(New Line) Brendan Fraser, Josh Hutcherson, Anita Briem, Seth Meyers, Jane Wheeler, Jean Michel Pare, Garth Gilker. Directed by Eric Brevig
The trouble with making a movie from a classic novel – particularly one that has been filmed as many times as this one has – is that it’s easy for the audience to get the feeling that they’ve seen it all before, even if they haven’t.
Trevor Anderson (Fraser) is a volcanologist who gets little respect from his colleagues, particularly from Professor Kitzens (Meyers) who covets his lab space at the university to use for storage. Trevor has spent most of the past ten years trying to prove the theories of his brother Max (Pare) who had disappeared ten years earlier while out in the field.
To make matters worse, Trevor has forgotten that he has agreed to watch over his nephew Sean (Hutcherson) while his sister-in-law (Wheeler) is out of town. Sean and Trevor regard each other warily, with only the long-missing Max in common between them. Sean barely remembers his father; Trevor is a painful reminder of that.
His sister-in-law has also brought some of Max’s effects that she thought Trevor might want to have including a copy of Jules Verne’s “Journey to the Center of the Earth.” There are some strange notations in Max’s handwriting in the margins, as well as a name – Dr. Sigurbjorn Asgeirsson.
Noticing that one of Max’s sensors in Iceland seems to be active, Trevor realizes that Max might have been onto something and here at last was his chance to prove Max’s theories once and for all. Reluctantly taking Sean in tow, he heads over to Iceland and to see Dr. Asgeirsson.
The Asgeirsson Institute of Volcanology turns out to be an unprepossessing shack in the middle of Icelandic nowhere – which is about as far away from anything resembling civilization as you can get. The good doctor turns out to be dead, but his daughter Hannah (Briem) isn’t. She reveals that her father, like Max, was a Vernian, a somewhat cultish group of people who believed that the works of Jules Verne weren’t fiction but was in fact documentaries of actual events. She knows the location of Max’s last sensor and can guide them there, which she does. However, a lightning storm chases them into a cave and then a stray lightning strike seals the entrance of the cave with a rock fall. Don’t you just hate when that happens?
Forced to find another way out, the trio find some old mine tunnels and go looking for an alternate means to the surface. Instead, they plunge through extremely thin rock and fall a long ways down into an entirely strange and different world.
Here they discover strange glowing birds, gigantic fungi and weird lifeforms that have either vanished from the surface world or were never there to begin with. However they discover to their consternation that the temperature is rising and if they don’t find a way out soon, they will all die and lie buried forever in the center of the earth.
We’ve seen this movie before, or at least a pale imitation of it. We’ve seen lizards masquerading as dinosaurs and fiberglass sets with twinkling lights. Here, we see a fully realized digital domain with amazing creatures and realistic environments. The movie was filmed using 3D, and there are plenty of 3D effects likely to make you jump off of your couch.
Fraser has the kind of charm that is lovable in a goofy kind of way. He is aw-shucks modest and a little bit clumsy as action heroes go but when the chips are down he can throw a punch. He’s the center of the movie and when he’s on as he is here he can carry a movie effectively.
Briem is a fresh-faced find, filling the romantic interest role with a different flavor than we usually get with American actresses. The only quibble I would have is that there wasn’t as much romantic spark between her and Fraser as I would have liked, although I think that the script was written that way in deference to the family audience it was going for.
The filmmakers (and probably the studio as well) seem to have been aiming for family-friendly action adventure and you get plenty of it here. It isn’t terribly offensive or scary (although there are a couple of scenes that the youngest of children might be frightened of) and therein lies the movie’s big issue. It is a little too whitebread for my tastes. I could have done with a few more scares and a little less of the annoying nephew. Still, if you have kids and you want to see something big and action-packed, this is your ticket.
WHY RENT THIS: Big, broad adventure for the entire family with some nifty 3D effects. Fraser’s goofy charm carries most of the movie.
WHY RENT SOMETHING ELSE: Extremely disposable and bland. There is little or no chemistry between Hannah and Trevor.
FAMILY VALUES: There’s a fairly scary dinosaur as well as some hungry carnivorous fish but otherwise suitable for the entire family.
TRIVIAL PURSUIT: During an early scene in the caverns, the explorers come across emeralds, rubies and diamonds. The diamonds the explorers examine are already cut and polished; in the raw they would actually resemble yellowish pebbles.
NOTABLE DVD EXTRAS: Loaded with ‘em! It comes with both 2D and 3D editions of the movie, and four pairs of 3D glasses for viewing it in all its multi-dimensional glory. There is an interesting feature on the history of “hollow world” theories, as well as the scientists who loved them as well as a couple of interactive games.
FINAL RATING: 6/10
TOMORROW: Shutter Island