(Columbia) Angelina Jolie, Liev Schreiber, Chiwetel Ejiofor, Daniel Olbrychski, August Diehl, Andre Braugher, Hunt Block, Olek Krupa, Daniel Pearce, Cassidy Hinkle, Yara Shahidi, Jordan Lage, Vladislav Koulikov, Olya Zueva. Directed by Phillip Noyce
It is somewhat emblematic of the flaccid crop of movies this summer that this movie is one of the best reviewed of the season, with some critics heaping critical praises on it that it scarcely deserves. Let’s get to the salient facts.
Evelyn Salt (Jolie) is a spy; let’s get that straight first off. It’s not much of a spoiler, since the trailer tells you she is. She is evidently not a very good spy, because when we first meet her she’s been captured and is being tortured by the North Koreans.
She is eventually released and returns back to the CIA – or at least the petrochemical company that fronts for the CIA – and is preparing for an anniversary dinner for her arachnologist husband (Diehl), complete with intricately folded napkins. Nothing says romance more than linen folded into origami after all. However, dinner is going to have to wait; a Russian defector has walked into the CIA front building – apparently the CIA isn’t very good at hiding in plain sight either – and it is up to Evelyn to interrogate the guy since, well, nobody else in the CIA can do it, right?
Her boss Ted Winter (Schreiber) is eager to catch a plane, she wants to get to her anniversary dinner and the by-the-book agent Peabody (Ejiofor) just wants to take over because he apparently is the special agent in charge of Russian defections. Unfortunately, their plans are all thrown for a loop when Orlov (Olbrychski), the defector in question, informs them that a sleeper agent is planning to murder the Russian president on U.S. soil at the funeral of the Vice President the very next day. The name of the sleeper agent? Evelyn Salt.
All Jason Bourne breaks out right about then. Salt, knowing that her husband is going to be targeted – apparently this has happened before – decides she doesn’t have time to wait around to be interrogated and escapes. Orlov, channeling Rosa Klebb of From Russia with Love, boots himself out of an elevator. This would be the perfect time for a car chase, don’t you think?
There is certainly plenty of action here, some of it pretty nifty. Noyce, who directed the two Harrison Ford Jack Ryan movies, has a steady hand when it comes to action sequences, and while he doesn’t reinvent the wheel here, the action comes at you thick and fast, with Jolie leaping out of moving vehicles, out of helicopters and onto moving trucks and vans. She beats up everybody she can get her hands on, and a few that she can’t.
My problem with the movie isn’t so much the action but what lies between. I was never able to connect to Salt and there’s a reason for it. The whole is-she-or-isn’t-she theme of the movie only works if you aren’t sure if she is or she isn’t, and so she has to be enigmatic by definition, which makes it difficult for us to relate to her. Quite frankly, it should be fairly obvious early on whether she is or isn’t, and those who aren’t sure, look to the extraneous characters to help you figure it out. You know the ones; they only exist for a specific plot point that will become critical later in the film. These are the kinds of characters that are usually found in bad movies.
I know I’m being a bit harsh on Salt and I should temper it by saying that there are a lot of things in the positive column. Jolie, for one thing, is a terrific action hero, maybe the best female action hero not named Sigourney Weaver. Reportedly, she did a lot of her own stunts, which would make her one kickass broad, based on what I saw here. Certainly some of her parkour-like fighting moves were spectacular.
I never really was able to fall in love with the movie, and I was kind of hoping to. I am fond of action movies in general, but I felt like this was Jason Bourne with boobs channeling James Bond, only without being able to capture my rooting interest. It’s really not an awful movie, but it isn’t a great one either.
Sometimes, you can distill your feelings for a movie down to a single word. Concerning my feelings for Salt, that word would be meh.
REASONS TO GO: Some of the action sequences are breathtaking.
REASONS TO STAY: You never get a reason to care about any of this; they’re so busy making Salt a cipher that she never connects with the audience.
FAMILY VALUES: There’s plenty of violence, a smattering of bad language and some implied sexuality, but nothing the average videogame wouldn’t pack in.
TRIVIAL PURSUIT: The lead role was originally written for a male; when Tom Cruise was attached to the movie, it was titled The Mystery of Edwin Salt but when Cruised bowed out to do Knight and Day, Jolie stepped in and the part was substantially rewritten.
HOME OR THEATER: I will have to admit some of the action sequences would be enhanced by the theatrical experience.
FINAL RATING: 5/10
TOMORROW: The Kids Are All Right