(2013) Science Fiction (Universal) Tom Cruise, Morgan Freeman, Olga Kurylenko, Andrea Riseborough, Nikolaj Coster-Waldau, Melissa Leo, Zoe Bell, Abigail Lowe, Isabelle Lowe, David Madison, Fileena Bahris, Lindsay Clift, Joanne Bahris, Booch O’Connell, Julie Hardin, Jaylen Moore, Jeremy Sande, Jay Oliver. Directed by Joseph Kosinski
One wonders why professional critics, who seem to be fairly intelligent and knowledgeable about movies, suddenly seem compelled to spend entire reviews of a movie bashing Tom Cruise and lamenting about his age, his off-screen drama, his acting ability or all of the above.
This movie isn’t about Tom Cruise, it merely stars him. He plays Jack Harper, a glorified repair technician. It’s 2077 and the Earth is essentially a dead planet. Aliens, called Scavs, had invaded the planet some decades earlier and while we won the war we lost the planet. The Scavs blew up the moon, causing massive tidal waves and earthquakes which essentially wiped out a huge chunk of the human race. We in turn launched our nuclear arsenal, destroying the majority of the Scav invading force but rendering most of the planet uninhabitable.
Now the surviving humans live on Titan, with a few still remaining on Earth repairing drones that monitor the planet for the remaining Scavs. Huge intake tanks are pulling up seawater necessary for fusion reactors that mean our survival on Titan. Some live on the Tet (short for Tetrahedron, which is its shape) but others. like Jack, live in cantilevered homes above the clouds; they travel on bubble ships which resemble dragonflies or old-style Bell Helicopters.
Jack and his navigator (who remains in their home and monitors him on a computer console from there) Victoria (Riseborough) have only two weeks left in their tour of duty. Victoria can’t wait to head to Titan but Jack…Jack has misgivings. Jack has doubts. Jack has strange memories of the observation deck at the Empire State Building that he can’t explain, particularly since the Empire State was, like all of New York, wiped out well before Jack was born.
Jack also shouldn’t have memories – his memory, like Victoria’s, was wiped five years ago before his mission started so that important information couldn’t get into the hands of the Scavs. He’s fine with that – duty and honor are big with Jack – but he has nagging questions that he can’t really answer and Sally (Leo) his mission control supervisor in the Tet, isn’t prone to answering them. Jack has found an isolated little valley where there is still water and grass and trees, and a cabin he built there with what trinkets and artifacts he can scavenge which he will miss on Titan most of all. But nothing can prepare Jack for the immense lie he has come to believe and what the truth of what is really out there is. Now Jack is fighting for his planet, along with a mysterious woman (Kurylenko) with connections to his past and a wise leader (Freeman) of a group of survivors who have already figured out the truth – and must convince Jack of that truth or else humanity will fade into the mists of time.
Kosinski’s follow-up to TRON: Legacy is another sci-fi epic. Universal hedged its bets a bit, placing this in an April slot that would shield it from competition with the big summer sci-fi epics which I think was a smart move. There’s plenty of eye candy here from the bubble ships which are hella cool, to the landscapes of ruined Earth which is a clever mixture of desolate Icelandic landscapes and familiar cityscapes from the big Apple.
Cruise does what he needs to do here, and that’s mainly act puzzled. Harper is one of those sorts who was born and bred to be heroic; like the original Mercury 7 or the guys in The Right Stuff his instincts are to do the right thing. That’s right in the wheelhouse of Tom Cruise; few guys can be as charismatic and heroic as he can as he’s proven in films like Jerry Maguire, The Firm and Legend. He has to carry this movie pretty much as he is in virtually every scene so as goes Tom Cruise so goes Oblivion.
He has a pretty decent support cast. Riseborough is a beautiful and talented actress who doesn’t get enough credit from mainstream Hollywood just yet. Freeman and Leo are both proven stars, both Oscar-winning performers who can be counted on to deliver sterling work.
There are a couple of major plot twists here but frankly, you are going to see both of them coming a mile away. The movie really needed a slam-bang ending but doesn’t get one; it’s more of a fizzle and that’s one of Hollywood’s most grievous sins of late – the inability to write a good ending to a movie.
The gee-whiz factor is up there and with Cruise onscreen most of the time, they get the benefit of having one of Hollywood’s most charismatic stars keeping the audience’s attention riveted where the filmmakers want it. This is a solid movie that will keep your eye candy craving satisfied at least until the summer begins.
REASONS TO GO: Cruise is, whatever else he might be, a compelling star. Pretty cool gadgets and visual effects.
REASONS TO STAY: The twists aren’t particularly hard to figure out. Sputters towards the end.
FAMILY VALUES: There is some violence, a bit of nudity and sexuality and some harsh language.
TRIVIAL PURSUIT: The painting used in the film is “Christina’s World” by Andrew Wyeth.
CRITICAL MASS: As of 5/4/13: Rotten Tomatoes: 56% positive reviews. Metacritic: 54/100; about as mixed a reception as you can get.
COMPARISON SHOPPING: Star Trek: The Motion Picture
FINAL RATING: 6/10
NEXT: The Company We Keep
I agree that the solutions to the mystery are pretty obvious and hamper the movie. The ending isn’t that great and doesn’t provide much amazement. Even so, I still had fun with it. The mystery sustains the story for a while, and the visuals and score are so strong that they almost make up for it.
You’ll see one if not both of the movie’s big twists coming, and while a case could be made that “Oblivion” will make the boldest anti-drones statement of any fictional film this year, it’s a chilly movie that never draws you in enough to get fully invested in what’s happening.