(2005) Thriller (New Line) Viggo Mortensen, Maria Bello, Ed Harris, William Hurt, Ashton Holmes, Peter MacNeill, Stephen McHattie, Greg Bryk, Kyle Schmid, Sumela Kay, Gerry Quigley, Deborah Drakeford, Heidi Hayes, Aidan Devine, Michelle McCree. Directed by David Cronenberg
Funny thing about the past; it has a tendency to catch up with you. Especially when you least expect it to – and where you least expect it to.
Tom Stall (Mortensen) lives a quiet life in a small Indiana town. He owns a popular diner, is married to a beautiful native named Edie (Bello) and has two kids including a teenager named Jack (Holmes) who has taken his mild-mannered father’s lessons to heart and has as a result been picked on by bullies who are frustrated by Jack’s refusal to fight.
One night, all that is shattered when a couple of small-time hoods (McHattie, Bryk) come into his diner. They terrorize his patrons and despite Tom’s pleas for them to leave peaceably, it appears they are going to kill a waitress when Tom suddenly reacts with decisive action, killing both of the crooks.
Unfortunately, Tom’s actions get noticed by the media and he is painted as a hero. This is, in turn, noticed by a very bad man named Carl Fogarty (Harris) who seems to think that Tom is someone named Joey Cusack. Tom doesn’t appear to know Fogarty, but doubts are cast in the mind of his wife and the town sheriff (MacNeill). The question becomes who is Tom Stall and why is he so good at killing people?
By far, this is Cronenberg’s most mainstream movie. Known for cult films (Naked Lunch, Videodrome) and horror classics (The Brood, Scanners), he has a gift for taking a normal, safe environment and turning it upon itself until it is virtually unrecognizable. Here, he does that in a literal way; the man we think we know (and the man Edie Stall thought she married) turns out to be someone so different as to be almost a different species. This is not an easy adjustment to make and some may find it too much for them.
On the other hand, the adjustment is made easier by bravura performances by Mortensen, Bello, Harris and Holmes. Also worth noting is Hurt’s role as a man pivotal to Tom’s past. It is interesting that Hurt appears in only one scene, but his performance is so dynamic that he wound up being nominated for an Oscar for that one scene.
Violence is often used as the last refuge for survival, and Cronenberg seems to say it is justified in that case. However, is there a Joey Cusack lurking in every Tom Stall? Given the right circumstances, I think – and I have a feeling that Cronenberg agrees – there is.
WHY RENT THIS: Cronenberg’s most mainstream film. Terrific performances by Mortensen, Harris, Bello and Holmes – and an Oscar-nominated one by Hurt.
WHY RENT SOMETHING ELSE: The ending isn’t what you might like it to be.
FAMILY MATTERS: There’s some brutal violence, a good deal of sexuality (as well as some nudity), a bit of drug use and foul language to boot.
TRIVIAL PURSUIT: This was the last major Hollywood film to be released in the VHS format.
NOTABLE DVD FEATURES: There’s a featurette on Scene 44, a dream sequence that was cut from the movie but was polished and added here as a special feature.
BOX OFFICE PERFORMANCE: $60.7M on a $32M production budget; the movie broke even.
FINAL RATING: 8/10
TOMORROW: The Runaways