(2016) Science Fiction (108 Media) Emelia Hansson, Rikard Bjȏrk, Sandra Redlaff, Rafael Pettersson. Directed by Andreas Climent and André Hedetoft
Sometimes you find really good movies unexpectedly. This Swedish film has played a handful of international film festivals and is just now making its VOD debut in North America. While researching the film, I found almost no reviews (except of its trailer) and one interview with the filmmakers.
A trio of biomedical students at a Swedish university works with Professor Robert Bergmann (Pettersson) who is trying to find a way to control human DNA, specifically the aging process of cells. This would help eradicate sickness, stop disabilities and birth defects and extend life dramatically. They are meeting with failure after failure. Julia (Hansson) has some ideas of how to approach this but Bergmann refuses to consider them. He is getting frustrated because their lack of results may end up getting their grant pulled.
To complicate matters further, Erik (Bjȏrk) – who along with being a computer analyst is also Julia’s boyfriend – has been diagnosed with terminal cancer and months or maybe only weeks to live. Julia has figured out a way to attack the problem so without Bergmann’s knowledge she tests it and the students discover to their amazement that Julia’s solution worked. Erik and Julia, along with Rebecca (Redlaff) who has been working with them on Professor Bergmann’s team secretly set up a lab in Julia’s apartment. Meanwhile Erik is at death’s door and Julia is unwilling to wait for the months of testing before human trials can begin. So she injects her lover with the serum and hopes for the best.
The best is just what they get. Erik appears to make a full recovery and more. The serum seems to have heightened his senses and strength, turning him almost superhuman. At first it’s all fun and games but then as Erik’s behavior grows more aggressive and he becomes prone to fits of rage, Julia begins to worry that Erik is being changed in a fundamental way. Rebecca, who has been feeling like the odd person out in the trio, secretly injects herself with the serum.
That’s when the other shoe drops. It becomes apparent that Erik’s body is fighting the new genomes which will end up with his body destroying itself. The race against time begins to find away to beat Erik’s own immune system…but are they meddling with things that human beings shouldn’t?
The publicity of the film uses the term “biohacking” which apparently is a thing. They even thoughtfully provide a definition on the movie’s poster which is “the act of exploiting genetic material without regard to acceptable ethical standards, or for criminal purposes.” I call it the “Frankenstein syndrome’ – a film concerned with the ethics of science. As Ian Malcolm once put it, “you were so preoccupied with whether or not you could that you didn’t stop to think if you should.” That’s the crux of the matter here.
Like Arrival, the movie is more about the concepts than the special effects and quite frankly there really isn’t very much here if any. All the effects as far as I could tell were practical and most of the science fiction was concept. While not quite up to the multi-layered story that was told there, this is still a truly remarkable film that comes right out of left field and tells a solid story without trying to reinvent the wheel.
The acting is pretty much solid although there are tendencies to over-exaggerate hysteria when the script calls for it. You might be surprised because she doesn’t get a ton of screen time but I found Redlaff to be one of the better performers here. She has tons of potential and I wouldn’t be surprised if she becomes a big star in Sweden, or even crosses the pond to become a player in Hollywood. If Alicia Vikander can do it, it certainly can be done again.
There are a lot of pop culture references here, from Game of Thrones to certain other films and while that might end up dating the movie a little bit, they actually make for clever touchstones that Millennials would identify with and refer to. In other words, these university students act like university students, albeit post-grads.
I was thoroughly entertained and both my mind and heart stimulated. That’s a pretty good accomplishment for any film and especially one which has arrived with almost no fanfare or buzz. I’ve provided links to their current VOD streaming locations and I strongly urge you to take a chance on this one, particularly if you like good science fiction. No space battles or weird monsters here but a well-told tale nonetheless that gives insight into the line between human and something else.
REASONS TO SEE: Climent and Hedetoft are master storytellers. Makes use of pop culture references effectively.
REASONS TO MISS: Some of the acting is a bit over-the-top.
FAMILY VALUES: Some language, violence, sexual situations and adult themes.
TRIVIAL PURSUIT: This is the feature film debut of Climent and Hedetoft who have previously collaborated on short films and commercials for such companies as Alfa Romeo and Cadbury.
BEYOND THE THEATERS: Amazon, Google Play, iTunes
CRITICAL MASS: As of 12/14/16: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Flatliners
FINAL RATING: 7.5/10
NEXT: Blood on the Mountain