Griff Blane and Rick Baker prepare to roast some S'mores.
(2008) Drama (Self-Distributed) Griff Blane, Rick Baker, Cassie Raye, Daniel McKinney, Randy G. Scott, Buddy Metz, Craig Hanley, Whittaker Garick, Charlie Wiggins. Directed by Ray Gaillard
When we see the homeless, we tend to view them as failures at life. They are scary in a way, as despair and desperation can drive people to do terrible things – and we sure don’t want to be around when they do.
Buck (Blane) is an eight-year-old boy who’s been through much more than any eight-year-old boy should have to. Both his parents were killed in a car accident and he and his little sister Molly (Raye) have been separated and sent to different foster homes. Whereas Molly is in a loving middle-class home, Buck has been left in the tender care of George (Wiggins), a brutish man who never tires of telling Buck that he’ll never amount to anything, or pointing out he’s been kicked out of every foster home he’s been sent to.
Driven past the breaking point, he escapes George’s clutches, leaving him with a present he’ll remember for a good long time. He decides to go out looking for his sister, but hasn’t a clue how to find her. Living on the streets and eating out of garbage bins, he finally attracts the notice of Joe (Baker), a kindly man who is also homeless.
Joe takes Buck to a camp outside of town where other homeless people are living as best they can. Joe teaches Buck the ropes and imparts the wisdom of how to survive on his own. Still, Buck is focused on finding his little sister and despite Joe’s warnings to the contrary, goes out after her. The attempt will lead Buck into a life and death situation, one in which he must make a decision that will color the direction his life takes from then on.
First-time filmmaker Gaillard filmed the movie in and around Columbia, South Carolina using friends and family as actors and crew members. Taking into account the nature of the production, it has to be said that this is definitely unpolished; the acting is uneven, as such productions usually are. However, this doesn’t feel like an amateur film. The cinematography is gorgeous, utilizing its locations nicely, and the script rarely descends into cliché.
Blane is a credible young actor; he takes the less-is-more route, rarely overplaying his hand. The result is that he comes off as a boy who is in a bit of a shell, but capable of violence when cornered. Simply put, Buck is not a kid to mess with. Blane gets that across, but manages to retain the inner core of a child. Many better known child actors wouldn’t have been able to pull that off. If he chooses to pursue acting as a career, he has a bright future in it.
Baker (not the special effects make-up guy) is the wise old Yoda to Blane’s Luke Skywalker. He plays a very complex character that is homeless by choice, rejecting the money-centric society that America has evolved into. Baker even resembles a Jedi with his snow-white hair and ponytail. In any case, he is the film’s heart in many ways and carries that aspect off solidly.
Quite frankly, I was pleasantly surprised with the movie that depicts how the homeless are perceived by society in a very realistic manner. There are a couple of rednecks in the movie (Hanley and Garick) who precipitate a good deal of violence. Some of the violence is sudden and brutal in the manner that violence often is. Sensitive souls should note that while the movie isn’t gore-drenched, it doesn’t shy away from it either and the violence that exists in that stratum of society is dealt with in a matter-of-fact manner.
The movie is a slice of life of lives that are often marginalized; that it depicts these people as human and worthwhile is a unique feature all of its own and should be applauded. It is a bit of an eye-opener as a matter of fact, and these are the kinds of movies that should be appreciated and savored. While it is exceedingly difficult to find the movie in local theaters, I would highly recommend ordering the movie from the website below. Talent such as Gaillard’s and his cast and crew should be nurtured and encouraged; I suspect that Gaillard has plenty of additional stories to tell and I for one look forward to seeing them.
REASONS TO GO: While very raw, the movie depicts the life of the homeless and how they are regarded by society in a very realistic manner. The movie is well-filmed, utilizing its locations very nicely.
REASONS TO STAY: The violence can be off-putting to those who are sensitive to such things.
FAMILY VALUES: There is some violence and a smattering of foul language. While the lead character is a young boy, it would be advisable to watch the movie with your children to answer questions about the situations and the ensuing violence, some of which is directed at the boy, others committed by him.
TRIVIAL PURSUIT: Before making this movie, Gaillard had no movie-making experience and knew very little about the process. He read several books on the subject at his local library and checked out information on the Internet before purchasing a camera and putting together the funds to film the movie, mostly with friends and family.
HOME OR THEATER: This film is on the festival circuit and your best bet is to see it at one; if you can’t find it, the movie is available on DVD at its website www.iremembermovie.com.
FINAL RATING: 7.5/10
TOMORROW: The Princess and the Frog
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