The Hobbit: An Unexpected Journey


Bilbo, Bilbo Baggins, the greatest little hobbit of them all!

Bilbo, Bilbo Baggins, the greatest little hobbit of them all!

(2012) Fantasy (New Line) Ian McKellen, Martin Freeman, Richard Armitage, Cate Blanchett, Hugo Weaving, Ken Stott, Graham McTavish, James Nesbitt, Aidan Turner, John Callen, William Kircher, Stephen Hunter, Dean O’Gorman, Peter Hambleton, Jed Brophy, Mark Hadlow, Sylvester McCoy, Adam Brown, Andy Serkis, Elijah Wood, Ian Holm, Christopher Lee, Barry Humphries, Manu Bennett. Directed by Peter Jackson

It is easy to become attached to one’s hearth and home. Here are we most comfortable, here is where our routine is. It is also very easy to fall into a rut at home. Why have adventures of your own when you can stay safely at home and live vicariously through the adventures of someone else’s reality or imagination on a computer/television screen?

Bilbo Baggins (Freeman) is of this mind. As a hobbit, he has a particular love of fine victuals, a comfortable bed and a cozy hole. Yet one day the sorcerer Gandalf the Grey (McKellen) turns up at his door, looking for a hobbit who wants to go on an adventure with him. He’s definitely in the wrong place for that. Bilbo is, after all, as respectable a hobbit as you’re likely to find anywhere and respectable hobbits don’t go on adventures, no sir. Adventures are messy, inconvenient things that make one late for dinner.

But Gandalf knows better and soon a company of dwarves are knocking on Bilbo’s door, including Balin (Stott), Dwalin (McTavish), Bifur (Kircher), Bofur (Nesbitt), Bombur (Hunter), Fili (O’Gorman), Kili (Turner), Oin (Callen), Gloin (Hambleton), Nori (Brophy), Dori (Hadlow), Ori (Brown) and their leader Thorin Oakenshield (Armitage).

The Dwarves were driven from their home in Erebor below the Lonely Mountain by Smaug the Dragon, who was attracted by the fabulous horde of gold and gems that were amassed by their King, who had grown greedy. Now homeless, doing odd jobs to get by, the small band means to reclaim their home using a map which will gain them entrance to Erebor through a secret entrance as the only other entrance to their beautiful home is guarded by the ever-watchful Smaug.

Bilbo is at first reluctant to join them but eventually relents, sympathetic to those who have no home. He means to help them retake theirs, even though the way is dangerous as it proves to be. They are captured by Trolls although Bilbo and Gandalf save them; they are also chased by Orcs led by the half-mad Azog the Defiler (Bennett) who bears a personal grudge with Thorin.

They also meet with Elrond (Weaving) in Rivendell although Thorin bears great enmity to the Elves who stood by and watched without helping when the Dwarves needed their aid against Smaug. Elrond alone can read the map and show them the way to the hidden door to Erebor. Also at this council is Galadriel (Bennett), queen of the High Elves, and Saruman (Lee), chief of the sorcerer’s order. Both Elrond and Saruman council caution, while news from Radagast the Brown (McCoy), a sorcerer who protects the Greenwood that a necromancer has appeared in the deserted fortress of Dol Guldur are met with skepticism.

Galadriel however sides with Gandalf and privately offers her support if and when it’s needed. However, there is some dismay when it is revealed that the Dwarves have already departed for the Misty Mountains through which they must pass in order to reach the Lonely Mountain and Erebor. However, in the Misty Mountains they will meet their greatest challenge and Bilbo will find a date with destiny -  a strange creature named Gollum (Serkis) who has a very peculiar ring.

Jackson’s Lord of the Rings trilogy is one of the most beloved film series in history, not only generating a box office bonanza but Oscars as well. However, it was always known that the books they were based on were essentially sequels to The Hobbit which author J.R.R. Tolkien altered after publishing in order to create closer ties between the books.

The original novel was a children’s story and is shorter than each of the three of the books that comprised the trilogy, but Jackson has elected to create three movies from this book totaling well over eight hours of screen time (An Unexpected Journey clocks in at just under three hours). Buffering it with new material and some from other Tolkien works, this might upset purists who probably would have been happier with a single film.

Still, Jackson makes epics like nobody else and his attention to detail is legendary. Once again he has re-created Middle Earth in New Zealand and it looks every inch the part. So does Martin Freeman, a respected actor who is perfect as Bilbo. He gets the nuances of Bilbo, the good and courageous heart that is sometimes hidden beneath a stuffy exterior. Freeman’s voice even sounds like Bilbo. Happily enough, he resembles Ian Holm facially (Holm played Bilbo in the trilogy and reprises the role as the elderly Bilbo and narrates early on; he also gets a lovely seen with Frodo, with Elijah Wood reprising his role as well).

Armitage makes a splendid Thorin and may wind up getting the career boost Viggo Mortensen did from the trilogy. He is charismatic here with an inner nobility and a gruff exterior – just like I remember Thorin from the book. Like Mortensen, he’s also a very handsome man who is going to get his share of female attention.

Now the Dwarven company numbers thirteen including Thorin and while they all have their own personalities and characteristics, it’s difficult separating one from the other. Fili and Kili, the youngest and brashest members stand out as does the oldest, Balin and Dwalin. The others more or less run together – one’s the glutton, one’s the sensitive soul and then there’s the grumpy one. And Sneezy and Sleepy and Doc.

The party sequence at Bilbo’s runs on far too long; it could have easily been shortened by half. In fact, the whole movie is a bit longish; I would have been much happier had it been closer to two hours than three. We really don’t get much more than a glimpse of Smaug (which I suspect won’t change until the third film in 2014) or even the Lonely Mountain which we see from a distance at the very end of the film – not counting the prologue when we witness the Dwarves fleeing Erebor.

Does it recapture the magic of the first three films? Absolutely and that’s the thing to remember. It doesn’t duplicate it however – the mood of The Hobbit is a lot different than the mood of the trilogy – and I think a lot of critics who have dissed this movie have been thrown by that. If you’re expecting a note-by-note LOTR replay, you’ll be disappointed. This is clearly a new set of movies set in the same universe and unlike the Star Wars prequels, these is actually a good movie that you’ll want to see and not just because it’s Middle Earth but because you’ll be entertained.

Da Queen and I decided to go whole hog with this one and we saw it in IMAX 3D with the accelerated frame rate and I highly recommend it. For once the upcharge is worth it.

REASONS TO GO: A welcome return to Middle Earth. Freeman is the perfect Bilbo and the Dwarves are a merry lot. Nice cameos from LOTR veterans.

REASONS TO STAY: Runs a little bit too long; some of the beginning scenes with Bilbo meeting the Dwarves might have been cut a little bit.

FAMILY VALUES:  There are a few frightening images, plenty of action and violence.

TRIVIAL PURSUIT: This is the first film to be shot at a frame rate of 48 frames per second, twice the industry standard. The difference is noticeable with smoother motion, but especially in the 3D version which the depth of field is more realistic.

CRITICAL MASS: As of 12/22/12: Rotten Tomatoes: 65% positive reviews. Metacritic: 58/100. The reviews are surprisingly mixed.

COMPARISON SHOPPING: The Fellowship of the Ring

TROLL LOVERS: The troll scene contains some very realistic if dimwitted trolls.

FINAL RATING: 9/10

NEXT: The Holly and the Quill begins!

One Day


One Day

Jim Sturgess finds that when he closes his eyes he really can't find Anne Hathaway's mouth.

(2011) Romance (Focus) Anne Hathaway, Jim Sturgess, Patricia Clarkson, Ken Stott, Romola Garai, Rafe Spall, Jodie Whittaker, Tom Mison, Heida Reed, Amanda Fairbank-Hynes, Georgia King, Emelia Jones. Directed by Lone Scherfig

Our lives are a series of 24 hour periods, stretching from birth to death. Taken as a whole, they form our life. Individually they may not have the same meaning, but it only takes a single day to change our lives forever.

Emma (Hathaway) and Dexter (Sturgess) meet on July 15, 1988 – the date of their college graduation in Edinburgh. They hit it off and almost have sex but it doesn’t quite work out so they decide to stay friends. Their friendship takes them through diverging paths in life; Dexter becomes a TV presenter whose mother (Clarkson) is ill and whose father (Stott) can’t stand him. Emma’s bright-eyed idealism gives way to world-weary cynicism as she gets stuck in a job she can’t stand. Emma and Dexter drift further apart as she struggles to find herself and he becomes lost in stardom.

They seem to be moving on into different relationships; Emma with Ian (Spall), a failed stand-up comic and Dexter with Sylvie (Garai), with whom he has a daughter Jasmine (Jones). Emma’s career begins to take off as a teacher; Dexter’s declines after a series of woeful teen countdown programs in which his growing addiction to alcohol and drugs begins to affect his work, while his age begins to slam doors in his face.

Soon it becomes evident to both of them that they are far better together than they are separately – the sum greater than the parts. Has too much water flown beneath the bridge for them ever to get together?

This is based on a book by David Nicholls (who also wrote the screenplay) and is directed by Scherfig, the Swedish director who in 2009 won acclaim for his movie An Education. This is a disappointment of a movie; one which has two of the most appealing actors in Hollywood and squanders them. It’s quite a shame too; if this had been executed better it might have been a solid movie.

The problem with the movie is the problem that comes from the novel it’s based on – the two main characters spend nearly the entire movie apart. The whole conceit of the movie is that we are encountering the two main characters on July 15th every year (or in some cases every second year) from the day they first meet. Because we don’t see the characters together as much, there is no time for them to develop chemistry together.

One gets the feeling that Hathaway has moved on from roles like this. She has Oscar-caliber talent, evidenced in movies like Love and Other Drugs. Emma is not a role really suited for her. For one thing it forces her to adopt both a Scottish and a Yorkshire accent, which drifts during the course of the movie. It never sounds convincing to my ear; quite frankly I think the movie would have been better served to have cast a British actress in the role (and there are a lot of good ones).

Sturgess has to play an absolute rotter at times and he pulls it off; his disarming grin and boyish good looks aiding him in his portrayal. I hope he continues to get romantic leads because he is uncommonly good at them. Clarkson, like Hathaway, is a very fine actress who again is saddled with an unconvincing British accent. She’s a fine actress but couldn’t she and Hathaway just have been re-written to be Americans? Or have British actresses cast in those roles?

A bit of a spoiler follows here although to any sensible moviegoer it won’t come as much of a surprise. One of the central moments of the movie is the moment when Emma decides that her feelings for Dexter are stronger than she admitted they were and that she truly loves him and needs him. It’s a moment that comes off abrupt and schmaltzy, going from “We’re friends and I don’t have any interest in you romantically in the least” to “You’re the love of my life” in a matter of moments. It’s like a car with bad brakes trying to stop on a dime.

Curiously, the movie gets better in a lot of ways from there, even if it descends into general romantic grab a box of Kleenex territory. Once Hathaway and Sturgess get more time together, the movie really elevates. It’s too bad for most of the first hour or so they’re too busy denying their feelings and saying to all and sundry that they’re just friends. Too much time hitting us over the head with the idea that they’re better together than apart – and then they don’t have enough time together to seal the deal. You never fully get the sense that there’s chemistry between the two.

I really wanted to like this movie because it has not only two of my favorite actors in it but also a director who has an exciting future ahead of him and a high-concept way of looking at a 20-year-romance. It should have come together but unfortunately for a variety of reasons it didn’t. All the beautiful Scottish scenery and longing wistful looks from a pair of attractive actors can’t save a movie from its own shortcomings.

REASONS TO GO: Beautiful scenery of Edinburgh and the north of England looks beautiful onscreen.

REASONS TO STAY: Never get a sense that the couple is actually good for each other. Relationship moves abruptly, a very jarring feeling for the audience.

FAMILY VALUES: There is some sexuality and a bit of nudity. There’s also a bit of violence, and a smattering of bad language. There is also some depiction of substance abuse, drugs and alcohol.

TRIVIAL PURSUIT: In order to set the mood for the skinny dipping scene, Hathaway mooned Sturgess, unaware that there was an apartment complex behind her with many of the residents filming the shoot with mobile phone cams. To date, the footage hasn’t surfaced on the Internet which Hathaway has expressed gratitude to the complex residents whom she expressed had “class”.

HOME OR THEATER: A definite cuddling on the couch movie.

FINAL RATING: 4/10

TOMORROW: Takers