(2010) Thriller (Artsploitation) Titus Muizelaar, Nellie Benner, Hugo Metsers, Elvira Out, Kitty Courbois, Gurkan Kucuksenturk, Wilma Bakker, Jasper van Beusekom, Ali Sultan, Frans Bakker, Eric van Wijk, Taco Schenkhuizen, Guido Paulsen, David Jan Bronsgeest, Nadine Roodenburg, Philippe de Voogdt, Florian Visser, Maarten Wijsmuller, Cindy Robinson, Sander Schreuders, Piet Leendertse. Directed by Victor Nieuwenhujis and Maartje Seyferth
We are a carnal species, creatures of the flesh. Most of us are meat-eaters and all of us indulge in a healthy interest in sex and, occasionally, unhealthy. As civilized as we like to think ourselves to be, we are at heart animals with animal needs and animal desires.
In a small Dutch seaside town lives a Butcher (Muizelaar) who runs a small but tidy butcher shop. He’s a lonely guy looking for someone to love and who’ll love him back, but he’s not an exceptionally handsome, in good shape kind of guy and I suppose people just inherently don’t trust people who work with a lot of knives. He has a prostitute friend named Teena (W. Bakker) whom he has romantic illusions of but she turns out to be all business.
The butcher’s apprentice is Roxy (Benner), a comely student who has a boyfriend named Mo (Kucuksenturk) who is, ironically enough, an animal activist. Roxy has a handy-cam that she turns on whatever turns her fancy, whether it is the Butcher disconsolately shagging Teena in the freezer, or a tray of freshly butchered offal. When the butcher begins what can only be termed sexually harassing Roxy, she doesn’t seem to be bothered by it. In fact, the two begin shagging themselves, particularly after Teena starts flaunting her sexuality, having sex with clients and her pimp (who happens to be the butcher’s boss) in the freezer which seems to spur on Roxy, who is much younger than Teena, to initiate a sexual affair with her boss.
Parallel to that is Inspector Mann who has a startling resemblance to the Butcher – mainly because he’s played by the same guy. Inspector Mann seems to be floating along through life on whatever current might take him. His marriage to Sonia (Out) is disintegrating, largely because of Mann’s own disinterest. The only things that apparently interest him are watering his desultory office plant, and eating. Sex with his wife seems to frighten him. Even tragedy doesn’t move him much; he just seems to shrug his shoulders and move on.
The butcher’s tale (which sounds like it should have been written by Chaucer but in this case more like by way of Lars von Trier) intersects with that of Inspector Mann in an unexpected and somewhat horrific way. Once that happens, the lethargic Mann is moved to take action, but where does the connection truly lie?
This isn’t a horror film precisely. It’s more of a psychological thriller but on LSD. Maybe it would be more accurate to call it a psychedelic thriller; some of the images resemble an acid trip and truly they speak for themselves. There isn’t a lot of dialogue here (a previous film by Seyferth had none at all) and indeed Roxy doesn’t speak until nearly halfway through the film. That doesn’t mean there isn’t a lot going on though.
There is an awful lot of naked flesh here, both of the human and slaughterhouse varieties. We see the butcher plying his trade which may make some sensitive vegetarian/vegan sorts more than a little nauseous. We see a lot of very graphic sex, almost to the point of pornography which may make some sensitive prudes more than a little squeamish. If you fall into either category, it would be a wise thing for you to stop reading now and move on to something else because there’s no point in you seeing this movie at all.
Benner is a fresh faced beauty and certainly seeing her naked (as she is for a good percentage of the film) is no great hardship; Muizelaar is a fine actor and has two similar but disparate roles to work on here, although he is less pleasing naked. However, both Inspector Mann and the butcher have body image issues so the flab both of them display naked is somewhat necessary.
The movie doesn’t always make narrative sense and the ending is something of a bad trip. This isn’t a film for everybody – let’s be very clear about that now. It requires a bit of work to get into but I thought it well worth the effort. Not everybody will. This Meat is rather highly seasoned and spicy, but for those of that particular palate, this is a dish best consumed quickly.
REASONS TO GO: Benner and Muizelaar give sterling performances. The film keeps you off-balance in an unsettling way.
REASONS TO STAY: Some might find it too “artsy fartsy.” A little bit on the disjointed side.
FAMILY VALUES: Graphic nudity and sex, some disturbing butchery images, an attempted rape and adult situations.
TRIVIAL PURSUIT: Although the film is just getting released in the states, it debuted at the Rotterdam Film Festival way back in 2010.
BEYOND THE THEATER: Vimeo, YouTube
CRITICAL MASS: As of 9/20/16: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Wetlands
FINAL RATING: 6/10
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