Life After Beth

Dane DeHaan explains to a hungry Aubrey Plaza that he is contractually entitled to first crack at the craft services table.

Dane DeHaan explains to a hungry Aubrey Plaza that he is contractually entitled to first crack at the craft services table.

(2014) Horror Comedy (A24) Dane DeHaan, Aubrey Plaza, John C. Reilly, Molly Shannon, Matthew Gray Gubler, Cheryl Hines, Paul Reiser, Anna Kendrick, Eva La Dare, Alia Shawkat, Thomas McDonell, Allan McLeod, Paul Weitz, Michelle Azar, Jim O’Heir, Rob Delaney, Adam Pally, Elizabeth Jayne, Jenna Nye, Garry Marshall, Bechir Sylvain, Bonnie Burroughs. Directed by Jeff Baena

“Til death do us part” is an intense statement. The vow signifies that we will remain with that other person until one of us is called to the Choir Invisible. What happens though, if death doesn’t part us exactly?

Zach Orfman (DeHaan) is mourning the unexpected death of his girlfriend. Both are in high school although summer vacation was in full flower. She’d gone hiking in the Southern California hills by herself and had been bitten by a snake. The poison did her in.

A young romance tragically curtailed is hard enough to endure but Zach had the extra added bonus that the two of them had been having problems. Zach was the kind of guy who didn’t do things he didn’t want to do particularly and while Beth (Plaza) – the said late girlfriend – wanted to go hiking with him, and learn how to dance the flamenco, Zach wasn’t interested in either, or a thousand other things the young and vivacious brunette wanted to try out. So she had brought up the concept of splitting up, which Zach definitely didn’t want to do. While they were in this state of flux, she had decided to go hiking by herself since nobody would go with her and…well, you know the rest.

So Zach was dealing not only with the death of his beautiful young girlfriend but also with his own inadequacies as a boyfriend and it was proving very difficult for him to accept. His parents (Reiser, Hines) weren’t particularly helpful, being a little bit too distracted with whatever it was successful L.A. types are distracted with to give a thought to their brooding son. His older brother Kyle (Gubler) had plenty of time to devote to Zach, considering that he had the high exalted position of security guard for the gated community Beth’s parents Maury (Reilly) and Geenie (Shannon) lived in. Kyle seized the opportunity to make life miserable for his younger brother – after all, what else are older brothers for?

So Zach had taken to spending more time with Maury and Geenie, the three of them united by their numbing, overwhelming grief. They all understood what the others were going through and Zach found it somewhat therapeutic to go through Beth’s things, wearing a ski scarf of hers even though, as I mentioned, it was the dead of summer.

Then one day he goes over and rings the doorbell but there’s no answer. It’s weird because he can hear people inside. He checks the window – and sees a fleeting glimpse of Beth walking around the house. He pounds on the door and tries to get in but just in time his brother turns up and escorts him out of the development. There’s another thing older brothers are for.

Of course, nobody believes what he saw but Zach knows what he saw. He’s so sure that he breaks into their house and comes upon Beth, big as life and still breathing. At first he’s furious, convinced that Maury and Geenie were pulling a fast one, but no, they’re just as mystified as he. She had just shown up at the door and had no clue that she’d died. And Maury, quite frankly, wants it to stay that way.

Zach is determined to do all the things with Beth he’d never done – including sex, which is at the top of the list and Beth is quite frankly horny as all get out. She has no memory of the break-up – as far as she’s concerned everything has always been hunky dory. Except something’s not quite right. She’s prone to these rages and tantrums that were completely unlike her. And then again, she’s stronger than you’d expect for a slip of a girl. And gets sunburned really easily. Zach is sure she’s a zombie – Maury doesn’t want to entertain the concept. But yeah, she is and Zach is totally cool with it. At first.

Equal parts zombie apocalypse and romantic comedy, Life After Beth could be accurately deemed a Zom-com (catchy, no?) and given the popularity of the living dead these days I wouldn’t be surprised if we saw a whole lot of them shuffling down the pike, arms outstretched and grunting.

There are a lot of things to like. DeHaan and Plaza make an odd couple but just the sort you’d find in your local high school, the sort who get drawn together in history class and make it official in drama club. DeHaan gives the character equal doses of gravitas, confusion and hormonal overwrought drama. If some teenage boy from your neighborhood had the same circumstances in his life, my guess is he’d act pretty much the same way as Zach does. As for DeHaan, his career has been taking off in the last few years, may not be available to do these smaller films much longer.

The same goes for Plaza. She’s been attracting a lot of notice in Parks and Recreation over the past few years and has quietly done some really strong work in roles large and small in offbeat films. I wouldn’t be surprised if she became the next big comedic actress a la Tina Fey and Kirsten Wiig, but I would be even less surprised if she became far more versatile than that. She captures Beth’s somewhat demanding nature and is able to convey fear, tenderness, sexuality and rage often turning on a dime to do so. She gives an assertive and assured performance, the kind that commands attention. It’s a safe bet that her work here is going to get her noticed for higher profiled roles.

The humor here is scattershot as it is for most comedies and occasionally swings and misses. There are some nice quirky touches – the only thing that calms Beth down is smooth jazz, a type of music that in her first life she used to despise. It becomes kind of a running joke throughout.

While the supporting cast is good, the last half hour of the movie turns into a kind of kitschy episode of The Walking Dead or more to the point, George Romero on an acid trip. Fun and funky is one thing but it doesn’t mesh as nicely the comedy and horror aspects do in the first hour. Still, this is some fine entertainment and Chris Hardwick and his Talking Dead nation are going to enjoy this one as much as I did.

REASONS TO GO: Will crack you up in places. Captures teen angst perfectly.
REASONS TO STAY: The comedy and horror aspects stop working together well in the last third of the movie.
FAMILY VALUES: Lots of foul language and some gore and comedic violence, some nudity and sexuality as well – and a scene of drug use.
TRIVIAL PURSUIT: This is Dane DeHaan’s first comedic role.
CRITICAL MASS: As of 9/22/14: Rotten Tomatoes: 41% positive reviews. Metacritic: 50/100.
COMPARISON SHOPPING: Fido
FINAL RATING: 7.5/10
NEXT: The Drop

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