(2016) Experimental Documentary (The Cinema Guild) No cast listed. Directed by Theo Anthony
You dirty rat. Rat bastard. Rat fink. The fact is, rats are not looked on fondly by our society. They are symbols of decay and rot, of filth and poverty. Rats are bringers of pestilence; it is said that they brought the Black Death to Europe but in fact, it was parasites living on the rats that carried the plague. Have rats been getting a bad rap?
Well, no. Rats do carry a variety of diseases and thrive in urban decay. Anthony’s debut feature documentary – or feature experimental documentary to be more accurate – is not so much a feature but a collection of shorts thrown together, sometimes incomprehensibly, with an overall theme of rats in Baltimore – and even that isn’t always true.
The movie is narrated by a female voice that sounds a bit like a distaff Stephen Hawking or more to the point, a primitive bored-sounding Siri. There is also an odd popping sound on the soundtrack throughout that I’m thinking was put there intentionally, if for no other reason than to further annoy the audience which Anthony probably thinks of as “challenging the audience.” Maybe he’s right.
There are a lot of vignettes that may or may not have anything to do with anything else; we follow a city-employed rat exterminator (none of those who appear in the film are named) who is both humane and philosophical; “There ain’t never been a rat problem in Baltimore,” he opines during a break from visiting homes in Baltimore’s poorest areas, “It’s a people problem.” That is apparently because the city of Baltimore more than a century ago set out to divide the neighborhoods by desirability and then focus services on the desirable area. Those in the redlined areas were essentially left to rot and rot they did.
There are sequences where a computer-generated Baltimore is created from a rat’s point of view. Where there are gaps in the program, star fields are shown. Here, the film seems to say, there be rats. Or perhaps more accurately, here there be software glitches. Take your pick.
The sequence showing doll house crime scene recreations from the 30s that are still used today for CSI training (and can be viewed by the public in a museum setting) was interesting. The CGI rat in a maze was not. There is no flow to the film; at times it just seems like Anthony is throwing things at the screen and seeing what sticks. I termed it cinematic masturbation when I saw it; after having reflected on it for a couple of weeks, I’m not sure I was right but I can understand why others might think so
The movie was deeply polarizing. Friends of mine have been singing its praises; others think it’s one of the worst films to ever play the Florida Film Festival. I’m not a fan; perhaps I prefer my documentaries to be more traditional and am not ready for this kind of challenge. I would be remiss in my duties as a reviewer however if I didn’t point out that this really isn’t for everybody; some of the scenes (such as amateur rat catchers luring rats from a garbage-strewn alleyway with turkey slices smeared with peanut butter on a fishhook and then beating them to death with a baseball bat, and the final scene in which a snake devours a helpless baby rat) may make sensitive audience members uncomfortable, and the sensory assault of the computer graphics may also do the same.
I would never tell anyone not to go see a movie, even one that I absolutely loathed. I don’t absolutely loathe this one. The exterminator is an interesting character study and there are moments here and there that I found fascinating. While the linking of rats to urban blight and racism felt more obvious than perhaps was intended, the filmmaker shows a certain sympathy towards the rats. I only wish he’d had a little more for his audience.
REASONS TO GO: The city exterminator is an interesting guy and his story is the most compelling.
REASONS TO STAY: The movie has absolutely no flow; it’s a bunch of images thrown up on the screen without any sort of rhyme or reason. There is a popping sound on the soundtrack that was most annoying.
FAMILY VALUES: There is some profanity present as well as scenes that may make animal lovers a bit uncomfortable..
TRIVIAL PURSUIT: The music is composed by electronic music star Dan Deacon.
CRITICAL MASS: As of 4/28/17: Rotten Tomatoes: 100% positive reviews. Metacritic: No score yet.
COMPARISON SHOPPING: Sans Soleil
FINAL RATING: 3/10
NEXT: The Archer