Miss March

Miss March

Women would rather kiss each other than Trevor Moore.

(Fox Searchlight) Zach Cregger, Trevor Moore, Raquel Alessi, Craig Robinson, Molly Stanton, Hugh Hefner, Sara Jean Underwood, Carla Jimenez. Directed by Zach Cregger and Trevor Moore

Change is inevitable, and no matter how much you want them to remain the same, things never do. We turn around and then one day we realize how much our lives have changed in, oh, four years or so. You know what they say: time flies when you’re in a coma.

Eugene (Cregger) and Tucker (Moore) have been friends for life. High school is coming to an end and the straight-arrow Eugene has yet to have sex with his girlfriend Cindi (Alessi). Tucker, a world-class horndog and worshipper of all things Playboy is incredulous that Eugene could let such a hot property go unspoiled. In fact, the two of them travel to middle schools with one of those abstinence presentations that is supposed to scare younger kids into keeping it in their pants (but never does).

To Eugene’s surprise, Cindi herself is eager to lose her virginity and the two resolve to make it happen the night of the prom. The big night arrives and Eugene is understandably nervous. Things get worse when the rented limo shows up to pick him up and in it is a former classmate turned rapper who goes by the name of Horsedick.mpeg (Robinson) who is ALL about the sex – which makes Cindi’s parents nervous.

Eugene is still pretty tense by the time they get to the after-prom party where he and Cindi have planned to take the big step. Tucker, ever his best friend and ever an idiot, gives Eugene several shots to calm him down. Next thing you know, Eugene is going through the wrong door, tumbling down the stairs into the basement, and because in a movie like this that can never be enough, has a toolbox and a bookcase fall on top of his head. Next stop: coma.

Fast forward four years. Eugene is still in a coma and apparently not likely to get out of it. Tucker however has the perfect solution – he hits the prone, comatose Eugene in the face with a baseball bat. Someone call the Mayo Clinic – Eugene is awake hallelujah and a broken nose is a small price to pay. Of course his limbs have atrophied after four years of non-use but with plenty of physical therapy and hard work, he’ll be able to walk again someday.

Eugene is still trying to wrap his head around being asleep for four years but the biggest blow is that his beloved Cindi is now the Playmate of the Month (Miss March…catchy title) and faster than J. Geils can call his lawyer Tucker has Eugene out of the hospital and the two misfits are heading to California to get Eugene to the Playboy Mansion so he can re-unite with his girl…and maybe finish what they’ve started. They are being chased by Tucker’s vengeful girlfriend whom he stabbed in the face with a fork when she bit down on his manhood during an epileptic fit that occurred when Tucker turned on a strobe light while she was giving him a blow job. Trust me, it’s not nearly as funny as it sounds on paper.

Cregger and Moore, who co-wrote, co-directed and co-starred in this thing, are both members of the New York-based sketch troupe “The Whitest Kids U Know” who have had a cable show that my son Jacob thinks is mildly funny. This movie doesn’t even rate that faint praise.

I like to think that I’m neither high-falutin’ nor prissy; I love a fart joke as much as the next guy, but only when they’re actually funny. I wish the movie could have been a lot better, but they went the lowbrow route every time, without exception. A little bit surreality might have done them some good, but nothing really worked here. There’s a running joke about firemen being essentially malevolent sociopaths as a group and in deft hands that might have been hysterical. It gets wasted here.

The characters are all, as a rule, unlikable and those that aren’t are blander than hell. The only one character that rises above is Hugh Hefner, who makes a brief cameo to explain the joys of true love. It had a certain sweetness that the rest of the movie lacked, but unfortunately it was too little, too late.

There might have been a good movie here but there is absolutely no subtlety present. As I said, I have no problem with crude humor but it needs that subtlety to balance itself out against. With no balance, the movie sinks like a bowling ball in an inflatable pool. And we, the audience, drown right along with it.

WHY RENT THIS: It’s the Playboy mansion…hello!

WHY RENT SOMETHING ELSE: Humor is dumb, sophomoric and quite frankly disappointing.

FAMILY VALUES: Lots of toilet humor, sexuality and sex jokes…definitely meant for more mature audiences.

TRIVIAL PURSUIT: Hefner was originally going to be played by actor Robert Wagner but when he saw a rough cut of the film, he was amused enough that he elected to play himself in the movie. As a result, all of Wagner’s footage was scrapped.

NOTABLE DVD EXTRAS: There is an unrated version but it doesn’t really add very much.

FINAL RATING: 4/10

TOMORROW: Appaloosa and further Florida Film Festival coverage with a mini-review of Leaves of Grass

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