New Releases for the Week of April 6, 2012


April 6, 2012

AMERICAN REUNION

(Universal) Jason Biggs, Alyson Hannigan, Chris Klein, Tara Reid, Thomas Ian Nichols, Seann William Scott, Mena Suvari, Jennifer Coolidge, Eugene Levy, Shannon Elizabeth. Directed by John Hurwitz and Hayden Schlossberg

The kids of East Great Falls High have graduated and scattered to the four winds. Of all the couples that had come together ten years ago, only Jim and Michelle remain together, now married with a baby. That’s a far cry from band camp brother. In any case the whole gang is coming back home for the ten year reunion. It may be ten years gone from high school but these are friendships that endure a lifetime. The latest in the American Pie franchise.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sex Comedy

Rating: R (for crude and sexual content throughout, nudity, language, brief drug use and teen drinking)

Coriolanus

(Weinstein) Ralph Fiennes, Gerard Butler, Vanessa Redgrave, Brian Cox.  A revered general of Rome is pushed into seeking the position of Consul. When he refuses to kiss tush with the masses, they refuse to support him. His anger prompts a riot which results in his expulsion. He winds up allying with his sworn enemy to take revenge on the city. This is the latest Shakespeare adaptation, updated into a modern setting and the directorial debut of Fiennes

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for some bloody violence)

Housefull 2

(Eros) Akshay Kumar, Asin, John Abraham, Jaqueline Fernandes. Four con men pose as rich prospective husbands for four brides. They all wind up living together under the same roof, causing much mistaken identity, much paternal hair-pulling and many spontaneous musical numbers.

See the trailer here.

For more on the movie this is the website

Release formats: Standard

Genre: Bollywood

Rating: NR

Intruders

(Millennium) Clive Owen, Carice van Houten, Pilar Lopez de Ayala, Daniel Bruhl.  The latest from visionary Spanish horror director Juan Carlos Fresnadillo follows two children in two different countries who are haunted by a being known only as Hollow Face. Nobody believes the children when they tell adults about what’s happening to them but as events begin to pile up there is no denying something beyond our understanding is going on.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: R (for terror, horror violence, some sexuality/nudity and language)

Titanic 3D

(Paramount/Fox) Leonardo di Caprio, Kate Winslet, Billy Zane, David Warner. The all-time box office champ and the winner of more Oscars than any other film in history gets the 3-D treatment. The ship still sinks.

See the trailer, clips and featurettes here.

For more on the movie this is the website

Release formats: Standard, 3D, IMAX 3D

Genre: Romance

Rating: PG-13 (for disaster-related peril and violence, nudity, sensuality and brief language)

We Need to Talk About Kevin

(Oscilloscope Laboratories) Tilda Swinton, John C. Reilly, Ezra Miller, Ashley Gerasimovich. A mother must deal with the fall-out of her son’s heinous actions, as well as the ire of her community. Her relationship with her son is called into question as is her culpability in the acts that he committed. Swinton received a Golden Globe nomination for her role as the mother.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Psychological Thriller

Rating: R (for disturbing violence and behavior, some sexuality and language)

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Mirror Mirror


Mirror Mirror

Armie Hammer expresses what we already know while Julia Roberts looks on in amusement - Worst. Costume. Ever.

(2012) Fantasy (Relativity) Julia Roberts, Lily Collins, Armie Hammer, Nathan Lane, Mare Winningham, Sean Bean, Jordan Prentice, Mark Povinelli, Joe Gnoffo, Danny Woodburn, Sebastian Saraceno, Martin Klebba, Ronald Lee Clark, Michael Lerner, Robert Emms. Directed by Tarsem Singh

 

Fairy tales are all about happily ever afters. That’s why we read them even as adults – we want to believe that no matter how bad things get, things will end up the way they’re supposed to be.

I wonder if Snow White (Collins) believes in them. She’s been locked up in her father’s castles for most of her life. Her mother died giving birth to her and her father, the King (Bean) married a woman noted for her beauty and made her Queen (Roberts). Shortly after that, the King ventured into the dark forest and was never heard from again.

The Queen took over and immediately turned the kingdom into her own personal playground. She raised taxes to unbearable levels and used the proceeds to buy herself a lavish wardrobe and throw extravagant parties. However, she has depleted the treasury to the point where her administrator Brighton (Lane) warns her that there is no money left – for anything.

Quite by chance young Prince Andrew Alcott (Hammer) is traveling through the kingdom with his faithful aide-de-camp, Charles Renbock (Emms) when he is set upon by seven bandits with unusually long legs. They rob him of everything including his clothes, leaving him to be discovered by the Queen who realizes that the Prince, who hails from a wealthy Kingdom, could be the answer to her financial problems.

The trouble is that Snow has discovered how destitute the people of her kingdom are and how despotic her stepmother is. The Queen realizes that Snow is not only inconvenient to her plans, she is a downright obstacle – she and Prince Andrew are very attracted to each other. The Queen orders Brighton to take Snow out into the dark woods and murder her, but Brighton can’t do it and when the roar of the Beast that haunts the wood is heard, both go running in opposite directions. Brighton stops by the butcher shop to pick up some animal entrails (and a roll of sausages) to prove that Snow is dead and gone.

In the meantime she has discovered the lair of the bandits who turn out to be seven dwarves, cast out of the town because the Queen found them ugly. Each of them – Napoleon (Prentice), Half Pint (Povinelli), Grub (Gnoffo), Woodburn (Grimm), Saraceno (Wolf), Klebba (Butcher) and Chuckles (Clark) each have something distinctive about them.  Grub loves to eat, Half Pint is something of a ladies’ man, Wolf is half-wild and Chuckles – well, you can guess.

At first they don’t want the girl among them – too much trouble but when Snow proves to be useful and resourceful, they grow genuinely fond of her. Snow is ready to take back her kingdom from the wicked Queen, but the Queen has enchanted the Prince to fall in puppy love with her and he is willing to do anything for her – including kill Snow White.

Singh is the director of such visual spectacles as The Cell and Immortals. He has a very strong imagination and I give him props for it. This is his first attempt at a family film and at comedy in the same shot and it does show a side of him we haven’t seen up to now.

Roberts is the biggest reason to go see this movie. She captures the character of the Queen perfectly; vain, arch and a little bit naughty but with a whole lot of nasty. She doesn’t always have the best dialogue but Roberts makes up for it with sheer caustic attitude. Because she’s so dang beautiful, some people tend to underestimate her star quality. Trust me, she’s a star for a reason and this film might end up being the quintessential example of her work.

Armie Hammer first wowed viewers in a dual role in The Social Network. I think he has great things in store for him. Prince Andrew is a little bit dense and possessed with an overabundance of a sense of honor. Hammer gives him a bit of a goofy edge but with a sweetheart core. He seems to be a pretty easygoing fella, one you’d want to hang out and share a tankard of ale with at the local pub while watching the jousting. He is also quite easy on the eyes I understand. Not that I’m a judge of that sort of thing.

Tarsem was working on this almost right about the same time he finished up Immortals and one wonders if he was stretched too thin – the CGI effects on both were a little bit rocky. I don’t mind CGI but I get a little put out when it looks like CGI. You’re taken out of the movie when that happens.

There are wonderful sets and amazing costumes here – the last from Oscar winning costume designer Eiko Ishioka, who sadly passed away from pancreatic cancer in January. Other than the unconvincing CGI, this looks sumptuous. Unfortunately, the dialogue is mediocre and the movie tries way too hard to be fun instead of just being fun. Roberts understands how to make a movie feel fun and inventive, and the dwarves are pretty good at it too. Lily Collins, the daughter of Phil Collins, didn’t blow me out of the water as much as she did with other critics but there are plenty who think she has a bright future and I agree with them.

Overall, I was quite disappointed. I was hoping for something light and fun and it was the former but missed a bit in the latter. Give or take a few details, this could have been a marvelous film. It nevertheless is okay entertainment that fans of Julia Roberts will adore and those who don’t care for her might not like. Personally I think she does a good enough job that she makes the movie worth seeing all by herself.

REASONS TO GO: Roberts chews the scenery wonderfully. Hammer’s star continues to rise. Inventive in more than a few places, particularly on costumes and set design.

REASONS TO STAY: Weak CGI. Weak dialogue. Never really rises to the level of the visuals.

FAMILY VALUES: Some of the humor is a bit rude, there are a few disturbing images of fairy tale monsters and there is a bit of fantasy action.

TRIVIAL PURSUIT: While filming, Julia Roberts’ young children would often hide in the skirts of her elaborate gowns without anyone being the wiser.

CRITICAL MASS: As of 4/4/12: Rotten Tomatoes: 50% positive reviews. Metacritic: 47/100. The reviews are extremely mixed.

COMPARISON SHOPPING: Space Jam

COSTUME LOVERS: The costumes, particularly the dresses Julia Roberts wears, are extremely elaborate and over-the-top. Those who love fashion – particularly the more esoteric sort – will enjoy the outfits here.

FINAL RATING: 5.5/10

NEXT: Love, Wedding, Marriage