(2013) Science Fiction (Columbia) Will Smith, Jaden Smith, Sophie Okonedo, Zoe Kravitz, Glenn Morshower, Kristofer Hivju, Sacha Dhawan, Chris Geere, Diego Klattenhoff, David Denman, Lincoln Lewis, Jaden Martin, Sincere L. Bobb, Monika Jolly, Demetrice Jackson, Joe Farina, Albert Valladares, Jim Gunter, Tiffany E. Green. Directed by M. Night Shyamalan
A friend of mine – who happens to be a big movie buff – posted on his Facebook page that he overheard during a trailer for After Earth at a different movie some people re-christen the movie Afterbirth. I chastised him at the time, saying something about judging a movie before you’d seen it (which seems to be an Internet hobby for many these days). We went back and forth over all the red flags he’d seen in the trailer that were making him uneasy about the movie. We left it with that he has no plans to see it unless he hears from friends he trusts that the movie is worth checking out. I think it’s safe to say that he’ll probably not be coming to the multiplex for this one.
The movie takes place over 1,000 years in the future. The human race has abandoned Earth after polluting it into essentially an uninhabitable wasteland. We eventually made our way to a planet called Nova Prime which sadly already had their own inhabitants who didn’t take kindly to our incursion. They genetically engineered a creature called an Ursa which was all razor sharp pincers and teeth which hunted based on smell. It literally was attracted to its prey by fear.
General Cypher Raige (Will Smith) found a way to mask his fear, rendering him invisible to the Ursa, allowing him and other Rangers (the military force of the human race) to essentially end the threat of the creatures. However it came at a high cost – while Cypher was away on duty, an Ursa invaded his home killing his daughter Senshi (Kravitz) in front of his young son Kitai (Martin).
Five years after that tragedy, a 14-year-old Kitai (Jaden Smith) is trying out for the Rangers. While great in the classroom, he has a tendency to fall apart in the field, haunted by the death of his sister. Commander Velan (Morshower) tells him as gently as possible that he has failed his application into the Rangers. Kitai is mortified; his father is due home that evening and will not be pleased at all.
His mother Faia (Okonedo) urges Cypher to bond with his son who is desperate to please him. Cypher, knowing that he hasn’t been the presence in his son’s life that he needs to be, takes him along on an off-world mission transporting an Ursa to a research station on a distant moon. Instead, the ship runs into a freak meteor storm and is forced to crash land where it all started – on Earth. As the ship goes down it breaks in two.
Cypher breaks both his legs seriously in the crash and he and Kitai are the only survivors in the front section of the ship. The distress beacon is also damaged beyond repair but there is another one in the tail section. The trouble is it’s 100 km (about 62 miles) away through hostile territory. The planet you see isn’t so thrilled about what the humans did to it and all life has evolved to kill humans. We are no longer used to the atmosphere so a liquid must be consumed every 24 hours to help us breathe. The planet is prone to violent temperature swings. And the captive Ursa has gotten loose and is sure to be after the creature it was bred to kill – a fearful human an there’s nobody more fearful than Kitai. Still, Kitai must overcome his fear and reach the beacon or both he and his dad will be toast.
The studio was very cagey about marketing the film. Director Shyamalan, whose name has appeared in the title of his last few films, was absent from all marketing materials – even the trailers. I can kind of understand why. Shyamalan, who had become an acclaimed director based on The Sixth Sense and Unbreakable had fallen on a series of bombs that have turned his name into box office poison which is kind of a shame – he’s a very talented director with a great visual sense who had for whatever reason become something of an Internet Kryptonite when it came to movies. The fanboys loathe him and so the studio felt that the movie would be unfairly judged if Shyamalan’s name was attached to it (a fear that I think was justified). By emphasizing the presence of the father and son duo of Will and Jaden Smith the studio thought they’d attract an audience.
Unfortunately, the movie really isn’t very good. The story is interesting, and there’s a compelling message of mastering your fear and learning to balance your emotions. There are also some pretty amazing visuals that will keep your eyes happy.
There are also some questionable decisions, like the odd accent that the people of the future affect (was that really necessary to anything?) to some of the lapses in logic that dot the film (why would a planet evolve to kill a species that has been gone for a millennium, and why would a race that could develop a hand-held beacon not make it go off automatically in a crash, or at least allow the crew to deploy it manually before the crash). Those are kind of bothersome.
Will Smith, the loving dad, really sets this movie up to be Jaden’s film. I can’t really blame the proud papa; his son has shown some promise in his brief acting career but I think he expected a little too much from him here. Quite frankly, his son’s performance is disappointing. Part of it is that odd accent that makes him sound a bit goofy, and the script also calls upon Kitai to freak out with great regularity which makes the character generally unlikable, which doesn’t do Jaden any favors. The fact is however that the emotional outbursts that Kitai has are never very believable; Jaden just ratchets up the volume and that’s supposed to convince us of his rage and frustration. His brow is crinkled up through much of the film, making him look like he’s about to cry which also sends a subliminal message to the audience that this boy isn’t ready for this.
I feel bad having to say these things because as a critic, you really don’t want to rank on a young actor who may not have the coping skills necessary to deal with criticism but I think that at the end of the day my readers deserve to know what to expect when they see the film. Frankly, had Cypher been alone and had to make the journey himself it might have been a more riveting film but of course that would have upended much of the film’s message – but it would have made for a better movie
REASONS TO GO: Some amazing visuals.
REASONS TO STAY: A bit muddled. Logical lapses. Jayden Smith’s performance is excruciating.
FAMILY VALUES: There is some violence of the sci-fi variety as well as a few disturbing images.
TRIVIAL PURSUIT: This is the first time in 20 years that Shyamalan has accepted a project based on a screenplay that was written by someone else.
CRITICAL MASS: As of 6/9/13: Rotten Tomatoes: 11% positive reviews. Metacritic: 33/100; the reviews have been for the most part scathing.
COMPARISON SHOPPING: Oblivion
FINAL RATING: 4/10
NEXT: The Spy Next Door