(2010) Comedy (IFC) Rainn Wilson, Ellen Page, Kevin Bacon, Liv Tyler, Michael Rooker, Andre Royo, Sean Gunn, Stephan Blackehart, Don Mac, Linda Cardellini, Nathan Fillion, Gregg Henry, Rob Zombie (voice), Zach Gilford, Mikaela Hoover. Directed by James Gunn
Sometimes we all feel powerless against the forces conspiring to make our lives miserable. All of us wish at one time or another, for the power to right wrongs, to punish the wicked and maybe even protect the weak. It is what inspires comic books and daydreams.
Frank D’Arbo (Wilson) has more reason than most to feel downtrodden. The product of a strict (some would say abusive) religious upbringing, he works as a line cook in a big metropolitan area. His sad sack looks and somewhat dorky demeanor have made him the target for ridicule.
He does have a wife, Sarah (Tyler) that he damn near worships. She’s a recovering drug addict and his marriage to her is one of the two happiest moments of his life (the other is the day he pointed a cop in the direction a purse snatcher ran).
However there is rain on his horizon. His wife has fallen off the wagon and is on heroin, thanks to the drug dealer Jacques (Bacon) that she is now living with. Frank is disconsolate. He can’t sleep, he is moody and irritable and when he discovers what Jacques is he gets beaten up for his troubles.
Apparently Frank has had visions all his life and he has one now; one in which his skull is peeled off and his brain is touched by the finger of God (voiced by Rob Zombie – perhaps the coolest thing in the movie you don’t know you’re experiencing). In that vision, a cable access low-rate Christian superhero named the Holy Avenger (Fillion) tells Frank he has a destiny. Frank believes that destiny is to be a superhero.
Of course, it’s tough to be a superhero without a power but that never stopped Batman or the Green Arrow, so Frank settles on a pipe wrench. He pieces together a costume for himself and voila the Crimson Bolt is born. He hangs out in alleys, waiting for crime to happen (which apparently is a long wait), but when crime happens, he swings into action with his wrench. At first, he goes after obvious criminals but soon his image of absolute justice begins to blur a bit as he attacks line jumpers and car keyers.
He also reluctantly takes on a sidekick – the nerdy geeky clerk at a comic book store, Libby (Page). She’s enthusiastic and a little socially awkward but she quickly figures out what’s going on, especially after Frank gets shot after an abortive attempt on rescuing Sarah. Libby takes on the guise of Boltie and it becomes real evident real fast that she’s very attracted to Frank, particularly in his Crimson Bolt persona – but he still believes he’s very married, although Libby is far too horny to pay attention to such niceties.
Deciding to arm themselves better, Frank gets another vision that brings him to believe that ready or not, they must rescue Sarah now, which turns out to be true since Jacques’ deal with Mr. Range (Mac) apparently includes the sexual favors of the drugged Sarah. Storming the fortress-like ranch of Jacques with well-armed and trained thugs, can the Crimson Bolt and Boltie hope to prevail?
This looks like a superhero spoof on the surface, but it’s far darker than the average spoof. Gunn has created a very realistic look at what superheroes would look like in the real world; there is plenty of blood and viscera here. That might put off the squeamish or the easily offended.
There is something here to offend everybody in that sense, whether it’s the excessive and realistic-looking gore of the wrench assaults, to the somewhat squishy rape of Frank to a vision in vomit. The movie is unrated and probably would have gotten an NC-17 had it been submitted for one although I might have given it an R myself.
Frank is a character not unlike the one Wilson plays on “The Office.” Like Dwight Schrute, Frank isn’t the brightest bulb in the chandelier, and he doesn’t quite get that he is the joke. He’s uptight and a little bit on the humorless side, but Frank is a little nicer than Dwight deep down I think.
Page is awesome as the ADHD Libby who turns out to be even more psychotic than Frank. She looks awfully good in her Boltie duds, and she captures the character’s frenetic energy and also her deep-seated need to be somebody, squealing “I always knew I’d be on television” when a police sketch of her and Frank appear on the local news. She can laugh maniacally when she kills a bad guy, but she also seems to have insecurities that Frank feeds into but also bolsters her from in a weird way. It’s a far more complicated role than it looks.
Bacon is great fun as the oily but ultimately evil Jacques. He is smarmy to the point of being a used car salesman, but at the same time he takes delicious fun at testing his new product on his girlfriend. He’s in the great tradition of comic book baddies – he knows he’s bad but he just doesn’t care.
Part of the joke of the movie is that EVERYBODY in it is psychotic or neurotic to one degree or another – except for Sarah, the junkie and even she is an addict. The line between good and bad is blurred to the point that it’s extinct and if we can’t see it, how can a schlub like the Crimson Bolt even hope to figure out where it is?
The reaction I’ve seen to the movie has been polarizing. Some get the joke and laugh loudly while others are simply offended by it. I tended towards the former. Once the Crimson Bolt and Boltie go off to rescue Sarah, the movie goes completely dark and the humor which had been peppering it for most of the film takes a back seat, despite the homage to the comic books a la the old “Batman” TV show with cartoonish BAMs and POWs accenting the violence.
There are religious overtones that some may find offensive, there are fight sequences that some might find offensive, there’s sex and rape that some might find offensive. Those with thick skins however might actually find this cooler than Jesus – literally, since Jesus makes a cameo sitting on a wall during one of Frank’s visions. The point is, if you approach this seriously (as many critics did), then you’re missing the point. Super may lampoon some of the baser elements of superhero conceits, but this isn’t a spoof. No, indeed like Frank himself, this is far more than what it appears to be on the surface.
REASONS TO GO: Darkly funny with lots of laugh out loud moments. Unrepentantly gross.
REASONS TO STAY: May be too ultraviolent for some. Could have used a few more laughs in the final reel.
FAMILY VALUES: Some extreme violence, lots of foul language, some fairly graphic sexuality and nudity and a goodly amount of drug use, among other things, make this so very not for the kids.
TRIVIAL PURSUIT: Gunn was formerly married to Jenna Fischer, Wilson’s co-star from “The Office” who recommended him for the role.
HOME OR THEATER: Would fit right in on an old battered television set.
FINAL RATING: 7/10
TOMORROW: Charlotte’s Web (2006)