Rogue One: A Star Wars Story

The empire strikes first.

The empire strikes first.

(2016) Science Fiction (Disney/Lucasfilm) Felicity Jones, Diego Luna, Ben Mendelsohn, Alan Tudyk, Donnie Yen, Wen Jiang, Guy Henry, Forest Whitaker, Riz Ahmed, Mads Mikkelsen, Jimmy Smits, Alistair Petrie, Genevieve O’Reilly, Ben Daniels, Paul Kasey, Stephen Stanton (voice), Ian McElhinney, Fares Fares, James Earl Jones (voice), Warwick Davis, Peter Cushing, Anthony Daniels, Ingvild Della. Directed by Gareth Edwards

 

Most movies, particularly those that build entire worlds and mythologies, leave tantalizing questions. Star Wars Episode IV: A New Hope is no different. Some of those questions were answered by the three prequel films. However, one tantalizing bit of information – how did the Rebel Alliance get the plans for the Death Star – remained unknown. Until now.

Jyn Erso (Jones) is the daughter of a brilliant scientist (Mikkelsen) who has been shanghaied by the Empire into building a new super-weapon – a planet killer called the Death Star. The elder Erso convinces a freighter pilot (Ahmed) to defect and carry a message to Saw Gerrera (Whitaker), a former Alliance member who found the Alliance not radical enough for his taste and had holed up on the occupied moon of Jedha. When Alliance intelligence officer Cassian Andor (Luna) discovers this, he helps spring Jyn out of a rebel prison and takes her to the Alliance to propose that she introduce him to Gerrera, who is almost like family to her.

Jyn sees the message sent to Gerrera and realizes that her dad has left a flaw in the system, a flaw that the Rebellion can exploit to destroy the planet killer but in order to do that they’ll either have to retrieve her father from an Imperial work camp or the plans from an archive on a closely guarded tropical planet. Accompanied by the blind monk Chirrut (Yen) who believes in the Force and fights like he’s dialed into it, and his friend the gruff sharp-shooter Baze (Jiang), they go to fetch Jyn’s dad. Unfortunately, hot on their trail is Director Orson Krennic (Mendelsohn) and Governor Moff Tarkin (Henry/Cushing) along with the Emperor’s new Lord of the Sith…one Darth Vader (Jones).

This is the darkest of the Star Wars films and by a lot. In order for the story to work, the odds have to be incredibly long and the Empire has to be justifiably evil. Both of those are true and it feels more realistic; the rebels don’t sail in and save the day at the last minute. It gets messy.

Jones makes for a nifty heroine in the franchise. She’s tough, she’s clever and she has good reason to do what she does. She’s no idealist but when push comes to shove she is in this for all the right reasons. Jones is an Oscar-nominated actress who is becoming one of the most reliable actresses in the business now. She’s the perfect choice to play Jyn.

The rest of the cast boasts some impressive names and more than a few familiar ones from previous episodes, mainly in cameo form (Anthony Daniels shows up for just a few lovely moments as C3PO. Tudyk provides most of the comic relief as a re-programmed imperial war droid K-2SO and Whitaker is impressive as the fanatical Gerrera who is almost all prosthetics now.

The special effects are just what you’d expect them to be; the best in the business. The climactic fight has as many moving parts to them as you’ve ever seen in a Hollywood movie and the environments created are realistic and yet alien all at once. You are immersed in the environments, be they an Imperial garrison, a desolate asteroid, or the re-constructed Death Star itself.

Perhaps the most impressive special effect is bringing back the late Peter Cushing, who’s been dead for 24 years, as the odious Tarkin whose foul stench Princess Leia recognized in the very first Star Wars movie. Using a motion actor (Henry) to approximate the late actor’s build, the face of Cushing is digitally projected on Henry’s body and his voice synthesized. It is actually pretty unsettling in many ways. It doesn’t exactly bring Cushing back to life but it comes closer than anything I’ve ever seen. I wouldn’t be surprised if the movie won a special effects Oscar just for that.

This is a marvelous film that hits every right note. If you’re a fan of the franchise, you’re likely to be quite satisfied with what you get here (and if you’re a fan of the franchise, you’ve likely seen it more than once already as I have). If you’re not a fan of the franchise, chances are this won’t make you one – while it does make a fine stand-alone movie, knowledge of what happened in the first Star Wars film is extremely helpful in understanding what is going on here. The only drawback is that some fans of the series might find the tone too dark – it certainly isn’t your father’s Star Wars. Nor should it be.

REASONS TO GO: This is a real change in tone from the other Star Wars films. The special effects are absolutely amazing.
REASONS TO STAY: It might be a little bit too dark for the hardcore fans.
FAMILY VALUES:  A fair amount of action, some of it strongly violent and of a sci-fi nature.
TRIVIAL PURSUIT:  This is the first Star Wars movie not to feature the iconic scrolling text at the beginning of the film.
CRITICAL MASS: As of 1/3/17: Rotten Tomatoes: 85% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Bridge on the River Kwai
FINAL RATING: 7.5/10
NEXT: Underfire: The Untold Story of PFC Tony Vaccaro

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