Lawless

The Bondurants confront the law, or vice versa.

The Bondurants confront the law, or vice versa.

(2012) Crime Drama (Weinstein) Shia LaBeouf, Tom Hardy, Jason Clarke, Guy Pearce, Jessica Chastain, Mia Wasikowska, Dane DeHaan, Chris McGarry, Tim Tolin, Gary Oldman, Lew Temple, Marcus Hester, Bill Camp, Alex Van, Noah Taylor, Mark Ashworth, Tom Proctor, Bruce McKinnon, Eric Mendenhall, Toni Byrd, Robert T. Smith. Directed by John Hilcoat

Crime movies about the Prohibition era tended to be centered in Chicago or other big cities and involved gangsters with Tommie guns in big cars shooting at coppers and other gangsters in glorious black and white. There haven’t been a lot of movies about the effects of bootlegging in rural areas except during the ’70s and those tended to be more corn pone comedies than anything else.

However bootlegging was a going concern outside of the cities as well. In Franklin County, Virginia, the Bondurant brothers have become legends since their heyday during the Depression. The three brothers are led by taciturn Forrest (Hardy), the brains of the operation, who never met an awkward silence he didn’t like. Middle brother Howard (Clarke), more brute than man, would be the brawn of the operation other than he partakes a little more of the moonshine than he probably should. Finally there’s Jack (LaBeouf), a kid with big dreams but little backbone as yet.

The Bondurants mostly sell their liquor to Floyd Banner (Oldman) who in turn puts their product into his speakeasies. It’s a pretty cozy arrangement with the local Sheriff (Camp) looking the other way. However, federal agent Charlie Rakes (Pearce) comes out of the big city with big ideas, a dandy fashion sense, a really swell haircut and enough corruption to rot every orange in Florida. He wants a piece of Bondurant pie and Forrest, well, he’s just not that willing to give it to him. So a kind of war erupts between the honest bootleggers and the corrupt federal agents. Welcome to the 1930s, Jack.

There are plenty of extraneous characters in the mix, like the waitress that Forrest hires to work their gas station/restaurant (Chastain), the daughter of a preacher that Jack falls for (Wasikowska) and the mechanical genius (DeHaan) who befriends Jack and becomes an integral part of the operation. There’s also plenty of violence, with gun battles erupting with a somewhat depressing regularity. Prohibition was no picnic after all.

Hilcoat, who teamed with Aussie alt-rocker Nick Cave (who wrote this based on a fictionalized account of the real-life Bondurant clan) on the highly praised western The Proposition (which also starred Pearce, come to think of it) has a good ear for period rhythms, not just in speech but in depicting the hard scrabble daily lives of those who lived in that era. He certainly managed to snag an impressive cast; even those in throwaway roles are high-powered and indeed they all deliver; there’s not a subpar performance in the bunch.

En route to becoming a punch line, LaBeouf had moments where his talent shown through and this was one of them. Although Hardy shows why he is today one of the biggest and most promising stars in Hollywood by making his character the focus of attention without using much dialogue to do it in, LaBeouf at least stays pretty much within shouting range of Hardy which is no mean feat. Both of them have to deal with Pearce’s highly mannered yet compelling performance as the movie’s ostensible villain which is ironic because he’s the cop and the good guys are the criminals. Oh, irony!

Speaking of compelling, the story is a good one and although not technically accurate – the real Bondurant brothers were not above being ruthless in their dealings and while the contempt they had for the federal government was likely quite accurately portrayed here, they weren’t saints. However, other than oral traditions about the boys, there isn’t a ton of information about them out there so we kind of have to rely on the words of witnesses long dead.

There are moments throughout when the story seems to lose its way and you can feel the movie sputtering a bit. However, Hilcoat is a director who I think should be getting a little more attention from the film cognoscenti than he has been and while nothing in life is certain, I think we’ll be seeing further interesting films from him in the years to come. Certainly with a cast like this he can’t go wrong and while the movie could have used a bit more judicious script editing, at least it’s never boring. Definitely a sleeper to look out for if you haven’t seen it yet.

WHY RENT THIS: Wonderful cast. Compelling story.
WHY RENT SOMETHING ELSE: A bit aimless in places.
FAMILY VALUES: There’s a fair amount of violence (some of it graphic), a bit of swearing and some sexuality.
TRIVIAL PURSUIT: Composer/musician Nick Cave wrote the screenplay based on the book The Wettest County in the World by Matt Bondurant, the grandson of the Shia LaBeouf character and is based loosely on actual events.
NOTABLE DVD EXTRAS: There is a featurette on the history of bootlegging in Franklin County, a featurette on the background of the Bondurant family and a music video by Willie Nelson.
BOX OFFICE PERFORMANCE: $53.7M on a $26M production budget.
SITES TO SEE: Netflix. Amazon, Vudu,  iTunes, Flixster
COMPARISON SHOPPING: Road to Perdition
FINAL RATING: 7/10
NEXT: Love and Mercy

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One thought on “Lawless

  1. Nice review! I’ve been planning to check this out for a while, not sure why I’ve put it off, but will have to get around to it!
    Again, great post 😁👍

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