Overture) Michael Moore, Wallace Shawn, William Black, Marcy Kaptur, Elizabeth Warren, Baron Hill, Elijah Cummings, George W. Bush, Barack Obama, Ronald Reagan, Robert Powell, Sarah Palin, John McCain. Directed by Michael Moore
Shortly before the Presidential elections of 2008, the economy of America went through a meltdown. Greedy banks, whose regulatory agencies were hamstrung and de-clawed, had written mortgages that almost guaranteed that the homeowners would default. Even though the FBI had warned of an epidemic of fraudulent loans, nobody paid heed until it was far too late.
Filmmaker Michael Moore is often described as a gadfly, but here he is a crusader, going after the very heart of American wealth – the capitalist system. He skewers it mercilessly on the lance of logic and fact, showing indisputably how the system was set up to maximize the ability of the rich to increase their share of the wealth, and how those who should have been protecting the interests of average Americans were profiting by assisting those fat cats in pillaging our country.
20 years after Roger and Me, Moore again takes on the captains of industry but he has widened his scope. No longer confined to the misery of Flint, Michigan, he shows how the elite of our banking and political institutions have conspired to turn the entire country into Flint. He shows hardworking families being forced to leave their homes because they can no longer afford to pay mortgages at the outrageous interest rates the banks were charging in their Adjustable Rate Mortgage (ARM).
He shows blue chip companies taking out life insurance policies on their workers so that they might profit should they die unexpectedly – without the knowledge of the families of those workers. He talks to congressmen who were bullied and railroaded into passing the bailout of the banks three weeks before they were up for re-election without giving them time to study the ramifications of these bailouts – and without knowing that the Treasury Secretary had inserted a clause that protected those banks from any sort of oversight or court challenge. That’s your tax dollars at work – paying the bonuses of executives at A.I.G. and Bank of America, and buying luxury private planes for Goldman-Sachs.
He shows how Goldman-Sachs essentially staged a coup d’état after their executives were appointed to key positions in the White House, and then sent out hundreds of billions of tax dollars to preferred corporate recipients.
It’s enough to make you want to pick up a pitchfork and a torch and lead an angry mob to a corporate headquarters. However, Moore also shows instances of people standing up united and defying injustice masquerading as government authority. He shows the Republic Glass and Window Company’s workers refusing to leave the building after being massively laid off and not paid the money due them. They staged a sit-in there in late 2008 and refused to leave until they got the money they were owed. Although some media coverage is shown, quite frankly I don’t remember the story at all.
A few people come off as heroes; Congresswoman Marcy Kaptur from Ohio, who from the House of Representatives floor urged people not to leave their homes if evicted and demand that the evictors show them a copy of their mortgage which they would be unlikely to have. Whistle-blower Bill Black, who helped bring the Charles Keating S&L scandal to light 20 years ago, weighs in on the current crisis as well.
Moore’s sympathies are certainly with the working class, and he tends to focus in on how the crisis is affecting them. He does spend some time with a few middle class folk, but largely it is those who work blue collar jobs that get his attention. Also, as Moore is prone to doing, he grandstands an awful lot, going to various financial institutions trying to make citizens arrests of their CEO’s for fraud, placing crime scene tape around the stock exchange and so on.
Moore has a wicked sense of humor and it comes through in unexpected places. I was laughing out loud at some of his cracks, as well as the judicious editing that juxtaposes ancient Rome with modern America.
This is a serious subject that has rippled through the lives of virtually every American. Some of the material here will make you want to go and string up a few of these arrogant pricks by their genitals. It should be required viewing for every high school senior and college student in order to understand how economics work…or don’t work, to be more to the point.
Moore definitely has an agenda and a political stance, and he makes no bones about it. Right-wingers are going to absolutely hate this movie, especially since he characterizes capitalism as evil and urges that we drop it as an economic system. Capitalism is a sacred cow that we have been brought up to revere as the centerpiece of our American freedoms, and it isn’t lightly that we would consider such an act, but given the abuses that we have seen with our own eyes and are portrayed here, that kind of consideration may just be warranted.
REASONS TO GO: A marvelous indictment of the modern political and economic system in America. Well-reasoned, it explains exactly how we got into this mess and also illustrates very clearly how we can get out of it.
REASONS TO STAY: Those who disagree with Moore’s politics aren’t going to like this at all. While he doesn’t say it overtly, he tacitly advocates socialism over capitalism which might not go over well with the Christian right.
FAMILY VALUES: Some language issues and some difficult adult subjects. Should be required viewing for all high school seniors and college students.
TRIVIAL PURSUIT: The Detroit premiere of the movie was in a theater located in the same building that houses the World Headquarters of General Motors. Moore was initially denied entrance to his own premiere until he came in without cameras or press hours later.
HOME OR THEATER: This has no epic scope other than that it is all about the issues that face every one of us. Conceptually, it should be seen on the big screen but from a sheer viewing standpoint, home video is fine.
FINAL RATING: 10/10
TOMORROW: Miss Pettigrew Lives For a Day