where calling each other fat in some imaginative way is the height of wit. Not that I have anything against that sort of thing – that’s what guys do after all – but it runs through the whole movie.

Nearly all of the movie’s best moments come at the hands of the five leads, which makes a bit of sense – after all, that’s who people are paying to see. Unfortunately, that leaves a lot of lesser characters vying for screen time and making the movie feel a little bit crowded. One of the better moments was a speech that perennial TV guest star Joyce van Patten makes near the end of the movie during the obligatory confessional revelatory scene; it might well be the best moment in her distinguished career. Unfortunately, it feels like it should be in another movie.

If you like all these guys individually or collectively, you’re going to see this regardless of what I say. Fortunately, you won’t be disappointed. It’s not the best work of any one of them by any means, but it certainly won’t leave you feeling like you didn’t get your money’s worth. I saw this over the Fourth of July weekend which is the ideal time to see this; what can be more American than a bunch of friends getting together in a bucolic location to relive the glory days and fix what is broken in their lives?

 REASONS TO GO: Five of the best comedians of the 90s all together in the same film. Hayek and Bello are a couple of hotties. There are some pretty funny moments here.

REASONS TO STAY: The movie is wildly uneven and relies a little bit overly much on juvenile humor and pratfalls.

FAMILY VALUES: Some scatological and sexual humor as well as a few male rear ends on display; while nothing I wouldn’t flinch at, you might want to think twice about letting the younger kids see it.

TRIVIAL PURSUIT: Dugan has a cameo as the referee in the opening basketball sequence; Sandler’s real-life wife and daughters also make an appearance as the wife and daughters of Tardio, the cannoli guy. “Amoskeag Lake” doesn’t exist, incidentally; the movie was filmed at Chebacco Lake in Massachusetts; Amoskeag refers to a dam on the Merrimack River in New Hampshire near where Adam Sandler grew up; a number of businesses in Manchester were named after it.

HOME OR THEATER: This will work just as well at home as it will in a big theater; however, this is the type of comedy meant to be enjoyed with a crowd so keep that in mind.

FINAL RATING: 6/10

TOMORROW: Igor

New Releases for the Week of June 25, 2010


June 25, 2010

There is no "I" in team, but there are two of them in "idiot."

GROWN UPS

(Columbia) Adam Sandler, Chris Rock, Kevin James, David Spade, Rob Schneider, Maria Bello, Salma Hayek, Maya Rudolph. Directed by Dennis Dugan

Five childhood friends, all members of a championship youth basketball team, gather some years later to honor the passing of their former coach. Now married and with kids of their own, they get together at the same lake house on the Fourth of July weekend where they celebrated their championship win years earlier. However, getting older doesn’t necessarily mean growing up and the bickering and childishness that plagued them years earlier begins to resurface.

See the trailer, clips and interviews here.

For more on the movie this is the website.

Release formats: Standard

Rating: PG-13 (for crude material including suggestive references, language and some male rear nudity)

Knight and Day

(20th Century Fox) Tom Cruise, Cameron Diaz, Peter Sarsgaard, Viola Davis. It’s hard enough to nurture a romance in this modern world of social networking, dating websites and instant gratification. It’s doubly tough when you’re being chased around the world by professional assassins, attempting to uncover a deadly secret and you’re not sure if the man accompanying you is a heroic spy, a traitor to his country or just plain whacko.

See the trailer, clips, interviews and promos here.

For more on the movie this is the website.

Release formats: Standard

Rating: PG-13 (for sequences of action violence throughout, and brief strong language)

Mother and Child

(Sony Classics) Naomi Watts, Annette Bening, Kerry Washington, Samuel L. Jackson. Three intertwining tales involve three women whose lives have all been touched in one way or another by adoption; one woman who gave her child up for adoption year earlier, another who was herself adopted and a third looking to adopt a child for herself. This first opened in New York and Los Angeles on May 7.

See the trailer, featurettes and clips here.

For more on the movie this is the website.

Release formats: Standard

Rating: R (for sexuality, brief nudity and language)

Solitary Man

(Anchor Bay) Michael Douglas, Susan Sarandon, Danny DeVito, Mary-Louise Parker. A New Yorker who once owned a successful car dealership is on the verge of a comeback. His out-of-control libido and bad personal choices helped derail his career and end his marriage. While he still hangs out with his daughter and grandson, the latter who adores him without question, she break off the relationship when she discovers dear old dad is seeing one of her friends romantically. Can a solitary man pull off the comeback of the century, or will the demons that caused his downfall in the first place rear their ugly heads? This first opened in New York and Los Angeles on May 21.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Rating: R (for language and some sexual content)