The Boxtrolls


I'll have some eggs with that.

I’ll have some eggs with that.

(2014) Animated Feature (Focus) Starring the voices of Ben Kingsley, Isaac Hempstead Wright, Elle Fanning, Dee Bradley Baker, Toni Collette, Jared Harris, Nick Frost, Simon Pegg, Richard Ayoade, Tracy Morgan, Steve Blum, Nika Futterman, Pat Fraley, Fred Tatasciore, Max Mitchell, Maurice LaMarche, Laraine Newman, Brian George. Directed by Anthony Stacchi and Graham Annable

We have a tendency to look down upon those who aren’t members of our economic and/or ethnic stratum. If we are rich, the poor receive our disdain. If we are middle-class, we hate the rich. If we are white, we mistrust those whose skin tones are darker. And of course, right back at the whites from the other ethnic groups.

We might paraphrase Tom Lehrer when talking about this film; “All the red hats hate the white hats, and the white hats hate the red hats…and everybody hates the Boxtrolls.” That’s because these underground dwellers who come to the surface each night to scavenge refuse and spare parts have stolen a baby and killed his father, which according to exterminator Archibald Snatcher (Kingsley) was for a delectable Boxtroll delicacy. Snatcher, a red hat, has long coveted a white hat and sees the Boxtrolls as his ticket to le chapeau blanc. Lord Portley-Rind (Harris), whose main concern is cheese – the town of Cheesebridge is famous for their fromage – absently grants Snatcher his wish. Provided, of course, that he rids the town of every last one of the vermin.

The problem is with the scenario is that the Trubshaw baby isn’t residing in the belly of a Boxtroll. Nor is he even dead. The kindly Boxtrolls have adopted the young orphan and given him a box of his own to hide in – the Boxtrolls are timid creatures who have learned to hide and run rather than stand and fight. True to their custom, they have named the boy Eggs after the product that was stored in the box that he wears and uses as a convenient hiding place. Therefore other Boxtrolls are named Fish, Shoe, Fragile and Oil Can.

Winnie (Fanning), the spoiled daughter of Lord Portley-Rind, is fascinated by the Boxtrolls and by blood, guts and grimness in general. She is further fascinated by them when she discovers that a young boy her age is with them, although nobody believes her tale. When Eggs (Wright) returns to the surface during a cheese festival to try and stop the humans from stealing his friends and releasing those who are imprisoned, he runs into Winnie. She of course doesn’t believe his assertion that the Boxtrolls are gentle and far from dangerous. They are builders, not destroyers.

As it turns out, Snatcher has a fiendish plan in mind which if his henchmen Trout (Frost) and Pickles (Ayoade) had known about they might have had a philosophical issue with. It would mean the extermination of every Boxtroll in town – including Eggs. And as Lord Portley-Rind obliviously chews his cheese, his daughter Winnie realize that it will be up to her and Eggs to save the day if the Boxtrolls are to survive.

Based on a lavishly illustrated almost 600 page children’s book by British author Alan Snow entitled Here Be Monsters, this is the third movie from Laika, the stop-motion animation studio that previously brought us Coraline and ParaNorman. Like those films there is definitely a supernatural bent to the movie. Like those films, the painstaking process includes a fantastically detailed background with meticulously crafted characters.

Kingsley’s normally mild voice is given a kind of over-the-top Cockney villain infusion, breathing life into a character who has allowed his dreams to warp him. He will achieve that goal no matter what it costs and the devil help whomever gets in his way because God surely won’t. Equal parts Snidely Whiplash, Wile E. Coyote, the Child Catcher (from Chitty Chitty Bang Bang) and Monty Python, Archibald Snatcher is a memorable villain who will delight children and adults alike.

So too will the environment created both in the town, which is perched on a hill much like the Wedding Cake town of Gondor in the Lord of the Rings trilogy while the underground home of the Boxtrolls is filled with Rube Goldberg-esque contraptions, unexpected beauty and plenty of gross protein. The entrance into their world is through fun looking slides which would be a slam dunk if Universal ever decides to put a Boxtrolls-themed play area for children in one of its theme parks.

Although Laika is based in the Pacific Northwest, the movie has a definite British sensibility (the source material is, after all, English) not only in the accents but also in the humor; all it lacks is Graham Norton skulking about looking for celebrities to interview. Anglophobes, take note.

Also the story is a bit simplistic which of course comes with the territory when adapting children’s books. While there is plenty of subversive class conscious mockery going on, there are definite bad guys and good guys. Even Archibald Snatcher’s motivation isn’t too hard to understand; if this weren’t geared for kids I suspect they would have made the character a little less malevolent and more sympathetic. I would have liked that myself because, after all, there’s nothing wrong with wanting to better your situation. The issue comes when you give up your humanity in order to do so and perhaps that’s the point they’re making, but even so I think it would have been more poignant if they’d made Archibald a decent fellow to begin with.

But that might not have worked so well with little kids who need someone with a black hat to boo. There is nothing really scary about the Boxtrolls other than maybe a scene or two when one or more of the characters is in grave peril but there isn’t anything wrong with bringing your littlest tykes into this one. It’s fun, there’s a definite Halloween vibe to it and adults will be as enchanted as their rugrats at the movies and in a year of mediocre family entertainment at best, this one stands out as pure gold.

REASONS TO GO: Wacky and as enchanting for adults as it is for kids. Kingsley voices one of the greatest villains of recent animated films. Beautiful stop-motion animation.
REASONS TO STAY: May be too British for some. Plot can be simplistic.
FAMILY VALUES:  A bit of rude humor, some peril and a bit of animated action. Okay for most kiddies.
TRIVIAL PURSUIT: Pegg and Frost, good friends in real life, didn’t find out until after they’d recorded their portions of the dialogue that they’d both lent their voices to the movie.
CRITICAL MASS: As of 10/21/14: Rotten Tomatoes: 74% positive reviews. Metacritic: 63/100.
COMPARISON SHOPPING: Monsters, Inc.
FINAL RATING: 8/10
NEXT: Trade

New Releases for the Week of October 3, 2014


Gone GirlGONE GIRL

(20th Century Fox) Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry, Kim Dickens, Patrick Fugit, Missi Pyle, Sela Ward, Boyd Holbrook. Directed by David Fincher

Nick and Amy have the perfect marriage. They love each other madly, support each other completely and are in the initial stages of building a long and fruitful life together. Or so it seems. On the evening of their fifth wedding anniversary Amy turns up missing. As the facade of the perfect marriage begins to crumble, the spotlight turns on Nick who it seems is far from the perfect husband. Did Nick murder his wife? Or is something far more different going on?

See the trailer, clips and a promo here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Thriller

Rating: R (for a scene of bloody violence, some strong sexual content/nudity, and language)

Annabelle

(New Line) Annabelle Wallis, Ward Horton, Alfre Woodard, Tony Amendola. From last year’s hit The Conjuring comes this spin-off, set before the events of that film. Here we find out how the doll Annabelle became so deadly as a cult of vicious Satanists who attack a pregnant wife and her husband. Although they manage to survive the tack, the cultists do not but their blood and horrible memories are not all they leave behind; they had conjured up a demonic entity that has attached itself to the doll, a gift from the husband to his wife. That gift is going to be the kind that keeps on giving, you can be sure of that!

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Supernatural Horror

Rating: R (for intense sequences of disturbing violence and terror)

Bang Bang

(Fox Star) Katrina Kaif, Hrithik Roshan, Jimmy Shergill, Preity Uupala. A mousy bank employee falls into international intrigue when a mysterious stranger comes into his life, claiming to be a spy on a secret mission to save the world. Can she trust the word of this charming stranger? Is he what he says he is? Or is he delusional and leading her into the kind of trouble that she can’t dig her way out of? A remake of the recent Tom Cruise/Cameron Diaz vehicle Knight and Day.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Bollywood Action

Rating: NR

The Good Lie

(Warner Brothers) Reese Witherspoon, Corey Stoll, Arnold Oceng, Ger Duany. Sudanese refugees travel 1500 miles on foot to reach a refugee camp where they have a shot at getting the golden ticket to America where they can star their lives over in freedom. Four young brothers have been through incredible trauma making it to America but their sister is left behind for a later flight. However when 9-11 halts refugee activity, a social worker is moved to help these boys reunite their family even though the odds are stacked against them.

See the trailer and premiere footage here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: PG-13 (for thematic elements, some violence, brief strong language and drug use)

Govindudu Andarivadele

(Parameswara Arts) Ram Charan, Srikanth, Kajal Aggarwal, Kamalinee Mukherjee. A young agriculture student visits his grandfather’s house in an effort to reconcile the old man with his father. As he does so he discovers the story behind their estrangement and his grandfather learns why the student has come to mend fences at that specific time.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood Family

Rating: NR

Haider

(UTV) Shahid Kapoor, Tabu, Narendra Jha, Irrfan Khan. A modern version of Shakespeare’s Hamlet set in India, this is the third in a Shakespearean trilogy by director Vishal Bhardwaj.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood Drama

Rating: NR

Hector and the Search for Happiness

(Relativity) Simon Pegg, Christopher Plummer, Rosamund Pike, Stellan Skarsgard. A psychiatrist who has fallen into a rut, decides he is no longer qualified to advise his patients on how to have a better, more fulfilling life if he hasn’t lived one himself yet. He goes out therefore on an adventure throughout the world trying to find what happiness is.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R  (for language and some brief nudity)

Left Behind

(Stoney Lake) Nicolas Cage, Chad Michael Murray, Lea Thompson, Cassi Thomson. When the Rapture takes place and the righteous ascend to heaven, those that remain on Earth discover that there’s a reason why going to heaven was a much better idea.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Faith-Based Adventure

Rating: PG-13 (for some thematic elements, violence/peril and brief drug content)

The Liberator

(Cohen Media Group) Edgar Ramirez, Danny Huston, Maria Valverde, Gary Lewis. The story of Simon Bolivar, who led a revolt of the South American indigenous peoples against the colonial might of the Spanish and Portuguese empires. He was instrumental in freeing millions of people to self-govern and is regarded as one of the most beloved heroes in the region.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biographical Drama

Rating: NR

New Releases for the Week of September 26, 2014


The EqualizerTHE EQUALIZER

(Columbia) Denzel Washington, Marton Csokas, Chloe Grace Moretz, David Harbour, Bill Pullman, Melissa Leo, Haley Bennett. Directed by Antoine Fuqua

McCall is a man with a mysterious and violent past that he would much rather put behind him. He lives a quiet life doing a non-descript job. When he meets a beautiful and sweet young girl who is under the control of vicious, violent and sadistic Russian gangsters, he is bothered. When they beat her up and put her in the hospital, he knows this will only end in her demise. He sets out therefore to use his skills to get her out of their control, even if it means taking on overwhelming odds but that’s nothing new for McCall. If you have a problem, he’s the man who can fix anything. Based on the 80s TV hit that starred Edward Woodward in the same role.

See the trailer, clips, a featurette and B-roll video here.

For more on the movie this is the website.

Release formats: Standard, IMAX (opens Thursday)

Genre: Action Thriller

Rating: R (for strong bloody violence and language throughout, including some sexual references)

Believe Me

(Gravitas) Alex Russell, Nick Offerman, Johanna Braddy, Miles Fisher. Everyone knows that the cost for higher education is terrifying. When four seniors discover that their money has run out and in order to graduate they’ll have to come up with a semester’s worth of tuition, they are concerned. When they find out how much that is, they are in full-on panic mode. With no jobs, no money and no ideas, they hit upon the idea of establishing a fake charity. They become so successful at raising money that real charities begin to take notice – and want them on board. Except those real charities might not be quite so charitable as they might seem.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for some language)

The Boxtrolls

(Focus) Starring the voices of Elle Fanning, Ben Kingsley, Toni Collette, Simon Pegg. A community of mischievous but good-hearted creatures that live below the town discover an orphaned boy who has nobody to take care of him. Naming him Egg, they agree to raise him as best they can. Years later when the Boxtrolls are threatened by the townspeople, it will be Egg who must come to their rescue and get both sides to learn to live together.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Animated Feature

Rating: PG (for action, some peril and mild rude humor)

The Disappearance of Eleanor Rigby

(Weinstein) James McAvoy, Jessica Chastain, Viola Davis, William Hurt. A couple whose relationship is falling apart make a last ditch effort to rescue it. Originally made as two separate films – one from the viewpoint of each person in the relationship – Weinstein in their infinite wisdom or lack thereof has decided to combine both films into a single movie. I suppose we’ll never know if the two film thing was gimmicky or innovative.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for language)

Field of Lost Shoes

(Bosch) Lauren Holly, Jason Isaacs, David Arquette, Keith David. As the Civil War progressed, it chewed up soldiers at a terrifying rate. Particularly in the South where they didn’t have the manpower reserves that the North had, young and elderly men alike were called upon in the latter stages of the war to defend their native soil. At the Virginia Military Institute, raw cadets were tasked with defending the monstrously important Shenandoah Valley. This is their story.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: War

Rating: PG-13 (for war violence and some thematic elements)

The Notebook

(Sony Classics) Ulrich Thomsen, Ulrich Matthes, Laszlo Gyemant, Andres Gyemant. On the border of Hungary and Germany during the Second World War, a pair of 13-year-old twin boys are given a notebook by their father to chronicle their lives. Living with a terrifying grandmother, they train themselves to desensitize their bodies to the value of human life. Few films have ever captured the effects of war on the innocent as this one has.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: War

Rating: R  (for disturbing violent and sexual content, nudity and language)

The Skeleton Twins

(Roadside Attractions) Bill Hader, Kristen Wiig, Luke Wilson, Ty Burrell. A pair of twins, estranged for a number of years, are forced back together by economic circumstances. As they reacquaint themselves, they discover that the key to fixing their lives may just lie in repairing their relationship.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language, some sexuality and drug use)

The Song

(Goldwyn) Alan Powell, Ali Faulkner, Caitlin Nicol-Thomas, Danny Vinson. An aspiring musician meets and marries the devout daughter of a vineyard owner. As musicians sometimes do, he writes a song for his new bride. However, he is unprepared for what happens when the song becomes a huge hit. Beset by pressures and temptations he’s ill-equipped to handle, his life and marriage slowly begin to crack at the seams.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Faith Musical

Rating: PG-13 (for thematic elements including some substance abuse, smoking and rude references)

New Releases for the Week of February 7, 2014


The Monuments MenTHE MONUMENTS MEN

(Columbia) George Clooney, Matt Damon, Bill Murray, Cate Blanchett, Jean Dujardin, John Goodman, Bob Balaban, Hugh Bonneville. Directed by George Clooney

In the waning days of World War II, it became evident that the Nazis weren’t just planning on a final solution regarding Jewish lives but also the culture of Europe as well. Thousands of piece of art, stolen by the Nazis, were going to be destroyed and in the retaking of Europe, thousands of buildings with historical and architectural significance were going to be reduced to rubble. To prevent this from happening, FDR tasked a group of museum curators, artists and architects to saving what they could as time ticked down to the last gasp of the Third Reich. This true story shows that these men, hardly soldiers at all, became soldiers for the saving of humanity’s finest achievements.

See the trailer, featurettes, a promo and a clip here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: War

Rating: PG-13 (for some images of war violence and historical smoking)

A Fantastic Fear of Everything

(Cinedigm) Simon Pegg, Amara Karan, Clare Higgins, Alan Drake. An author of children’s books decides to make a career change into a crime novelist. While doing research into Victorian-era serial killers for his latest book, his already fragile psyche takes a turn for the worse especially when a Hollywood executive, sniffing out a potential blockbuster, gets involved.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language)

Gloria

(Roadside Attractions) Paulina Garcia, Sergio Hernandez, Diego Fontecilla, Fabiola Zamora. A woman approaching middle age still feels young. She hangs out at the social dance clubs of Chile and while she’s lonely, she makes the best of things. Then she meets Rodolfo, a passionate lover who turns her life inside out. The trouble is Rodolfo is a bit of a roller coaster ride, and she must call upon emotional reserves she never knew she had to gather her inner strength to stand up for herself and for the things that will ultimately lead to her own happiness and fulfillment.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: R (for sexual content, some graphic nudity, drug use and language)

Hasee Toh Phasee

(Reliance) Sidharth Malhotra, Parineeti Chopra, Adah Sharma, Manoj Joshi. A prospective groom is given seven days to prove himself to a suspicious father of the bride and given the task of installing the mischievous sister of the bride in a hotel. To save money, he installs her in the flat above his own home, putting her in contact with his quirky family. This being Bollywood, they become closer than they intended, fall in love and several musical numbers ensue.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Bollywood

Rating: NR

The LEGO Movie

(Warner Brothers) Starring the voices of Chris Pratt, Will Ferrell, Liam Neeson, Morgan Freeman. Emmet, a perfectly ordinary LEGO minifigure is mistaken for a kind of savior and drafted into an epic quest to stop an evil would-be dictator, a task for which he is hopefully and woefully unprepared.

See the trailer, clips and a promo here.

For more on the movie this is the website.

Release formats: Standard

Genre: Animated Feature

Rating: PG (for mild action and rude humor)

Nurse 3D

(Lionsgate) Paz de la Huerta, Katrina Bowden, Corbin Bleu, Boris Kodjoe. A sadistic nurse who spends her nights luring married men into dangerous liaisons forms a friendship with a young and naive student nurse. But when she spurns her more intimate attentions, the sadistic nurse goes on a bloody rampage.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Horror

Rating: R (for bloody violence, strong sexual content, language and some graphic nudity)

The Vampire Academy

(Weinstein) Zoey Deutch, Lucy Fry, Gabriel Byrne, Joely Richardson. Two best friends – a princess of the mortal vampires and her half-human, half-vampire protector, must navigate the pitfalls of high school while the half-human must protect her charge from those who would exploit her from within vampire society and the evil immortal vampires who want her dead. From the bestselling young adult book series.

See the trailer, a clip and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Teen Horror Comedy

Rating: PG-13 (for violent bloody images, sexual content and language)

The World’s End


Simon Pegg realizes there's no escape from rabid Star Trek fans.

Simon Pegg realizes there’s no escape from rabid Star Trek fans.

(2013) Sci-Fi Comedy (Focus) Simon Pegg, Nick Frost, Martin Freeman, Rosamund Pike, Paddy Considine, Eddie Marsan, Pierce Brosnan, Bill Nighy (voice), Michael Smiley, David Bradley, Thomas Law, Zachary Bailess, Jasper Levine, James Tarpey, Luke Bromley, Steve Oram, Luke Scott, Darren Boyd, Rafe Spall, Alice Lowe, Flora Slorach, Rose Reynolds, Samantha White. Directed by Edgar Wright

As we grow to middle age it isn’t uncommon to look back at our youth with a kind of longing. We miss that feeling that everything was ahead of us and that life can only get better. The regrets we do have are generally not for the things we did but for the things we didn’t do.

Gary King (Pegg) can relate. Just out of school, he was King Gary, the guy all the guys wanted to hang out with and be like, and the guy all the girls wanted to be with. He and his four best mates – Andy Knightley (Frost), Oliver “O-Man” Chamberlain (Freeman), Steven Prince (Considine) and Peter Page (Marsan) – were inseparable. They even attempted the legendary Golden Mile – 12 pubs in their hometown of Newton Haven in a single night. They failed but during the course of the evening Gary managed to make out with Oliver’s sister Sam (Pike) and have the best night of his life. It was 1990, the millennium was ten years off and music was awesome – Madchester was in full glory and so was Gary in a black leather trench coat.

The trouble is that we don’t stay young forever. 1990 passed into history and it’s almost 25 years later. The lads have moved on and become middle aged men but Gary hasn’t changed much. He’s an alcoholic who has turned from the guy boys want to be like and girls want to be with into the guy men want to be the opposite of and women want to be miles away from. He still is as inconsiderate and selfish as ever, and his ego is bigger than Tommy Lee’s libido.

The failure to complete the Golden Mile has gnawed at him over the year and finally he gets the notion to get the old gang back together, head over to Newton Haven and do the Golden Mile up properly – and finish the job this time. Of course the others are reluctant but Gary is persuasive and manipulative and uses his charm (and a few outright lies) to get them to go.

At first when they get down to it, things are a little awkward. The boys – now men – don’t have a lot to say to one another. But as the pints begin to flow, things loosen up and soon it’s like old times. They’re laughing, recalling past triumphs (and embarrassments) and generally remembering why they were mates in the first place.

But their old times were never like this. There’s something strange going on in Newton Haven and the lads have stumbled into something out of a John Wyndham nightmare. The bonds of their friendship will be tested as Gary’s obsession to finish the Golden Mile may just get them all killed.

Wright, Pegg and Frost have developed a cult following through their collaborations Shaun of the Dead and Hot Fuzz. This is the third in what they call the Cornetto Three Flavour trilogy – so named for a British ice cream treat that figures in each of the movies. Each of the films stands alone and concerns completely different characters and genres but the results have been hilarious and this one just might be the best of the lot.

Part of what makes the movie work is the easy camaraderie between the five main characters. You can easily believe that they’ve been mates for a good long while. They do take the piss out of one another quite a bit which is what good friends do (when they’re male) but the affection is genuine.

There are plenty of special effects and while they aren’t of the hundred million dollar budget variety, they are better than average and don’t take you out of the movie. In fact, compared to some of the movies this past summer with plenty more money to spend, the effects were even superior.

Of course, you’d expect funny from this group and they deliver. Gary’s dim-witted narcissism, Steve’s hangdog loyalty, Oliver’s somewhat defensive posture, Andy’s tee-totaling and Peter’s fears make for good comedy. The script is clever and the soundtrack impeccable.

If I have any criticisms it’s with the middle third which tends to drag a little bit. Once the third act kicks in, the action is rip roaring. In a summer blockbuster season which has to be classified as disappointing in terms of quality, The World’s End stands out head and shoulders above the rest as the best film of summer 2013.

REASONS TO GO: Hysterically funny. Effects aren’t bad either. Awesome soundtrack.

REASONS TO STAY: Runs a bit long in the middle section. Awkward in places.

FAMILY VALUES:  A whole lot of bad language, some sci-fi action, some sexuality and a couple of disturbing images.

TRIVIAL PURSUIT: The sign on The King’s Head features a portrait of director Edgar Wright, sitting in for a royal.

CRITICAL MASS: As of 9/5/13: Rotten Tomatoes: 90% positive reviews. Metacritic: 81/100.

COMPARISON SHOPPING: This is the End

FINAL RATING: 8/10

NEXT: Supernova

New Releases for the Week of August 23, 2013


The Worlds End

THE WORLD’S END

(Focus) Simon Pegg, Nick Frost, Martin Freeman, Paddy Considine, Eddie Marsan, Rosamund Pike, Luke Scott, Pierce Brosnan, Bill Nighy. Directed by Edgar Wright

A group of old friends, smarting from their failure in an epic pub crawl 20 years earlier agree to attempt it once again. What they don’t realize is that their venture has taken on cosmic proportions and that not only is their attempt to resolve past and present important to their own futures but holds in the balance the future of mankind as well. Suddenly everything hinges on reaching The World’s End….not literally, it’s a pub ye daft bugger.

See the trailer and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Science Fiction Comedy

Rating: R (for pervasive language including sexual references)

The Mortal Instruments: City of Bones

(Screen Gems) Lily Collins, Jonathan Rhys Meyers, Lena Headey, Jamie Campbell Bower. A young girl’s mostly normal (if there is even such a thing) life is turned topsy turvy when she discovers that she is a Shadowhunter, a half-angelic warrior in an ongoing war with demons who are hidden from humans but not from Shadowhunters. When her mom disappears, she bands together with a group of young Shadowhunters to retrieve her, none of them realizing how important to the war she really is.

See the trailer, clips and promos here.

For more on the movie this is the website.

Release formats: Standard (opens Wednesday)

Genre: Supernatural Fantasy

Rating: PG-13 (for intense sequences of fantasy violence and action, and some suggestive content)

You’re Next

(Lionsgate) Barbara Crampton, Joe Swanberg, Ti West, Sharni Vinson. A family reunion is interrupted by the arrival of a group of homicidal, animal mask-wearing intruders. I know…seems to happen every year, doesn’t it? Well, this year is different – one of the guests of the family turns out to be just as homicidal and just a little bit more sadistic. There’s one in every family. The latest from up-and-coming horror master Adam Wingard.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Horror

Rating: R (for strong bloody violence, language and some sexuality/nudity)

Star Trek Into Darkness


Alice Eve and Chris Pine try to out-blonde each other.

Alice Eve and Chris Pine try to out-blonde each other.

(2013) Science Fiction (Paramount) Chris Pine, Zachary Quinto, Zoe Saldana, Benedict Cumberbatch, Karl Urban, John Cho, Bruce Greenwood, Alice Eve, Peter Weller, Simon Pegg, Anton Yelchin, Noel Clarke, Nazneen Contractor, Amanda Foreman, Jay Scully, Jonathan H. Dixon, Aisha Hinds, Joseph Gatt, Deep Roy, Anjini Taneja Azhar. Directed by J.J. Abrams

The trouble with taking on an icon is that the bar is impossibly high. You’re not going to please everybody, particularly the diehard old guard fans of the franchise. The fever pitch of shrieking outrage usually begins with the second film in the reboot. J.J. Abrams knows that better than most; he has had his fingers in the hands of three beloved franchises – Mission: Impossible, Star Wars and Star Trek.

This is his second film in the reboot of the Trek franchise. The first got some grudging respect from the notoriously difficult-to-please Trek fandom who might very well turn their noses up if Gene Roddenberry were resurrected and turned up to direct a new Trek movie.

The new film starts out with a terrorist attack in London, ramps up with a conspiracy to militarize Starfleet’s science and exploration mission (think of NASA with missiles and bombs) and finishes up with the appearance of a familiar foe.

Normally I’m one to describe the plot in great detail, but I think I’m going to abstain this time – for one thing, I found that knowing little about what was to occur in the movie made it far more delightful. Knowledgeable Trekkers and those fairly familiar with the canon of the original series will find lots of references here, from Harry Mudd to Transwarp drive to tribbles. There is also a great deal of referencing one of the original series most popular episodes and most beloved films but not exactly as you might remember it.

Abrams has re-energized the franchise without a doubt. Part of the success of the reboot has to do with the casting – each of the choices are spot on. Pine in particular takes the essence of Captain Kirk created by William Shatner and loses some of the mannerisms that made the character a bit of a parody in later years. Pine understands the basics of the legendary Captain – the recklessness, the ego, the brilliant strategic mind and the penchant for womanizing, but takes out the quirks – the stunted speech patterns, the over-reaction reactions and the writers have kindly aided his cause by giving Kirk fewer pronouncements and more self-analysis.

Quinto also makes a terrific Spock, although I noticed in this movie that his jaw seemed a bit more set and he looked a little less like the original Spock in a lot of ways, but he does capture the constant war between the emotional human side and the cold, logical Vulcan in him. The trauma of Vulcan’s fate in the last film weighs heavily on him, although he doesn’t show it.

The relationship between Spock and Uhura is an interesting one, given that this is a recent invention. Zoe Saldana gives the character a little more action-orientation than Nichelle Nichols did in her day; I like also that the writers give her a lot more to do than being a glorified answering machine. She is much more a member of the team than she was in the original series, where much of the planning, decision making and risk taking was done by the male members of the crew. You’ve come a long way, baby.

Cho is a worthy successor to George Takei as Sulu. One of the great regrets I have when it comes to Star Trek is that we never really got to see too much of Sulu as Captain – in the couple of instances when we did see it Takei was amazing. Cho gets an opportunity to take command as Sulu and makes the most of it; I’m kind of hoping we see Cho in a spin-off someday.

Pegg is one of the world’s outstanding comic actors and while Scotty becomes more of a comic figure than he was in the original series (although depicted as a heavy drinker he had his share of drunk moments that James Doohan played beautifully) the main thrust of his character is his brilliance as an engineer and we get that from Pegg as well, although he is a bit more willful than the original Scotty and in one of the new film’s most underrated scenes stands right up to Kirk, something I don’t recall seeing the character ever do before but was a welcome moment here.

There are also “guest” characters; Greenwood as Pike is a bit of a mentor and a lot more of a father figure to Kirk. Alice Eve is gorgeous and plays her pivotal character as a lot more than you might guess from the surface – and the writers leave room for future glimpses of her character. Peter Weller, who had a couple of appearances on the Enterprise TV series, plays an admiral here whose character might remind long-time fans of an admiral who had a small but pivotal role in one of the last movies featuring the original crew.

That leads us to Benedict Cumberbatch whose character is…well, not who he appears to be. Fans of the original series will doubtlessly guess early on who he actually is but for now let us say that he is a brilliant adversary worthy of Kirk and Spock and whose appearance is done in what I believe is the proper way – coming into the series sideways, making the surprise all the more pleasant (although again savvy Trekkers will either know from Internet chatter who he is or guess based on the clues the filmmakers give us early on). Cumberbatch is an up-and-coming actor who looks to have a brilliant career ahead of him, and based on this film is already getting some scrutiny for some plum roles in franchise films. Before you know it this man is going to be one of the biggest stars in Hollywood. Bet on it.

The stakes are higher here and the effects are as crazy good as they were in the last Star Trek film. I chose not to see it in 3D – who wants to see those annoying lens flares in 3D? – and I think that’s a wise choice. Some of the scenes are set in pretty dark places and the 3D glasses will only make it murkier. Besides, I didn’t get the sense that 3D would have added anything to the experience.

I liked the movie just a smidge less than the first one; what pleased me most is that the filmmakers are developing the characters in just the right way to set up more thoughtful episodes in the future. While there was some underlying commentary about the militarization of space, the usefulness of drones and of terrorism in general, this is still a little more action-oriented than fans of the original series may like but that does make the movie more palatable to non-fans. Oh, and you get to see Klingons too.

In my review of the first film I wondered if Abrams could repeat his successful reboot in the second film. The answer is a resounding yes. This is great entertainment not only for Trekkers but for general audiences as well, managing to thread the line nicely. Certainly this bodes well for the future of the franchise and with the 50th anniversary of Trek’s debut in 1966 only a few short years away, one can only be hopeful that there are a lot more places for the crew of the Enterprise to boldly go.

REASONS TO GO: Pine turning out to be an excellent Kirk and the rest of the supporting cast works well also. Nice effects, battle sequences and stunts.

REASONS TO STAY: The story is a little bit all over the place.

FAMILY VALUES:  There are some pretty intense battle sequences in space as well as some pretty nifty fisticuffs.

TRIVIAL PURSUIT: Christopher Doohan, the son of the original Scotty (the late James Doohan), makes a cameo appearance as a transporter technician working alongside the current Scotty in the transporter room.

CRITICAL MASS: As of 5/23/13: Rotten Tomatoes: 87% positive reviews. Metacritic: 72/100; pretty impressive reviews for a Star Trek film.

COMPARISON SHOPPING: Avatar

FINAL RATING: 7.5/10

NEXT: Russian Ark