Killing Them Softly

Brad Pitt hits the streets looking for people to go see his new movie.

Brad Pitt hits the streets looking for people to go see his new movie.

(2012) Crime Dramedy (Weinstein) Brad Pitt, James Gandolfini, Ray Liotta, Richard Jenkins, Scoot McNairy, Ben Mendelsohn, Vincent Curatola, Max Casella, Trevor Long, Sam Shepard, Slaine, Garret Dillahunt, Bella Heathcote, Linara Washington. Directed by Andrew Dominik

 

Tough economic times make people a little harder. They grow skittish at any sign of trouble; they are unforgiving of mistakes, even those not of your making. When people get scared, their tendency is to go into self-preservation mode with most decisions made on pure self-interest.

In an indeterminate American city (but looks somewhat like New Orleans), a poker game gets robbed by two masked men. These things happen, even while the 2008 Presidential election rages and speechifyin’ is underway from candidates Barack Obama and John McCain, while President George W. Bush tries to calm people down as the economic meltdown strikes, crippling our nation and casting doubt on our future.

Jackie Cogan (Pitt) is called in to investigate. You see, this poker game wasn’t just a poker game; it was run by the Mob and they don’t take kindly to being robbed. Driver (Jenkins), the go-between for the committee that runs the Mob in New Orleans and Jackie, is glum. Examples must be made but a bloodbath isn’t necessarily welcome.

It soon turns out that there are four people involved in the robbery; Johnny “Squirrel” Amato (Curatola), the dry-cleaner and low-level thug who masterminded it, Frankie (McNairy) – who is Squirrel’s choice to execute the robbery (yes, Frankie and Johnny – cute, no?) – Russell (Mendelsohn), the Aussie heroin addict that Frankie brings in to assist and Markie Trattman (Liotta) who runs the game.

Now Markie is completely innocent; his problem is that five years earlier he had arranged to rob his own game. This is common knowledge and even though he had nothing to do with this robbery, the clientele think he does and they don’t want to play anymore. While the mobsters in charge would be satisfied with a beat down of Markie (and a fine beating is administered to him), Jackie contends that Markie has to be whacked. With all due haste.

Jackie is not keen on getting all of these hits done himself so he brings in Mickey (Gandolfini), a hitman who is having some personal issues not the least of which is alcoholism and sex addiction. He proves to be worthless so Jackie is on his own, having to carry out all the hits himself.

The movie is based on a book by George V. Higgins called Cogan’s Trade which was set in Boston in 1974. Dominik chose to bring the action to New Orleans in 2008 and there are some compelling reasons to do that – the economic hardship thread is one of the main issues in the movie. I haven’t read the book to be honest so I don’t know if that’s something that was part of the original novel (it may well could have been) but it certainly is something that the filmmakers hit you in the face with quite regularly.

This is a fine cast and Pitt does a pretty good job with the enigmatic Jackie Cogan. I like that you don’t get a sense that Jackie is invincible and smarter than everybody else. He makes mistakes. He screws things up. However, he thinks quickly on his feet and takes care of business and is ruthless as they come.

Gandolfini, a fine actor who tends to be cast in roles that aren’t dissimilar from his Tony Soprano role, has a couple of really nice scenes here. Jenkins and Liotta are essentially wasted in roles that they shouldn’t have accepted (yes, further career advice to professional actors from a blog critic – just what they needed).

The big problem here though is Dominik. He consistently throughout the film reminds you that there is a director and that he has an Artistic Sense. From the most annoying opening credits ever through a slow-mo death scene of which Sam Peckinpah would have said “Didn’t I do that already?” in scene after scene you are given odd camera angles, unnecessary montages, and other little tricks which is a director inserting himself into the film. Word of advice to any aspiring directors out there – stay the heck out of your movie. If you must insert yourself, do a cameo. Or cast yourself in a role. Otherwise, let your actors and crew do their jobs and trust them to tell the story without your help.

This is frankly quite a mess. It is destined to be Pitt’s lowest grossing movie of his career to date and for good reason; this is the kind of film that people walk out on, as several folks did at the screening we attended. Da Queen and I hung in there but we were frankly dissatisfied when we left. I like a good neo-noir as much as the next guy but sometimes, simpler is better.

REASONS TO GO: Pitt gamely does his best. There are a couple of terrific action sequences.

REASONS TO STAY: A fatal case of “Look Ma, I’m Directing” syndrome. Distracting continuity errors.

FAMILY VALUES:  There’s a ton of bad language,  a surfeit of drug use, plenty of violence and gore as well as a few sexual references; fun for the entire family.

TRIVIAL PURSUIT: The Richard Jenkins character is never seen standing up in the movie. He is always seated in a car or at a bar.

CRITICAL MASS: As of 12/12/12: Rotten Tomatoes: 76% positive reviews. Metacritic: 64/100. The reviews are surprisingly strong.

COMPARISON SHOPPING: Burn After Reading

BARACK OBAMA LOVERS: .The film is set during the 2008 Presidential Election and features a number of speeches by the recently re-elected President.

FINAL RATING: 3/10

NEXT: Color Me Kubrick

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