Top 10 of 2011


The annual ritual of choosing the movies that thrilled, chilled, affected and otherwise dug into the critical consciousness with hooks of steel during 2011 is upon Cinema365 and while our list is posted a bit later than most others, think of it as being a labor of love rather than a necessary evil, a particularly unliked chore.

This is the part where I mention that like any other list, this one is completely arbitrary. There’s no scientific basis, nothing quantitative that I can point to and say “this movie deserved to be on this list because of this.” No, it’s completely from the gut my friends and like any gut this big change is constant. The list you see here today is not the list I would make tomorrow. That’s why it always takes me so long; I hem, I haw, I prevaricate. At last, I assign.

Generally speaking, this list reflects my tastes as I saw the movie. I take all the movies I gave an 8 or greater score to, put the 10s at the top, the 9s below and so on. The half points I generally don’t take into consideration. Therefore you might see an 8 ranked above an 8.5. See what I mean about arbitrary?

So this is all about whether I liked the movie or not. 2011 didn’t see any real game changers in terms of movies that will rank as all-time bests. It is somewhat telling that perhaps the most critically acclaimed movie of the year was a silent movie whose style harkened back to the films of that era. Still, even if none of them may end up as classics that withstand the test of time (and I think a few of them will), all ten of these and the honorable mentions as well, should provide at least a good starting point if you want to take a cinematic  year in review viewing party and stock it up with really good movies instead of just really popular ones.

Some of these movies remain in general release even as we speak; you can head right out to a theater and see them the way they were meant to be seen. Some are already out on DVD/Blu-Ray and you can enjoy them in the comfort of your own home – or they soon will be. Lag time between theatrical release and home video release has been shrinking of late. There are two films on this list that you may find difficult to find either in home video or theaters. Check your local film festival to see if they will be around, or the websites that I have included with the original reviews – you can access those by clicking on the movie title and you can read what I wrote about them way back when.

This is meant to invite discussion or perhaps a heated argument or two. Feel free to submit your own top ten, or harangue me about mine. My skin is thick and I don’t bruise easily. I welcome hearing why my list is full of crap and yours is so much better. That’s why lists are fun.  

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So,  in no particular order;

In a Better World, Hugo, War Horse, Midnight in Paris, Moneyball, The Company Men, The Descendants, Margin Call, Snow Flower and the Secret Fan, I Saw the Devil, Thor, J. Edgar, The Cave of Forgotten Dreams, Holy Wars, Captain America: The First Avenger, The Double Hour, Win Win, Bridesmaids, Young Goethe in Love, The Girl with the Dragon Tattoo, The Adventures of Tintin, The Happy Poet, The Whistleblower, In Time, Apollo 18, Submarine, Drive.

And with no further ado, let us get on with the countdown:

10.  HARRY POTTER AND THE DEATHLY HALLOWS PART 2

(Warner Brothers) Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes, Helena Bonham Carter, Tom Felton, Alan Rickman, David Thewlis, Everyone in England. Directed by David Yates

Released July 15, 2011 The end of an era finally came to pass as nearly a decade of Pottermania had its final moments and the series went out with a glorious bang. Harry and his friends Hermione and Ron would take on the forces of evil in an epic battle that would shake the very foundations of magic itself as Harry and Lord Voldemort finally had the face-off that everyone had been waiting for.

WHY IT IS HERE: There are those who proclaimed it the best film in the series and in many ways they weren’t wrong. This was an emotional rollercoaster that had heroism, villainy, pathos and even a hint of comedy here and there. After the first part of the last book seemed to be all exposition and no action, this movie made for a wonderful payoff. Not everyone would survive but this was a more than satisfactory ending to a series many people grew up with. There were a lot of misty eyes in the theater when the final credits rolled, not the least of which were the Warner Brothers accountants who would see their biggest moneymaking series ever fade into history.

HIGHLIGHT SCENE: Harry prepares for certain death as he goes into the black forest to compose himself. There he meets the shades of his parents as well as those in the series who had passed on. It was remarkably moving and I for one had tears literally streaming down my face when I saw it. In fact, I’m a bit misty right now just writing about it.

BOX OFFICE RESULTS: $381 million domestic (as of 1/17/12), $1.3 billion total.

BUDGET: Not available.

STATUS: Currently available on home video. Available on HBO/Cinemax. Download/stream from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Blockbuster.

9. INCENDIES

(Sony Classics) Lubna Azabal, Melissa Desormeaux-Poulim, Maxim Gaudette, Remy Girard, Abdelghafour Elaaziz, Allan Altman, Mohamed Majd, Nabil Sawalha, Baya Belal, Yousef Shweihat. Directed by Denis Villanueve

Released April 22, 2011 This was nominated for a Foreign Language Film Oscar, representing Canada but very little of it was set in the Great White North. It didn’t win but many thought it should have. A woman follows the path of her mother as she makes a search for the man who is her father, starting in the small village her mother came from in the Middle East. The more she looks the deeper the mystery becomes as she discovers her mother was caught in a vicious civil war between Christian and Muslim factions in that country, leading to a shocking revelation that turns her daughter’s life upside down.

WHY IT IS HERE: There is no movie on this list that will grab your guts quite as much as this one does. While many explore the depths of man’s cruelty to man, here is a movie that takes that cruelty head-on and exposes the ugliness for all to see. Yet even with all this ugliness, there is still lingering hope that tinges the entire film and makes it ultimately an uplifting experience, despite the horror. Forgiveness trumps hatred every time.

HIGHLIGHT SCENE: A scene in which a busload of Muslim women meet a horrible end is one that will stay with you for a very long time.

BOX OFFICE RESULTS: $2.1 million domestic (as of 1/17/12), $3.6M total.

BUDGET: $6.8 million.

STATUS:Currently available on home video. Available on Starz. Download from iTunes/Amazon/Blockbuster. Rent DVD/Blu-Ray from Netflix/Blockbuster. Streaming unavailable.

8. BUCK

(Sundance Selects) Buck Brannaman, Mary Brannaman, Reata Brannaman, Betsy Shirley, Robert Redford, Bibb Frazier, Betty Staley, Ali Cornish, Shayne Jackson, Smokie Brannaman, Ray Hunt. Directed by Cindy Meehl

Released June 17, 2011 Buck Brannaman is an archetype, a modern day cowboy who is equal parts Roy Rogers and Dr. Phil. His journey from being a trick roper for an abusive father to one of the top consultants to ranchers about horse behavior and horse training (the character of The Horse Whisperer is largely based on him) is a moving one. One look at the trailer which preceded it convinced me that this was going to be a special film and when I got to see it in San Francisco with Da Queen, I found it to exceed those expectations and Da Queen agreed – if you were to ask her, this would undoubtedly be one of her favorite movies of the year as well.

WHY IT IS HERE: This documentary won the Audience Award at the 2011 Sundance Film Festival last January and it’s easy to see why. Few films – and even fewer documentaries – have as much heart and compassion as this movie does and the reason for it is Brannaman. He is self-effacing, quiet and has a connection to horses that is rare as it is beautiful. He has challenged traditional methods of training for one that is more effective and less traumatic for the horse. These days it can be difficult to be proud to be an American but this movie will allow you to do so, at least for a few hours.

HIGHLIGHT SCENE: Buck comforts a rancher who realizes that her inexperience and poor decisions regarding her horse have led to the injury of one of her hands and the eventual termination of the horse.

BOX OFFICE RESULTS: $4 million domestic (as of 1/18/12), $4M total.

BUDGET: Not available.

STATUS:Currently available on home video. Available on Showtime. Download from Amazon/iTunes. Stream on Netflix. Rent DVD/Blu-Ray from Blockbuster/Netflix.

7. FANNY, ANNIE AND DANNY

(Self-Released) Jill Pixley, Carlye Pollack, Jonathan Leveck, Colette Keen, George Killingsworth, Nick Frangione, Anne Darragh, Suzanna Aguayo, Nancy Carlin, Don Schwantz. Directed by Chris Brown

Released April 16, 2010 There are some movies that you will not see outside of a film festival. They are labors of love, made on shoestring budget by filmmakers who are often just learning their craft. Sometimes those movies are learning experiences for the filmmakers; they will go on to bigger and better things eventually but sometimes, you run into quality that stands on its own merit and doesn’t need any sort of qualifier, be it low-budget or inexperience. These films stand proudly with movies that have studio backing and/or indie distribution to be among the year’s best.  

WHY IT IS HERE: Brown’s third feature is an often poignant, generally funny and entirely too human portrayal of a dysfunctional family imploding over the course of a Christmas dinner. On paper it sounds awkward and uncomfortable and there are a few moments where those emotions are present but for the most part you just saw the damage done by years of digging, disappointment and disability. Well-acted (particularly Pixley, Keen and Killingsworth) and droll when it needs to be, this movie should be sent to every studio mogul and director as a primer in how great films can be done on microscopic budgets.

HIGHLIGHT SCENE: The scene near the end of the film when Danny’s departure brings down the facade from his mother and shows her to be what she truly is. It’s a marvelous piece of acting by Keen.

BOX OFFICE RESULTS: Not available.

BUDGET: Not available.

STATUS:The movie worked the film festival circuit last year, culminating in a brief run at New York’s ReRun Gastropub Theater in December. The film’s website doesn’t mention any plans for the movie to be released on DVD; hopefully someday it will be available in that formula or for digital download somewhere. Check the movie’s website for updates.

6. THE HELP

(DreamWorks/Disney) Emma Stone, Viola Davis, Bryce Dallas Howard, Octavia Spencer, Jessica Chastain, Ahna O’Reilly, Allison Janney, Sissy Spacek, Cicely Tyson, Mike Vogel, Anna Camp, Brian Kerwin, Mary Steenburgen, David Oyelowo, Aunjanue Ellis, Nelsan Ellis. Directed by Tate Taylor

Released August 10, 2011 Based on a bestselling novel by Kathryn Stockett, this movie shot to big box office after its release. The amount of success was a bit of a surprise given the subject matter but the quality wasn’t, given the excellent cast. Spencer has already won a Golden Globe for her performance and has received an Oscar nomination, along with Davis. The movie is also up for Best Picture.

WHY IT IS HERE: Some of the strongest ensemble work of any casts this year, for one thing. The writers and director Taylor could have taken the route in which Emma Stone’s Skeeter character was the brave white girl standing up for the oppressed minority (which has been done in other films) but that isn’t the case here; Stone is portrayed as much a cog in the wheel as the axel turning it. This is clearly Davis’ and Spencer’s movie. It’s funny, heartbreaking in places and insightful throughout.

HIGHLIGHT SCENE: The scene in which Hilly discovers the truth about the “terrible awful.”

BOX OFFICE RESULTS: $169.6 million domestic (as of 1/23/12), $205.3 million total.

BUDGET: $25 million

STATUS: Currently available on home video. Download from Amazon/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix.

5. BARNEY’S VERSION

(Sony Classics) Paul Giamatti, Dustin Hoffman, Rosamund Pike, Scott Speedman, Minnie Driver, Bruce Greenwood, Rachelle Lefevre, Saul Rubinek, Mark Addy, Macha Grenon, Paul Gross, Anna Hopkins, Jake Hoffman, Thomas Trabacchi, Cle Bennett. Directed by Richard J. Lewis

Released January 14, 2011 While it’s true Giamatti would win a Golden Globe for his portrayal of the title character, it was at last year’s Golden Globes. This Canadian film was based on a Mordechai Richler, author of The Apprenticeship of Duddy Kravitz. For whatever reason it was released in early January instead of late December, effectively ending any shot it had at Oscar contention.

WHY IT IS HERE: Amazing performances from an amazing cast, to be blunt. Giamatti as I mentioned won a Golden Globe and the rest of the cast, from the irrepressible Dustin Hoffman to the breezy Speedman to the gruff Addy to the lustrous Pike all did bang-up jobs. Barney’s journey isn’t an easy one and at times the movie is so heartbreaking you want to run out of the theater – or as the case may be your living room – but staying until the final credits roll is so very worth your while.

HIGHLIGHT SCENE: Basically, the last 20 minutes of the movie is something special. I was very, very moved.

BOX OFFICE RESULTS: $4.4 million domestic (as of 1/23/12), $8.5 million worldwide.

BUDGET: $30 million

STATUS: Currently available on home video. Available on Starz. Download from Amazon/Blockbuster/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix.

4. TROLL HUNTER (TROLLJEGEREN)

(Magnet) Otto Jespersen, Hans Morten Hansen, Tomas Alf Larsen, Johanna Morck, Knut Naerum, Robert Stoltenberg, Glenn Erland Tosterud. Directed by Andre Ovredal

Released June 10, 2011 We saw this at the Florida Film Festival and have been a huge fan ever since. While this is one of the “found footage” films subgenre that has been getting overused over the past couple years, it may very well be the best of them, better even than the one that started it – The Blair Witch Project.  

WHY IT IS HERE: Irreverent and fun, this is a theme park ride disguised as a movie. The trolls themselves are obviously CGI but they look exactly how you’d expect them to. Definitely the humor is low-key which some might have trouble with. This is one of those hidden treasures that nobody knows about, but when you get a friend to see it they become instant fans.

HIGHLIGHT SCENE: Hans filling out paperwork after his latest successful troll hunt.

BOX OFFICE RESULTS: $253,444 domestic (as of 1/25/11), $4.2 million total.

BUDGET: Not available.

STATUS: Currently available on home video. Available on Showtime starting February 23rd. Download from Amazon/Blockbuster/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix. Stream on Amazon/Netflix.

3. THE ARTIST

(Weinstein) Jean Dujardin, Berenice Bejo, John Goodman, James Cromwell, Malcolm McDowell, Missi Pyle, Penelope Ann Miller, Beth Grant, Ed Lauter, Bitsie Tulloch, Joel Murray, Ken Davitian, Basil Hoffman. Directed by Michael Hazanavicius

Released November 25, 2011 After a good showing at the Golden Globes, The Artist is an odds-on favorite at the Oscars, with ten nominations including Best Picture (which it won at the Globes) and Best Actor for Dujardin (which he also won). This is probably the most critically acclaimed film of the year.

WHY IT IS HERE: This isn’t just an homage to silent cinema but an excellent example of the style of silent films. The humor is a bit broad and the pathos a bit maudlin but the movie works on every level. Even though there is almost no dialogue (there is music on the soundtrack and some sound effects) the acting gets across every nuance of the screenplay without fail. Dujardin, a French comic actor and Bejo, an Argentine actress, make a great team. This is the kind of movie that those who ordinarily wouldn’t choose to go see it are made believers after they’ve given it a shot.

HIGHLIGHT SCENE: George’s suicide attempt is a heartbreaker.

BOX OFFICE RESULTS: $12.4 million domestic (as of 1/25/11), $33.4 million total.

BUDGET: $15 million.

STATUS: Still in wide release.

2.  THE WAY

(ARC Entertainment) Martin Sheen, Yorick von Wageningen, Deborah Kara Unger, James Nesbitt, Emilio Estevez, Tcheky Karyo, Spencer Garrett, Angelina Molina, Carlos Leal, Antonio Gil, Simon Andreu, David Alexanian, Eusebio Lazaro. Directed by Emilio Estevez

Released October 7, 2011 Walking the Camino de Santiago has always held a fascination to me. I’m way too out of shape to do it myself; this is as close as I’m going to come to doing it myself. I wasn’t impressed by the trailer or the concept originally but was blown away when I saw the film. It is insightful, emotionally authentic and yes it will make you laugh and cry.

WHY IT IS HERE: I am not the most Catholic of Catholics, but this movie gave me a nostalgic twinge in my ecumenical muscle. I also must admit that James Michener’s travelogue Iberia is a book that I’ve read and re-read a dozen times in my life; the chapter about the Camino always sung to me. No movie released this year afforded the opportunity for self-discovery as this one did and much of the responsibility for that goes to Martin Sheen’s dignified but realistic performance, making me realize how much I miss President Josiah Bartlett. Movies this powerfully moving should get as much praise as can be heaped on them.

HIGHLIGHT SCENE: The scene where Sara confesses to Tom about her abusive background.

BOX OFFICE RESULTS: $4.4 million domestic (as of 1/26/12), $4.4 million total.

BUDGET: Not available.

STATUS: Scheduled for home video release on February 21.

1. KINYARWANDA

(AFFRM) Edouard Bamporiki, Cassandra Freeman, Marc Gwamaka, Zaninka Hadidja, Mursari Jean, Cleophas Kabasita, Hassan Kabera, Mazimpaka Kennedy, Assumpta Micho, Kena Onyenjekwe, Edouard B. Uwayo. Directed by Alrick Brown

Released December 2, 2011 Some movies aren’t seen so much as experienced. This film tells several stories about the Rwandan genocide, from a teenager girl who comes home after sneaking out to attend a party to find her parents murdered, to a courageous priest who tries to save as many of his Tutsi flock as he can, to a pair of soldiers who have varying reasons to want to put themselves at risk in Rwanda. Each story has an enormous emotional resonance and is based on a survivor’s actual experiences.

WHY IT IS HERE: This is a movie that doesn’t seem like a first feature. Indeed, I have not seen a better film this year. Few films will affect you as deeply as this one; but while it is set during one of the darkest moments in human history, it is not a story of darkness. Rather it is a film about reconciliation and hope, of the extraordinary ability of the human spirit to give the divine gift of forgiveness no matter how heinous the crime, how egregious the transgression. If the Tutsi can forgive the Hutu and move to becoming a single nation after what happened in Rwanda, there is hope for us as a species if we can, as the Rwandans are doing, appeal to our own higher natures. When a movie can provide that for its audience, it is an extraordinary film indeed.

HIGHLIGHT SCENE: A scene where one of the soldiers who committed murder in the genocide realizes what he has participated in and what it has cost his soul – with tragic results.

BOX OFFICE RESULTS: $21,097 domestic (as of 12/4/11), $21,097 total.

BUDGET: Not available.

STATUS: Kinyarwanda has had a limited release mostly in large cities. It is listed on the Netflix site with an as-yet unscheduled DVD release date, indicating that there are plans to release it in that format.

The Artist


The Artist

Ta-da!!!!!!!!!!

(2011) Romance (Weinstein) Jean Dujardin, Berenice Bejo, John Goodman, James Cromwell, Malcolm McDowell, Missi Pyle, Penelope Ann Miller, Beth Grant, Ed Lauter, Bitsie Tulloch, Joel Murray, Ken Davitian, Basil Hoffman. Directed by Michael Hazanavicius

 

Some movies try to re-invent the wheel. On occasion they are successful and create something new and exciting. Strangely, sometimes going back to the beginning can in itself become something new.

George Valentin (Dujardin) is at the top of the world in 1927. He is a movie star, beloved by women and admired by men. His movies are smash hits, the studio loves him and he is married to a beautiful woman (Miller). There are clouds on the horizon however; the talkies are coming and George has a thick French accent.

But that is still on the horizon. For now, George has another fabulous premiere of another big hit to attend. Outside, while mugging for reporters, a female fan named Peppy Miller (Bejo) accidentally bumps into him; the two mug for the cameras and Peppy bestows upon George a kiss which makes all the industry papers.

George, a generous soul, gets her a bit part in a movie and thus begins the inevitable decline of the big star and the rise of a fresh face. George, refusing to do talkies, gambles everything on a big budget silent that nobody wants to see. Peppy, on the other hand, is just as her name describes her; energetic, smart, sly and full of moxie, see? She is the embodiment of the new Hollywood; stars that not only are beautiful but have something to say.

George’s fortune is lost in the crash. His wife leaves him. The studio boss (Goodman) fires him. As time passes, he is unable to afford his faithful valet (Cromwell) and fires him. All that is left is his dog – and Peppy, who is hopelessly in love with him but George’s pride won’t let him accept her aid. Pride goeth before the fall and George has an awful long way to go before he hits bottom.

Who would have thought that one of the best movies of 2011 would be a silent movie (not completely silent – there is a musical soundtrack, some sound effects during a dream sequence and a few lines of dialogue near the end of the movie). Hazanavicius has skillfully re-created not only the era but the style of the films. He went after a melodramatic look and it pays off; even though there are elements of the screwball comedy as well as the swashbuckler.

Valentin is a cross between John Gilbert and Douglas Fairbanks – dashing, handsome and with a crooked grin that is endearing, he is both masculine and charming. Dujardin plays him with a bit of a wink but as Valentin’s fortunes fall, the French star adds an element of pathos that really gives the movie a complete emotional gamut; it’s part of why the movie is so wonderful. At various times in this movie you’ll laugh and cry and Dujardin is a big reason why.

Bejo who is the daughter of an Argentine filmmaker but grew up in France is also the director’s wife; formerly best-known for her role as Christiana in A Knight’s Tale (2001) she is almost a shoe-in for an Oscar nomination (she already has a Golden Globe nomination among others). She brings a liveliness and joie de vivre to Peppy that adds a great energy to the picture. In fact, there is a great joyfulness to the movie that separates it from much of the dark, depressing fare that comes out of Hollywood these days.

There are some terrific supporting performances, particularly from Cromwell as the loyal valet but the performance most people are going to remember is the dog. Jack puts Lassie to shame. Jack gives the movie one rating point all by himself.

Needless to say, the critics are falling all over themselves to praise the movie and with good reason. Rarely does a movie come along that has as much heart and soul as this one. It has become quite literally the must-see movie of the holiday season.

REASONS TO GO: One of the best movies of the year. Charming and funny and heartbreaking all at once.

REASONS TO STAY: Some may find the silent film to be gimmicky.

FAMILY VALUES: There’s one disturbing scene and an obscene gesture but otherwise fit for most families.

TRIVIAL PURSUIT: The dog Jack was actually played by three separate Jack Russell terriers and each one was colored to resemble the other dogs so that they matched onscreen.

HOME OR THEATER: Best viewed in an old movie theater, preferably one more than 70 years old if you can find one around.

FINAL RATING: 9/10

TOMORROW: Final Destination

New Releases for the Week of December 23, 2011


December 23, 2011

MISSION: IMPOSSIBLE – GHOST PROTOCOL

(Paramount) Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton, Josh Holloway, Michael Nyqvist, Michelle Monaghan, Lea Seadoux, Anil Kapoor, Tom Wilkinson, Ving Rhames. Directed by Brad Bird

Although this has been out since last week it’s only been available in the IMAX format and is just now being released to regular theaters. In the fourth installment in the franchise, the IMF is faced with its darkest crisis ever – the agency has been implicated in a global terrorist bombing plot and the entire agency has been disavowed. It is up to Ethan Hunt and his team to discover who’s really behind the threat and clear the IMF from blame, or else be captured and tried as terrorists.

See the trailer, clips, featurettes, a promo and an interview here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Spy Action

Rating: PG-13 (for sequences of intense action and violence)

The Adventures of Tintin

(Paramount) Jamie Bell, Simon Pegg, Daniel Craig, Andy Serkis. One of the most beloved comic characters in Europe gets a motion capture film of his own directed by none other than Steven Spielberg and produced by Peter Jackson. In this, the first of a projected franchise, the intrepid boy reported Tintin chases after the mysterious cargo of the legendary shipwreck the S.S. Unicorn which may yield untold power but also hunting for the wreck is the nefarious Red Rackham (NOTE: This movie opened today and is now playing in theaters everywhere).

See the trailer here.

For more on the movie this is the website

Release formats: Standard, 3D, IMAX 3D

Genre: Family Adventure

Rating: PG (for adventure action violence, some drunkenness and brief smoking)

The Artist

(Weinstein) Jean Dujardin, Berenice Bejo, Malcolm McDowell, John Goodman.  As the silent movie era begins to fade away with the advent of the talkies, a silent movie star sees his stardom slip away from him. Even as he does, a young ingénue he discovered sees her own star rise into the heavens. Their destinies intersect in this charming, bittersweet and ultimately triumphant love story that has earned all sorts of critical awards and may have the loudest Oscar buzz of any film out there.

See the trailer, a clip and web-only content here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romance

Rating: PG-13 (for a disturbing image and a crude gesture)

The Darkest Hour

(Summit) Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor. Five young people visiting Moscow find themselves trapped there when the city is attacked by aliens invisible to the human eye who destroy people using a deadly electrical current. Their situation is further compromised when they find out that Moscow isn’t the only city under attack and they must find a way to survive the superior technology of the invaders. This is the latest from Timur Bekmambetov who brought us Wanted (NOTE: This movie is opening on Sunday, December 25).

See the trailer here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Science Fiction Horror

Rating: PG-13 (for sci-fi action violence and some language)

Don 2

(Reliance Big Picture) Shah Rukh Khan, Priyanka Chopra, Boman Irani, Lara Dutta. An Indian crime boss having taken over most of the Asian crime syndicates sets his sights on Europe. Known for his ruthlessness and cunning, he sets out to beat out his European counterparts at their own game.

See the trailer here.

For more on the movie this is the website

Release formats: Standard

Genre: Crime Thriller

Rating: R (for language and some sexual content)

The Girl With the Dragon Tattoo

(Columbia) Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgard. A disgraced Swedish journalist is hired to investigate a 40-year-old murder by a reclusive old industrialist whose family includes Nazis and sadists. He is assisted by a brilliant young hacker who has been the victim of sexual and physical abuse. This is the remake of a Swedish film that is based on an international best seller; many folks were concerned that the Americanization of the film might ruin the source material, but it appears those fears were needless; the movie is being touted as one of the best of the year and a likely Oscar contender (NOTE: This movie opened on Tuesday and is currently playing in theaters everywhere).

See the trailer, promos and featurettes here.

For more on the movie this is the website

Release formats: Standard, 3D

Genre: Thriller

Rating: R (for brutal violent content including rape and torture, strong sexuality, graphic nudity and language)

War Horse

(DreamWorks) Emily Watson, David Thewlis, Tom Hiddleston, Jeremy Irvine. The journey of a horse from bucolic English countryside to the trenches of the First World War is chronicled by master storyteller Steven Spielberg in one of two movies from the director to open this week. Based on a book by Michael Morpurgo (which was also adapted into a stage play), the movie is geared strongly towards family audiences but word has it that older audiences will appreciate it too (NOTE: This movie is opening on Sunday, December 25).

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: War Drama

Rating: PG-13 (for intense sequences of war violence)

We Bought a Zoo

(20th Century Fox) Matt Damon, Scarlett Johansson, Thomas Haden Church, Elle Fanning. A family, reeling from a tragedy, buy a dilapidated zoo in an effort to make a fresh start. With the help of an eccentric staff, a lot of elbow grease and a willingness to make mistakes, they plough through a series of misadventures that aren’t always learning opportunities.  Their goal is to make the zoo an exciting, fresh place once again but is it possible they have bitten off way more than they can chew?

See the trailer and clips here.

For more on the movie this is the website

Release formats: Standard

Genre: True Life Drama

Rating: PG (for language and some thematic elements)

Four-Warned: November 2011


Every month I’m going to look at every movie on the release schedule and try to assign them a numerical value corresponding to how anxious I am to see it. The lower the number, the more I want to see it. A one means I would walk through hell and high water to see it; a four means there’s no interest whatsoever. The numbers are not arrived at scientifically but they aren’t arbitrary either.
The numbers aren’t a reflection of the artistic merit of any of these films, but merely a reflection of my willingness to go to a movie theater and see it. The top four scores will be gathered as a means of reflecting the movies I’m anticipating the most; you may use that as a guide or not.

Each entry is broken down as follows:

NAME OF FILM (Studio) Genre A brief description of the plot. Release plans: Wide = Everywhere, Limited = In selected markets. RATING A brief comment

Keep in mind that release dates are extremely subject to change, even at this late date.

FOUR TO SEE
1. IMMORTALS (1.4)
2. HUGO (1.9)
3. ARTHUR CHRISTMAS (2.0)
4. TOWER HEIST (2.1)

FOUR TO SEEK OUT (FILMS NOT IN WIDE RELEASE)
1. THE ARTIST (1.4)
2. THE DESCENDENTS (1.7)
TIE. A DANGEROUS METHOD (1.7)
4. INTO THE ABYSS (1.8)

RATING SYSTEM: 1) Must-see, 2) Should-see, 3) Perhaps-see, 4) Don’t-see

NOVEMBER 2, 2011

FIVE STAR DAY (Breaking Glass) Genre: Drama. A man who believes in astrology suffers the worst day ever on a day that was supposed to be his best; he determines to test his newfound disdain for astrology by interviewing three strangers all born on the same day and same place as he. Release Strategy: Limited. RATING: 2.8 An interesting idea but not sure Cam Gigandet is the guy to play this part.
THE OTHER F WORD (Oscilloscope Laboratories) Genre: Documentary. Former punk rockers from the 70s, 80s and 90s cope with fatherhood and try to fit in the needs of parenting with their punk rock values. Release Strategy: New York City (opening in Los Angeles November 4). RATING: 1.9 A really riveting look at how our needs change as we age – and the struggle to maintain our values as they do.

NOVEMBER 4, 2011

A VERY HAROLD AND KUMAR 3D CHRISTMAS (New Line) Genre: Comedy. The two buddies, estranged over a six year separation, reunite to save Christmas. Release Strategy: Wide (Standard, 3D). RATING: 3.0 Not a big fan of the Harold and Kumar movies but I have to admit this one looks rather interesting – and any movie with NPH in it is all right by me.
KILLING BONO (ARC Entertainment) Genre: Comedy. Two Irish brothers are part of the second best band in Dublin in the 80s, forced to watch as the best band – U2 – rises to world prominence while they languish in obscurity. Release Strategy: Limited. RATING: 2.0 The trailer looked pretty fun; the music sounded pretty good too.
THE LAST RITES OF JOE MAY (Tribeca) Genre: Drama. An aging hustler is forced by circumstances into a reluctant friendship with a single mother and in a most unlikely fashion finds the redemption he was long seeking. Release Strategy: Limited. RATING: 2.2 Dennis Farina has always been an actor I’ve appreciated.
THE SON OF NO ONE (Anchor Bay) Genre: Thriller. A young cop is assigned to the working class neighborhood he grew up in which leads to the unearthing of a secret that threatens to destroy his career and family. Release Strategy: Limited. RATING: 2.7 An extremely strong cast but the trailer left me a little cold.
TOWER HEIST (Universal) Genre: Caper Comedy. The staff of an exclusive New York City apartment tower plot to steal their money back from the Bernie Madoff-like financier who stole it. Release Strategy: Wide. RATING: 2.1 An all-star cast led by Ben Stiller and the return of Eddie Murphy to the kind of role that made him a star.
YOUNG GOETHE IN LOVE (Music Box) Genre: Period Romance. The man who would become one of Germany’s most revered authors falls in love with a woman promised to another. Release Strategy: New York City/Los Angeles. RATING: 2.3 This was another one I didn’t get to see at the Florida Film Festival this year – now I wish I had.

NOVEMBER 9, 2011

J. EDGAR (Warner Brothers) Genre: Biodrama. The story of one of the 20th century’s most polarizing figures, a man who would symbolize law enforcement and it’s abuses for many – J. Edgar Hoover. Release Strategy: Limited (expands Wide on November 11). RATING: 2.2 They had me at “Directed by Clint Eastwood”.

NOVEMBER 11, 2011

11-11-11 (Rocket Releasing) Genre: Horror. An American author whose family has been taken from him tragically returns home to a dying father and a growing realization that he is being given a dire warning regarding the date November 11, 2011. Release Strategy: Wide. RATING: 2.9 Hopefully that dire warning has nothing to do with the box office for this first release from Elton John’s new distribution company.
THE CONQUEST (Music Box) Genre: Biographical Drama. The incredible rise to power of French president Nicolas Sarkozy and the price he paid for that power. Release Strategy: Limited. RATING: 2.2 Like any good story, the trailer looked both amusing and tragic.
ELITE SQUAD: THE ENEMY WITHIN (Variance) Genre: Action. A captain in Rio de Janeiro’s elite anti-gang unit is promoted to a government position and finds that the evil that pervades the favelas truly resides in the halls of power. Release Strategy: New York City (opening in Los Angeles November 18). RATING: 2.5 One of the most acclaimed international action films of the year.
THE GREENING OF WHITNEY BROWN (ARC Entertainment) Genre: Family Adventure. A preteen from the big city is forced to move to the country when her family encounters economic hard times and doesn’t like it one bit. Release Strategy: Limited. RATING: 3.8 Looks predictable and decidedly un-entertaining.
IMMORTALS (Relativity) Genre: Fantasy. A CGI-heavy telling of the Greek hero Theseus who battled an evil King and saved the Gods in the process. Release Strategy: Wide (Standard, 3D). RATING: 1.4 Looks good but director Tarsem Singh has a history of making movies that are spectacular images for their own sake.
INTO THE ABYSS (IFC) Genre: Documentary. A look at a convicted murderer sentenced to die in eight days, the family of his victims and those performing the execution. Release Strategy: Limited. RATING: 1.8 Werner Herzog has quickly become one of the best documentarians in the world.
JACK AND JILL (Columbia) Genre: Comedy. A successful commercial director’s twin sister comes to visit for Thanksgiving and proceeds to turn his life upside down. Release Strategy: Wide. RATING: 2.9 When Adam Sandler’s good, he’s wicked good; when Adam Sadler’s bad…
LONDON BOULEVARD (IFC) Genre: Crime Drama. An ex-con tries to protect a movie star and her troubled sister from a vicious mob boss. Release Strategy: Limited. RATING: 2.2 The directing debut from the writer of The Departed.
MELANCHOLIA (Magnolia) Genre: Science Fiction. As a large object hurtles through space to obliterate the Earth, the inhabitants of our planet prepare for the end in their own ways. Release Strategy: Limited. RATING: 2.3 Sounds like a fascinating subject but Lars von Trier has never been one of my favorite directors so I’m kinda wait-and-see about this one.

NOVEMBER 16, 2011

THE DESCENDANTS (Fox Searchlight) Genre: Dramedy. An indifferent father is forced to re-examine his attitudes towards parenting when his wife is gravely injured. Release Strategy: Limited. RATING: 1.7 This looks like another great role for George Clooney.
TOMBOY (Rocket Releasing) Genre: Drama. A young girl is mistaken for a young boy and decides not to correct the error. Release Strategy: New York City only. RATING: 2.4 Looks like a pretty insightful study on gender identification.

NOVEMBER 18, 2011

ANOTHER HAPPY DAY (Phase 4) Genre: Dramedy. A high-strung woman brings her three troubled children to the wedding of her estranged son and initiates conflict throughout her family. Release Strategy: Limited. RATING: 2.5 Ellen Barkin is a tremendous actress – it’s wonderful to see her getting more roles.
GARBO: THE SPY (First Run) Genre: Documentary. The story of a Spanish double agent who was decorated by both the Nazis and the Allies in World War II. Release Strategy: Limited. RATING: 3.4 Sounds like it should be a terrific documentary but trailer left me curiously uninterested.
HAPPY FEET TWO (Warner Brothers) Genre: Animated Feature. Erik, the son of Mumble the dancing penguin, has no interest in dancing. Release Strategy: Wide (Standard, 3D, IMAX 3D). RATING: 3.6 The trailer made this look way too much like “So You Think You Can Dance”.
THE HEIR APPARENT: LARGO WINCH (Music Box) Genre: Action Adventure. The heir to a billionaire’s fortune takes over his father’s multinational corporation with unexpected results. Release Strategy: Limited. RATING: 2.5 Has almost a video game feel to it.
IN HEAVEN, UNDERGROUND (Seventh Art) Genre: Documentary. A look at the Weissensee Jewish Cemetery near Berlin, the oldest Jewish cemetery in Europe and one of the few institutions to remain in Jewish hands during the Nazi regime. Release Strategy: New York City only. RATING: 2.3 More a look at what the Cemetery means to the modern Jewish community.
THE LIE (Screen Media) Genre: Drama. A young father who is trying to get a day off from work tells a whopping lie which will have far-reaching consequences. Release Strategy: Limited. RATING: 2.8 I’m not sure whether this was meant to have comedic elements or not but the trailer sure made it look that way.
RID OF ME (Phase 4) Genre: Dramedy. A young girl tries to make her marriage perfect in an unorthodox kind of way. Release Strategy: New York City only. RATING: 2.9 For whatever reason the studio has taken the trailer down so I’m not sure that bodes well for the movie.
THE TWILIGHT SAGA: BREAKING DAWN PART 1 (Summit) Genre: Romantic Fantasy. The wedding of Bella and Edward signals a new danger for Bella. Release Strategy: Wide. RATING: 3.4 The beginning of the end of the franchise that has polarized audiences for three years.
TYRANNOSAUR (Strand) Genre: Drama. A man with rage issues befriends a young woman with a devastating secret of her own. Release Strategy: Limited. RATING: 2.2 The trailer looked awfully mesmerizing.

NOVEMBER 23, 2011

A DANGEROUS METHOD (Sony Classics) Genre: Historical Drama. The story of Freud and Jung, and the troubled young girl who came between them. Release Strategy: Limited. RATING: 1.7 A solid cast and director David Cronenberg make this one to look out for.
ARTHUR CHRISTMAS (Columbia) Genre: Animated Feature. The clumsy younger son of Santa must save the day when Santa’s high-tech operation goes awry. Release Strategy: Wide (Standard, 3D). RATING: 2.0 The latest from the evil geniuses at Aardman Animation.
THE ARTIST (Weinstein) Genre: Romance. The fortunes of a silent film star whose career is on the wane with the advent of talkies and an up-and-coming young starlet are entwined. Release Strategy: Limited. RATING: 1.4 A compelling trailer which indicates that this black and white movie was filmed without sound.
HUGO (Paramount) Genre: Family Fantasy. A young boy lives in the walls of a Paris train station means to solve the mystery of his father’s loss, a grouchy toy shop owner and a heart-shaped lock that has no key. Release Strategy: Limited. RATING: 1.9 Believe it or not, this is the latest from Martin Scorsese. Yes, you read that right.
THE MUPPETS (Disney) Genre: Family. The Muppets biggest fan tries to get the gang back together again in order to save their theater which is about to be razed by a greedy oilman. Release Strategy: Wide. RATING: 2.4 Call me Oscar the Grouch but I just never got into these furry little characters.
MY WEEK WITH MARILYN (Weinstein) Genre: Biographical Drama. A young assistant on the set of The Prince and the Showgirl escorts Marilyn Monroe around Britain. Release Strategy: New York City/Los Angeles. RATING: 2.1 An impressive cast with Michele Williams capturing the look and essence of Monroe down to her toes.
RAMPART (Millennium) Genre: Crime Drama. A brutal L.A. cop finds his life unraveling when he is dismissed from the force. Release Strategy: New York City/Los Angeles (expanding January 27). RATING: 2.5 Looks like a new kind of role for Woody Harrelson.

NOVEMBER 24, 2011

THE LEGEND OF PALE MALE (Balcony Releasing) Genre: Documentary. When a wild Redtail Hawk (who haven’t lived in New York City for over a century) is evicted from its perch in a posh 5th avenue co-op, the resulting protest becomes a New York media sensation. Release Strategy: Limited. RATING: 2.6 A fascinating look at something that a lot of folks outside of the Big Apple aren’t fully aware of.

NOVEMBER 30, 2011

KHODORKOVSKY (Kino Lorber) Genre: Documentary. A man once the wealthiest man in Russia becomes a political prisoner because he dared stand up to the corrupt regime. Release Strategy: New York City only. RATING: 2.2 This is an acutely Russian tale.

SCHEDULED TO BE REVIEWED HERE AS NEW RELEASES
Tower Heist, J. Edgar, Immortals, Jack and Jill, Happy Feet Two, A Dangerous Method, Arthur Christmas, Hugo, The Muppets