(DreamWorks) Paul Rudd, Jason Segel, Rashida Jones, Andy Samberg, J.K. Simmons, Jane Curtin, Jon Favreau, Jaime Pressly, Lou Ferrigno. Directed by John Hamburg
In this Age of Information, we have invented terms that didn’t exist before for relationships that had no name before. When two guys become obsessed with one another in a non-sexual way, it’s called a “bromance.” While there have been plenty of movies about male bonding, this one is the first to use the term, at least in its marketing.
Peter Klaven (Rudd) is an L.A. realtor who is looking to make his mark by selling Lou Ferrigno’s (playing himself) home. The commission he’d receive would give him enough cash to develop a property of his own and hopefully set him up for success. He has a fiancée, Zooey (Jones) that he adores and who is his best friend.
Peter is also a bit uptight and perhaps the least cool person in Los Angeles, a place where cool rules. Peter is somewhat metrosexual, and has always been more comfortable with women than with men. In fact, he has no male friends to be the best man at his wedding, a fact pointed out by his gay brother Robbie (Samberg) who is his dad’s (Simmons) best friend.
It turns out Zooey has some concerns about this as well, so Peter decides to go out on a series of “man-dates” to find himself a best man-friend. Initially, it goes horribly. He goes to a poker game run by Barry (Favreau), the husband of Zooey’s best friend Denise (Pressly), but winds up irritating Barry the Blowhard by winning at poker (and every other competition) despite having absolutely no idea what he’s doing, and finishing up the night by throwing up on Barry.
Other dates go soundly wrong as well, as Peter is mistaken for gay and other predictable results. It isn’t until another open house for the Ferrigno property takes place when Peter meets Sydney Fife (Segel) who is there for the free food that things finally begin to look up. Sydney’s insights and genuine free spirit strike a chord in Peter and they wind up exchanging numbers, which leads to some sweet hanging out.
Sydney has a nice little house a block away from Venice Beach, but we never see the inside of it. What we do see is Sydney’s “man cave,” a converted garage in the backyard where Sydney keeps his toys; a drum kit, flat-screen TV, recliner, lava lamps and the sort of things that bachelors like to keep in their homes to make them look cluttered and man-comfortable – and the sorts of things that go away once they get married.
Sydney and Peter share a love for the progressive rock trio Rush (a favorite of mine too, I have to admit) and other things to bond over and soon Peter is spending more time with Sydney than he is with Zooey. It looks like Peter has found his best man, but is he going to have a wedding to use him for?
Hamburg and company have almost surely studied the Judd Apatow method of modern film comedy, because this movie could easily have been made by Apatow, who has Knocked Up and Superbad on his resume, among others. There is enough crudeness to make it edgy but not enough to make it raunchy.
Rudd is one of the funniest guys you’ve never heard of. He is quite possibly the best comic character actor working today. He can take a character like Peter, find out the things that make him funny and underplay him just enough so that he doesn’t necessarily stand out, but you leave the theater finding that most of the best laughs were his.
In fact there were plenty of funny moments here, although there were also times that it seemed like the filmmakers were trying to force things a little bit. I get that guys talk like “Dude Dudingham” “The Great Bro-bowski” back and forth ad nauseum, but it doesn’t have to go on over and over again. We get it.
One other note; while I realize that being mistaken for gay has some humor potential, it made for some awkward stereotyping that I didn’t find funny. While there are plenty of bitchy gay men out there, I thought that some of the jokes in this area went over the line into the offensive zone. A little sensitivity might have been in order here.
But then again, if you’re overly sensitive you probably shouldn’t go to a comedy. The point of a comedy is that you should be able to laugh at yourself and if you can’t do that you might need therapy of a different sort. There is certainly plenty to laugh at here, just not as much as I was led to believe by the critics. Maybe I just wasn’t in the right mood for this. Oh well.
WHY RENT THIS: More of a “bro-mantic” comedy than a romantic comedy. Some genuinely funny moments. A credibly authentic look at male bonding.
WHY RENT SOMETHING ELSE: Some of the humor is a bit forced. The gay jokes are somewhat repugnant.
FAMILY VALUES: The language here is a bit rough for the younger sorts. There are also some fairly crude situations which make this unsuitable for children.
TRIVIAL PURSUIT: J.K. Simmons’ character is named Oswald. In the HBO series “Oz” (which co-starred Simmons), the name of the prison the show was set in was Oswald State Correctional Facility.
NOTABLE DVD EXTRAS: Nothing listed.
FINAL RATING: 5/10
TOMORROW: Crazy Heart