(Lionsgate) Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren, Eric Roberts, Giselle Itie, Mickey Rourke, Steve Austin, Terry Crews, Randy Couture, Charisma Carpenter, Bruce Willis, Arnold Schwarzenegger, David Zayas, Gary Daniels. Directed by Sylvester Stallone
When we reach a certain age, we have a tendency to say things along the lines as “they don’t make them like that anymore” more and more often. In some cases, it’s just our memories of things from the past that color our perceptions. Once in awhile, we’re actually right – they don’t make them like that anymore.
Case in point, The Expendables. This is the kind of action movies that filled theaters with cheering, chest-pounding men and the women who put up with them. It’s the kind of movie that makes you want to cook some meat on an open flame, use power tools to make things that needed to be fixed even more broken, and drink several beers while watching football. You know, man things.
There’s a plot here but really, do you care? You’ve got Stallone leading a bunch of mercenaries into a fictional South American country to rescue a brave woman (Itie) with his besties at his side – mostly Statham and Li but also including Couture and Crews – against some rogue CIA agents (Roberts and Austin). We’ve seen it more than once already this summer alone.
One of the big draws is a single scene in which Stallone, Willis and Schwarzenegger gather together in a church to essentially set up the story. It’s early on in the movie, last only a few minutes and then Willis and Schwarzenegger disappear forever from the movie. Still, you get an insane kick out of seeing these three action icons of the 80s and 90s together for the first time, with Stallone even getting in a jab at Schwarzenegger’s political aspirations.
Then there’s Mickey Rourke. Having seen his career resurrected in The Wrestler and further enhanced by Iron Man 2, he plays a semi-retired Expendable who runs a tattoo parlor slash garage where his old merc buddies get together to reminisce. He has a scene that he talks about why he got out of the game and gives at least a little insight into the toll of war on old warriors. Stallone, to his credit, centers the camera on a tight close-up on Rourke’s face except for a brief reaction shot, but essentially the entire speech is shot that way. It’s a stunning moment, one you wouldn’t expect to find in an action film like this and it serves to elevate the movie all by its lonesome.
Mainly though, this is about blowing things up, stabbing people every which way, kicking, punching and shooting people with guns, rocket launchers and whatever else is handy. The action is way over-the-top, loud and aggressive – in short, the way it used to be. You don’t have time to really think about how hurling an artillery shell at a helicopter with your bare hands isn’t likely to do much damage, let alone blow it up but Crews does just that and you pound your chest and grunt like a good monkey when he does.
Some of the fight scenes, particularly during the last battle, were difficult to follow. Stallone chose to use a more modern handheld camera approach, not realizing perhaps that the style was something of a novelty to begin with; combined with quick cuts, you get the sensation that the entire battle scene is hurtling by your head without really sticking onscreen. At times, you can’t tell who’s battling who, and it’s a shame because you wind up missing some of Jet Li’s martial arts moves which are unbelievable to begin with.
Still, this is a movie that will quell that action Jones you may have been craving for years now. I could actually feel my testicles swelling up while the movie was going on. Not an unpleasant sensation, let me tell you.
REASONS TO GO: A throwback action movie that gives you more bang for your buck than any action film this past summer.
REASONS TO STAY: Some of the fight scenes (particularly in the climactic battle) were filmed with handheld cameras and were insanely difficult to follow, so quickly were they cut.
FAMILY VALUES: Lots of action, lots of violence, lots of things go boom and lots of hand-to-hand mayhem. A few swear words too; probably older teens will be fine with this, but the very young should stay away.
TRIVIAL PURSUIT: The scene with Stallone, Schwarzenegger and Willis was filmed on October 24, 2009 and took six hours to film. Willis was in the midst of filming Cop Out and was given a pass by director Kevin Smith to appear in The Expendables; Schwarzenegger declined to accept any pay for his role, doing it as a favor to his longtime friend Stallone. It was Schwarzenegger’s first movie appearance in six years, since Around the World In 80 Days.
HOME OR THEATER: Big explosions should be seen on a big screen.
FINAL RATING: 7/10
TOMORROW: Taking Woodstock
Awesome review. You pretty much hit the nail on the head with regards to how to soak this movie in. I felt a little guilty that I actually liked it more than I cared to mention to anyone because it was way over the top but that’s what made it work. I like that it didn’t try to hide the fact that it was an uber throwback action flick.
You’re spot on with Rourke’s moment. I think the years of hardship have made him a better actor in his old age. He has a lot of emotional range despite being a little hard on the eyes. 😉