The Other Man

The Other Man

Ah, the game's afoot...or, in this case, a pawn.

(2008) Drama (Image) Liam Neeson, Antonio Banderas, Laura Linney, Romola Garai, Pam Ferris, Craig Parkinson, Sophie Wu, Lola Peploe, Richard Graham, Emma Fielding, Priyanga Burford. Directed by Richard Eyre

Even in a marriage we often don’t know everything about our partner that we think we do. Sometimes we discover a secret life that is completely unknown to us. When our world comes crashing about our ears, how do we rebuild it without destroying what’s left?

Peter (Neeson) is a successful computer software designer. He is married to Lisa (Linney), a successful shoe designer. They live in Cambridge (the English one) and have a pretty good life. That is, until Lisa disappears.

Peter is frantic, understandably and tries to find a clue, any sort of clue as to where she is. He hacks into her computer and discovers pictures – pictures that indicate she was having an affair with another man. In an instant, he goes from grieving husband to jealous, angry husband.

Using his sleuthing skills, he determines that the nameless Other Man lives in Milan. Peter goes there to find him and, quite possibly, murder him. His daughter Abigail (Garai) is concerned; her father seems obsessive and enraged. She wonders what he intends to do and he refuses to tell her.

Eventually, Peter tracks down Ralph (Banderas), a gentleman living in Milan. Without telling him who he is Peter meets Ralph in a chess café and has a game with him. Soon, Peter realizes that something is fishy about Ralph and that everything is not as it should be. The question soon becomes, where is Laura? The answer might surprise you…

Director Eyre has made some real good movies, including Notes on a Scandal which was far superior to this. Here he crafts a thriller without tension, a drama that isn’t terribly dramatic. The script seems to exist to send you sideways with different plot twists; unfortunately, it spends far too much time on unnecessary plot twists, as when Peter’s suspicions fall on someone working in the office with Lisa.

There is some real quality in the casting too. Liam Neeson is one of the most interesting actors alive; he has a rough exterior but a very soft interior and he is extremely skilled at using both. Some of his scenes as a grieving husband are extremely wrenching, and well worth watching on their own. Banderas is, I think, underrated as an actor, always cast as the Latin lothario but here he takes a part which is a bit different than what we see him in normally. The part appears to be that way, a Spanish gentleman in Gucci loafers, as Peter disparagingly refers to them, in Milan, the center of designer shoes. That should tell you a little bit about who Ralph is.

Garai also does surprisingly well as the daughter. I wasn’t familiar with her previous work, but the girl’s got skills. She infuses Abigail with both compassion and concern. She isn’t weak at all though; she stands up to her dad and gets in his face about things. Yup, just like an actual daughter. I appreciated that element of the storyline.

Unfortunately, not that much else in the film is compelling. Some of the big “twists” are hopelessly telegraphed and some of the action lacks fire. While having Peter and Ralph confront each other over a game of chess, it lacks the emotional charge that the confrontation should have had. There’s no dramatic tension, and that torpedoes the film overall.

However, a movie with these actors in it and a generally skilled director isn’t going to be all bad. This is going to go down as one of their more forgettable efforts but that doesn’t mean it isn’t completely without merit. I would say that it is a movie that isn’t impressive, but has some moments worth savoring.

WHY RENT THIS: Neeson is always compelling, and Banderas takes on a role that’s new for him. Garai does an impressive job. 

WHY RENT SOMETHING ELSE: The movie is kind of bland and not well thought out. Certainly all the obfuscation about who the “other man” is was unnecessary.

FAMILY VALUES: Not rated, but there’s some bad language and adult situations regarding marital infidelity, as well as some nudity.

TRIVIAL PURSUIT: Juliette Binoche was originally supposed to play the part of Lisa but had to leave the cast before filming started. She was replaced by Linney.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $1.1M on an unreported production budget; chances are the movie didn’t make back its budget.

FINAL RATING: 6/10

TOMORROW: The Promise

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