(2014) Comedy (Warner Brothers) Adam Sandler, Drew Barrymore, Joel McHale, Wendi McLendon-Covey, Terry Crews, Kevin Nealon, Emma Fuhrmann, Bella Thorne, Braxton Beckham, Alyvla Alyn Lind, Abdoulaye NGom, Kyle Red Silverstein, Zak Henri, Jessica Lowe, Shaquille O’Neal, Dan Patrick, Jackie Sandler, Alexis Arquette, Josette Eales. Directed by Frank Coraci
As a young boy, the maxim “if you can’t say anything nice, don’t say anything at all” was hammered into me by my parents, my teachers and whichever adults happened to be handy. Personally, I wonder if they would have been quite as fervent about it if they had seen this movie.
Despite my upbringing, I am a film critic and sometimes it becomes necessary to discuss a movie that you literally can’t say anything nice about. I had some decent expectations about this movie to begin with – after all, Adam Sandler and Drew Barrymore have had great chemistry in the past (particularly in The Wedding Singer) and the director from that film is on board for this one. What could go wrong?
As it turns out, everything. The plot is a mish-mash of unlikely coincidences and rom-com cliches guaranteed to knock your IQ points down a couple after you’ve seen the movie. The jokes take an interminable amount of time to set up and when they arrive, they simply aren’t funny.
The story, briefly put, is this; Jim (Sandler), a widower and Lauren (Barrymore) go out on a blind date and like most blind dates it’s a complete train wreck. They each arrange to get fake emergency phone calls just to get out of the Hooters that they are dining in. Note to single men – never take a first date to Hooters. There won’t be a second.
Anywho, through a convoluted set of circumstances, the two wind up together on an African safari vacation along with her two sons and his three daughters. At first the families fight like cats and dogs (or more to the African theme, like hyenas and jackals). But as they discover that they are all made for each other, the attraction begins to grow and…oh, I just threw up a little in my mouth.
Sandler has been on a cold streak as of late, appearing in several movies that have been absolutely horrible. It’s not because Sandler himself is horrible – given the right script, he can absolutely kill. However, he’s been choosing to go the PG-13 route trying to appeal to a family crowd who appreciate a little bit of an edge. The problem is, in my opinion, that he has mined that territory so thoroughly that everything he does is essentially déjà vu for the audience.
And Barrymore’s personality seems to have been diluted someone by her recent motherhood. She was always so free-spirited and spunky in all of her movies, not just the ones with Sandler, but here there’s a blandness to her that I’ve never seen in one of her performances before. I sincerely hope this is a one-time aberration.
And the kids…Oy, the kids! I have another maxim for you; spending time with your own kids is a joy; spending time with someone else’s is a chore. The kids here are all written one-dimensionally as a cluster of neuroses; one is a hyperactive terror who strikes out every time he comes to bat in Little League. One of the girls talks to her dead mother which isn’t a bad thing, but she insists that Mom be set a place at the table. There’s nothing funny about a kid who is in desperate need of therapy. One of the kids is an oversexed perv who tapes the face of his babysitter to centerfolds and…eww. See what I mean about there isn’t anything funny?
Even the bit with the best potential for actual laughter, a kind of African Greek chorus led by Terry Crews that seem to show up at every crucial moment, gets old quickly and dies a horrible death by over-repetition. I mean, did anybody actually watch this movie before they released it?
That the movie is flopping big time at the box office is somewhat comforting in that audiences are at least recognizing that these are not the type of movies they want to see. Hopefully Sandler will take heed and start doing comedies with a little more intelligence and a little less pandering. He’s too big a talent to waste on crap like this.
REASONS TO GO: Nice African images.
REASONS TO STAY: Not funny. Too many kids, all of them obnoxious. Appeals to nobody.
FAMILY VALUES: Plenty of rude and sexual humor and a smattering of foul language.
TRIVIAL PURSUIT: Alexis Arquette makes a cameo reprising his role as Georgina from The Wedding Singer which was the first time Sandler and Barrymore teamed up.
CRITICAL MASS: As of 6/10/14: Rotten Tomatoes: 14% positive reviews. Metacritic: 31/100.
COMPARISON SHOPPING: Grown-Ups 2
FINAL RATING: 3/10
NEXT: To the Wonder