(2016) Drama (FilmBuff) Dree Hemingway, Pamela Anderson, Franҫois Arnaud, James Le Gros, Jai Tatsuto West, Liane Balaban, Denis Akiyama, Geneviéve Brouillette, Donno Mitoma, Elina Miyake, Jaymee Weir. Directed by Nadia Litz
The forest is, in our psyche, a primal and frightening place. In the forests of our imagination, ghosts lurk and monsters dwell waiting to shred our flesh. While there are some who think they have the woods tamed, there are places that we cannot go without emerging from it completely changed for the rest of our lives.
Such is the Aokigahara forest at the base of Mt. Fuji in Japan. The Japanese consider it an unfriendly place; people have been going there to commit suicide for a very long time but only now has it become better known to Westerners largely due to the fact that three separate movies have been released this year with it as the setting; this is the third of them.
The somewhat bizarrely named Sweetpea (Hemingway) is traveling to Japan. When she arrives in customs, she’s asked the reason for her visit and she bluntly responds “To break up with my boyfriend.” Her boyfriend is Jamie (Arnaud), a rock star who has inexplicably chosen the Aokigahara as the setting for his latest music video.
Sweetpea is picked up by Mak (West), a young Japanese forestry worker who is told to “keep an eye on her” and then inexplicably leaves her at the edge of the forest with a crudely drawn map and police tape to help her find her way if she gets lost. Only with the help of a young schoolgirl who doesn’t speak a word of English – isn’t it convenient when a young schoolgirl wanders through when you’re lost in a forest – does she make it to the set.
When she arrives there, the director (Le Gros) and the producer (Brouillette) inform her that Jamie has disappeared, but nobody seems overly concerned. Sweetpea, who doesn’t yet know the nature of the forest (which everyone has apparently agreed not to inform her about) does some searching boyfriend but doesn’t find him.
Eventually it becomes clear that he has a relationship with Signe (Anderson), the aging 90s sex symbol who is co-starring in the video with him. It also becomes clear that something far more sinister is afoot than a rock star taking some personal time in the woods. Will Sweetpea find Jamie in time to break up with him?
I was of two minds of this movie. The story structure is a little bit vague; Sweetpea is an enigma, none of her backstory revealed. We have no idea why she wants to break up with Jamie, only that she does. Her past is shown in two segments in which she white-person dances with Jamie while they exchange soulful looks and private smiles. Hemingway, daughter of Mariel and great-granddaughter of Papa, doesn’t have the screen presence yet to give the audience a reason to care with so little information offered.
Litz makes good use of the bucolic setting and thus we have a very pretty film to watch. She also keeps the atmosphere reasonably tense without letting the tension become the entire focus. There is an air of surreality here that adds to the overall feel that something isn’t quite right. Unlike the most well-known Aokigahara-set film, there is nothing supernatural here, at least not overtly so.
While the movie is only 80 minutes long, the pacing is slow enough that it feels almost stifling. The fact that Sweetpea is so dissolute and whose main expression is the 1,000 yard stare adds to the feeling of lethargy that sometimes takes over the film. It is only in the last 20 minutes of the movie that it feels like there’s any energy whatsoever and the movie could have sorely used more.
REASONS TO GO: The forest itself is intensely beautiful even in the creepiest moments. The subject is quite fascinating.
REASONS TO STAY: The film is a little bit dissolute in places and slow-paced throughout.
FAMILY VALUES: Profanity abounds here and there’s a bit of smoking as well as some disturbing images.
TRIVIAL PURSUIT: None of the forest scenes were filmed in Japan; instead, the forests of British Columbia subbed for this Canadian production.
BEYOND THE THEATER: iTunes, Vudu
CRITICAL MASS: As of 9/13/16: Rotten Tomatoes: 20% positive reviews. Metacritic: No score yet.
COMPARISON SHOPPING: The Forest
FINAL RATING: 5/10
NEXT: Hell or High Water