(2012) Comedy (Cohen Media Group) Jean Reno, Michael Youn, Raphaelle Agogue, Julien Boisselier, Salome Stevenin, Serge Lariviere, Issa Doumbia, Bun-hay Mean, Pierre Vernier, Santiago Segura, Genevieve Casile, Andre Penvern, Rebecca Miquel, James Gerard, Henri Payet, Franck de la Personne, Celine Caussimon, Jeanne Ferron. Directed by Daniel Cohen
Sacre Cordon Bleu!! If there is one thing the French love more than….well, love, it’s cuisine. Those Michelin stars are a really big deal in France.
Just ask Alexandre Lagarde (Reno). He has parlayed his three star status into a lucrative career with several restaurants, a television show and a frozen food line to his name. However, life isn’t rosy for him; he’s lost his fire and inspiration. His restaurants are owned by a corporate mogul whose snarky son Stanislas (Boisselier) would like nothing more than to see Alexandre, whom he considers old-fashioned and out-dated, retired to the Gulag of the French countryside and his golden boy Cyril Boss (Gerard), a devotee of molecular gastronomy, installed in the flagship restaurant Cargo Lagarde. Alexandre of course is livid about this; how humiliating it would be to be forced out of the restaurant that he built and bears his name.
The guidebook reviewers will soon be checking out Alexandre’s spring menu and both Stanislas and Cyril are confident that the more modern-thinking guidebook critics will strip Alexandre of at least one of his stars which would contractually allow Stanislas to fire Alexandre from his own restaurant. The great chef’s troubles are also extending to his home life; his daughter Amandine (Stevenin) is getting ready to deliver her thesis on Russian literature, a subject Alexandre cares about as much about as he cares about the spring menu at McDonald’s. Things are tense with Amandine who resents her father for caring more about his restaurant than he does about her.
Jacky Bonnot (Youn) doesn’t have any Michelin stars yet but he is sure he deserves at least a few. He’s got tremendous talent and a flair for vegetables; they whisper to him. Unfortunately, he’s insufferably mule-headed and arrogant, never a good combination in the kitchen, and is fired from job after job. This exasperates his pregnant girlfriend Beatrice (Agogue) who moves back in with her parents who encourage her to get back together with Jacky because he’s such a good chef. Realizing that she’s serious, he gets whatever job he can, in this case painting the exterior of an old folks home.
Through a fairly serendipitous set of circumstances, Jacky catches the eye of Alexandre who gives him an unpaid internship at Cargo Lagarde. Jacky’s talents get him the position Alexandre’s right hand in the kitchen and his prickly personality and stubborn refusal to compromise earn him the enmity of the other chefs. Jacky at last has his shot but is it on a sinking ship? And will Jacky torpedo his own chances at achieving his dreams?
It’s hard to find comedies like this these days as it seems that most Hollywood comedies rely on star comedians (i.e. Adam Sandler, Kevin James, Melissa McCarthy), all-out raunch, going big on outrage or just throwing as many jokes at the screen as possible and seeing what sticks. Le Chef tells its story honestly and while the plot may not be anything extraordinary it is told well and manages to make us laugh along the way at fairly regular intervals.
Reno is intensely likable even when his character is being a bit of a jerk. Reno is one of the most versatile actors in the world, being equally comfortable in action films, dramas and comedies and adept in all three. His presence is welcome in any film whether it’s made in Hollywood or France and he’s one of those actors that will motivate me to go see whatever movie he’s in even if it is in a supporting role.
Youn is a well-known comedian in France and while I’m not personally familiar with his work, I’m told that his performance here is fairly typical for him. His Jacky has a fine dining soul in a fast food world and therein much of the comedy of the movie’s first third arises. Jacky is a prickly bastard but you still end up rooting for him despite his arrogance and stubbornness. Hey, nobody’s perfect, right?
The film utilizes some really clever moments nicely and while it occasionally descends into low comedy unnecessarily by the film’s end I was more than satisfied. Comedies are difficult to pull off properly and rarely make the kind of splash at festivals that dramas do but this was one of the better narrative features at this year’s festival and a welcome relief from the angst of the dramatic features.
REASONS TO GO: Reno is incredibly likable. Funny where it needs to be. Will give you a hankering for French food.
REASONS TO STAY: Descends into silliness occasionally.
FAMILY VALUES: Some foul language.
TRIVIAL PURSUIT: The film debuted at the 2012 Berlin Film Festival.
CRITICAL MASS: As of 4/13/14: Rotten Tomatoes: 75% positive reviews. Metacritic: no score yet.
COMPARISON SHOPPING: Ratatouille
FINAL RATING: 8/10
NEXT: Last I Heard