(2010) Suspense Thriller (Warner Brothers) Mel Gibson, Ray Winstone, Danny Huston, Shawn Roberts, Bojana Novakovic, Frank Grillo, Jay O. Sanders, Denis O’Hare, David Aaron Baker, Damian Young, Caterina Scorsone. Directed by Martin Campbell
The somewhat bizarre story of Mel Gibson of late has been public knowledge almost to the point of overkill. I’m not going to comment one way or another oh the things he’s done or said – that is for others to do. I will say I have always admired him as an actor.
It’s been eight years since Gibson last assayed a leading role in a film. In this one, he plays Boston Police Detective Craven, who doesn’t have a whole lot in this life, but he does have a daughter, Emma (Novakovic) who is his whole existence. She works for a big corporation called Northmoor that is one of those companies that nobody seems to know what they do, only that they have big government contracts. Emma seems a bit unwell, with frequent nosebleeds and overall fatigue.
However, her condition gets a whole lot worse when a masked figure shouts “Craven” as the two of them are walking out of his house, then lets loose with a shotgun blast that kills her right in front of his eyes. With her death his life is completely shattered in an instant.
It is assumed that the shooter had meant to target the police detective instead of the girl, but it becomes evident that there is more going on than meets the eye and the detective in Craven knows something smells rotten. He decides to ask a few questions, shake a few trees, see what falls out. He starts with her boyfriend (Roberts) who seems terrified but points Craven in the direction of Northmoor. The detective talks with the unctuous corporate president Jack Bennett (Huston) and while that sets his cop instincts into overdrive, he’s still flailing around in the dark. That is, until he gets a visit from Jedburgh (Winstone), a mysterious sort who is one of those clandestine guys who knows more than anybody else.
Soon Craven is knee deep on eco-terrorists, government hitmen, corrupt politicians and attempts on his life. There is no subtlety going on here; he is a man with nothing to lose because he’s already lost everything. There is indeed no more dangerous a man than that.
This is a more than competent thriller. Director Martin Campbell has done Bond movies (the very respectable Casino Royale) as well as high-profile franchise pics (the upcoming Green Lantern) and has shown that he knows what he’s doing. He handles action scenes deftly, and spends enough time on character development without slowing the pacing down for it. That’s a pretty difficult balance to achieve, and Campbell makes it look effortless.
His star has a whole lot of baggage and I don’t just mean onscreen. Gibson’s popularity isn’t what it once was when he was the World’s Sexiest Man, whose smile made him a “right here, right now” choice for many a woman. His anti-Semitic and misogynistic tirades have landed him on tabloid news shows and brought him unwanted publicity. His career has suffered as a result – this high-profile film was far from a hit.
That’s a shame because it isn’t half-bad. It’s based on a BBC mini-series of the same name. While this one has been transplanted to American shores, it retains much of the suspense of the original. Helping out is a stellar support cast. Winstone is one of the best in the business, and he sinks his teeth into this role. His scenes with Gibson are some of the film’s best moments.
Huston plays the smooth Bennett like a cobra, mesmerizing us before he strikes to inject a lethal dose of venom. Huston excels at these sorts of roles and he could have easily phoned this one in, but he doesn’t. He makes Bennett more than the standard corporate cliché, and that helps elevate the movie somewhat.
Don’t get me wrong – there are plenty of clichés here and the movie gets bogged down in its own plot intricacies from time to time. Be that as it may, this is a good thriller that has enough entertainment value that if you can look beyond Gibson’s off-screen troubles, you’ll be pleasantly surprised.
WHY RENT THIS: Gibson is still very much a star, although a tarnished one. A very respectable cast; scenes between Winstone and Gibson are top-notch.
WHY RENT SOMETHING ELSE: The concept has been done to death and the movie doesn’t particularly bring anything new to the table. While there are a few good scares, mostly it’s just gruesome.
FAMILY VALUES: A good deal of violence, some of it gruesome. There’s also plenty of good Irish Catholic Boston cop-style foul language.
TRIVIAL PURSUIT: Martin Campbell also directed the mini-series on which this is based.
NOTABLE DVD EXTRAS: There’s a featurette on the British mini-series giving viewers a good frame of reference.
BOX OFFICE PERFORMANCE: $81.1M on a $80M production budget; the movie was a flop.
FINAL RATING: 6/10