(2011) Comedy (Phase 4) Colin Hanks, Ari Graynor, Ann-Margaret, Jeffrey Tambor, Mimi Rogers, Adam J. Harrington, Allison Mackie, Tom Amandes, Michelle Davidson, Olivia Sather, Heather Marie Marsden, Sean Modica, Jill Carr, Elizabeth Uhl. Directed by Gil Cates Jr.
Love and marriage can be a killer. Compromise and understanding are keys to any relationship, but especially in any marriage, particularly in new ones. Getting to understand your partner in any relationship is the key to making it work.
Ben Keller (Hanks) is a bit of a noodle. He is a quiet, shy sort who works as an accountant. He seems generally nice although a bit socially awkward. He has a crush on the receptionist, Lucy St. Martin (Graynor) and has had since school but has never acted on it, not really. She’s aware of his affections but she is much more pragmatic; she has her eye casting about for men in a different economic strata. Ben is beneath her notice, frankly.
That is, until Ben wins the Iowa State Lotto and over $38 million. Overnight he’s a millionaire and Lucy suddenly sees him as husband material. Soon they are dating and before long, they are married, much to the satisfaction of Pauline (Ann-Margaret), Ben’s mom who had despaired of her shy son ever finding a match.
Lucy may be all about the money and Ben doesn’t seem to be too shy about spending it on her – from building her a dream home to an expensive Hawaiian honeymoon. It is in fact while in Hawaii that Lucy discovers that Ben has been keeping a secret from her and it’s a doozy – mild-mannered Ben is a serial killer and as Lucy looks a little more deeply into this, she discovers that his victims bear a more than passing resemblance to herself.
The director is the son of a Hollywood producer (best known for producing the Oscar telecasts) who is directing the son of an acting legend (Hanks, son of Tom). That really is neither here nor there but it is some interesting trivia. The premise here sounds tailor made for a black comedy directed by the likes of the Coen brothers but Cates comes off as a bit inexperienced here.
This kind of material needs a deft touch, one that is light where it needs to be but unfortunately the direction is mostly heavy-handed. We are hit in the face with an anvil rather than tickled gently with a feather. While the former gets our attention initially, it gets old quickly and eventually leaves us numb. The latter may not necessarily be as attention-getting at first but it stays with us longer for far more pleasant reasons.
Hanks is rapidly getting a reputation for playing nice guys with a dark side (as he does in “Mad Men”) and this might be his quintessential role. He resembles his father in many ways but he is much more of a sad sack than Daddy ever was. He isn’t quite the indelible lead man his father is but he has the DNA for it, not to mention that he adds his own stamp.
Graynor is kind of a cut-rate Renee Zellweger in a lot of ways, particularly in her delivery. She’s kind of a skinny Bridget Jones without the accent here. I get the sense she’s emulating the screwball comedies of the ’30s in the way she makes her character sassy and plucky. It’s not really original in any way but she at least captures the essence of the character nicely.
Veteran character actor Tambor plays a detective who is investigating the disappearance of several young girls. Tambor’s laconic delivery is perfect for the role and he always seems to deliver the goods no matter how small the role (and this one is small but memorable indeed). Ann-Margaret is also a welcome addition. In fact, the cast is pretty solid.
The filmmakers seem to be caught between making a screwball comedy and a black comedy and wind up with neither. There are some great moments (as when Lucy has a frank conversation with Ben’s victims) as well as some that could have been. Unfortunately, this is a movie where it felt like each turn it could have made could have gone better if they’d taken a different direction. Chalk it up to inexperience and hope the next one is better.
WHY RENT THIS: Nice performances from Graynor and Tambor. Competent black comedy.
WHY RENT SOMETHING ELSE: Lacks consistency.
FAMILY VALUES: There is some bad language, a bit of violence, some sexuality and a couple of gruesome images.
TRIVIAL PURSUIT: The Hawaii-themed restaurant scene was actually filmed at a zoo exhibit in Omaha.
NOTABLE DVD EXTRAS: There’s a music video by David Choi singing “I Choose Happiness” from the movie.
BOX OFFICE PERFORMANCE: $8,564 on an unreported production budget; no way this made any money.
FINAL RATING: 5/10
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