(2009) Thriller (Music Box) Michael Nyqvist, Noomi Rapace, Lena Endre, Sven-Bertil Taube, Peter Haber, Peter Andersson, Marika Lagercrantz, Ingvar Hirdwall, Bjorn Granath, Ewa Froling, Annika Hallin, Georgi Staykov, Tomas Kohler. Directed by Niels Arden Oplev
My wife was often heard to say to my son (and she heard this herself often as a child) that the truth will find you out. It usually does, too – although sometimes it can take many years before it finally shows up at your door.
Mikael Blomkvist (Nyqvist) is the publisher of Millennium, a left wing magazine in Sweden that goes after corporate and government officials mostly of the right wing variety. Blomkvist has just lost a libel trial against a wealthy Swedish industrialist and in six months time, will be sent to jail for it. He has temporarily stepped down from his position because of the scandal.
In the midst of this, he gets an intriguing offer from an aging Swedish industrialist. Henrik Vanger (Taube) is in his 80s, the patriarch of a wealthy Swedish family living in isolation on an island near Stockholm. 40 years previously, his niece Harriet (Froling) disappeared and is presumed dead. Nobody knows what happened to her although everyone assumes she was murdered. Who done it? Well there’s a whole family of suspects.
As it turns out, Mikael isn’t the only one investigating. Lisbeth Salander (Rapace) was hired to investigate Blomkvist and as she checks up on him, gets drawn in to his own investigation. She is one of Sweden’s best hackers and she has no trouble finding information Mikael can’t access. As time goes by, they discover that the Vangers have a couple of not-so-closet Nazis in the family tree. Salander turns out to have some dangerous secrets of her own and as Mikael closes in on the truth, nothing is what it seems – and it seems there may be something rotten in Sweden.
This is from the first book of the late Stieg Larsson’s Millennium trilogy which is wildly popular in Scandinavia and more recently worldwide. The motion pictures based on the trilogy are among the most popular ever in Sweden and are due to be remade by Hollywood, the first due out at Christmas directed by Oscar winner David Fincher and starring Daniel Craig and Rooney Mara.
So should you see these before seeing the remakes? I say yes. This is a world class movie, right up there with the best of Hitchcock and De Palma. The bleak Swedish winter landscapes create the perfect mood, with just the right number of twists – not too many, not too few.
The leads couldn’t be more different. Nyqvist is understated as Blomkvist. He is capable and intellectual but not what you’d call the typical heroic sort. He is more heroic in his convictions and ideals rather than as a physical purveyor of derring-do. He is a decent man caught in a situation that is way over his head, one he’s not nearly mean enough to handle.
Rapace however delivers a star turn as Salander. Lisbeth is a bundle of contradictory characteristics. Quiet and withdrawn in many ways, she also dresses in outlandish punk hairstyle and leather which inevitably calls attention to herself. There is a rage in her that’s just below the surface, a rage that comes out brutally when she’s raped graphically early in the movie. It’s a brutal scene that’s not for the sensitive and is anything but sexual. There are those who are disturbed by it, but considering the importance of the event in the series, it is a necessary scene.
I like the mood the movie weaves; it is a mood that contains the comfort of Scandinavian homes, the overwhelming fog of uneasy dread, the air of mysteries buried deep in the Swedish soil. While there is an Agatha Christie-like vibe to the first act, this is definitely the work of a mind whose roots are deep in the land of the Northern climes, where winters are deep, bone-chilling and soul-sucking. One can almost hear “Finlandia” playing on the soundtrack.
Even more to the point, these are characters that are real and compelling. Even the evil neo-Nazi bastards aren’t caricatures; there is flesh on all of these bones. Lisbeth Salander may be one of the most interesting heroines to come along since Ellen Ripley in Alien. She has demons deep within her, most of them barely hinted at. She’s not always an easy character to like, but she’s always an easy character to be fascinated by.
There are people who won’t see this because it’s subtitled. That’s a shame; those who love thrillers will love this one. It’s not the most original plot; it’s just done in an original style. There’s a realism to it that works, as well as an air of melancholy that makes it Swedish. It’s not Hitchcock, but as this style of movie goes, it’s as good as anything that’s come along in the last decade.
WHY RENT THIS: Well-acted, well-filmed and well-structured – nearly an ideal mystery-thriller.
WHY RENT SOMETHING ELSE: The story is not really ground-breaking and the ending is not too hard to figure out.
FAMILY VALUES: There’s a lot of violence and some grisly images. There’s also a graphic rape, nudity, some sexual material and a bit of bad language (in Swedish but nonetheless).
TRIVIAL PURSUIT: Noomi Rapace got her eyebrow and nose pierced for the film. She also learned kickboxing and lost weight. Incidentally, the actress playing her mother in the movie is also her mom in real life.
NOTABLE DVD EXTRAS: There is a Vanger family tree that may prove helpful in keeping up with the plot. There’s also an interesting interview with Rapace in which she discusses how she came aboard.
BOX OFFICE PERFORMANCE: $104.4M on a $13M production budget; the movie was a blockbuster.
FINAL RATING: 8/10
TOMORROW: The Girl Who Played With Fire
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Nice job. I liked it a lot and much better than the Hollywood version. Obviously, I have the benefit of retrospect as I am writing this after both have been released. I like Michael Nyquist much better than Daniel Craig. As a retired journalist I appreciate how much more realistic the overweight Nyquist is than the buff 007. Rapace was amazing. Can’t imagine how she didn’t get the role in Hollywood.
She chose not to pursue it. Her explanation was that she’d already done the part for three films, she didn’t want to repeat it for the same three movies over again which I can understand. She went on to do Sherlock Holmes: A Game of Shadows and Prometheus.
Thanks very much. I had not known it was her choice. I saw her in Sherlock Holmes. Kind of a skimpy role after Girl. Missed the other two.