(2017) Documentary (Abramorama) Srila Prabhupada, Allen Ginsberg, Armarendra Das, Edwin Bryant, Yogesvara Das, Rukmini Dasi, Larry Shinn, Shaunaka Rishi Das, George Harrison, Hari Sauri Das, Yamuni Dasi, Sumati Morarjee, Radhanaath Das, Sally Agarwal, Boy George, Mikunda Goswami, Thomas J. Hopkins, Ramesvara Das, Niranjana Swami, Gurudas. Directed by John Griesser and Jean Griesser
Most of those reading this probably are too young to remember what was a common sight in airports around the United States and indeed around the world; people in yellow robes and shaved heads, dancing and chanting/singing “Hare Krishna, Hare Krishna, Hare Hare, Krishna Krishna, Hare Rama, Hare Rama, Hare Hare, Rama Rama” and asking for donations – sometimes in a very pushy manner.
They are less a ubiquitous sight now than they once were but most people are aware of the Hare Krishna movement even if it is just through the iconic George Harrison song “My Sweet Lord” (Harrison had a deep abiding interest in Eastern religions and was extremely supportive of the movement). Few however are aware of how it started.
Srila Prabhupada a.k.a. A.C. Bhaktivedanta Swami Prabhupada came to New York City in 1965 at the behest of his guru to spread the word of Krishna consciousness to the West. He had no money, no contacts and a few translated copies of ancient sacred texts to help him. He was an educated businessman with a wife and son who had set all that aside to follow his spiritual quest.
Had he come to New York City in 2017 it would have been unlikely that he’d have made any headway but in 1965 the hippies were beginning to come into their own and they were looking for alternatives to the lifestyles and spirituality that they’d grown up with. The hippies turned out to be extremely receptive to Prabhupada’s rejection of the material and embrace of Krishna consciousness – a devotion to Krishna, an aspect of the Hindu godhead.
At first the movement was an ember, a dozen or so devotees living in a converted gift shop in the Village somewhat fortuitously named Matchless Gifts. After a gathering of chanting Hare Krishnas in a local park caught the notice of the New York Times, the ember became a spark. When the nascent movement caught the attention of the Beatles, he spark became a flame that spread around the world, even to the USSR where religion was forbidden and promulgating it a capital offense.
The movie is the work of insiders of the movement – although Griesser uses his birth name for the film, having adopted the name Yadubara Dāsa as a member of the religion – and as such we get some interesting insights. For example, did you know they adopted the yellow garments in order to stand out among the colorful fashions that were all the rage in London at the time? I didn’t and that’s the kind of thing that makes history a joy to me.
But it’s also a double edged sword. Critics have used the term “hagiography” – an uncritical biography that ignores the less savory aspects of the subject – in conjunction with this film and in all honesty the term fits here. The movie shows the Hare Krishnas to be essentially harmless Hippies in search of spiritual enlightenment despite the fact that the movement grew to the point that it had a bankroll of millions of dollars. There is no mention of the transgressions of self-styled Swamis like Keith Ham who created little hegemonies under the aegis of ISKCON (the International Society for Krishna Consciousness, the sort of ruling body for the religion today) or the troubling anti-Semitic and racist remarks penned by Prabhupada himself. The movie would have benefited from a little bit more perspective as nearly everyone interviewed is a devotee with the exception of a few academics. As the song goes, never is heard a discouraging word.
Incidentally the full title of the documentary is Hare Krishna! The Mantra, The Movement and the Swami Who Started It All. I’ve chosen not to use the full title because it is unwieldy and takes up too much space as a title. I have to admit that I’m growing annoyed with the current need for documentaries to follow the lead of nonfiction books and possess secondary titles that are overly long and unnecessary – does anyone think the secondary title here is going to attract any more viewers than just titling the film Hare Krishna!?
The subject matter is an interesting one and I would have appreciated a more scholarly approach to it. This comes off more as a commercial for Krishna Consciousness and in that aspect I’m sure there are people who could benefit from the teachings of the late Prabhupada who passed away in 1977. However, this is a commercial that masquerades as a documentary and those expecting a balanced and impartial look at the Hare Krishna movement will not find it here.
REASONS TO GO: The historical footage is fascinating.
REASONS TO STAY: There’s a lack of any sort of perspective other than that of the Hare Krishnas themselves.
FAMILY VALUES: There are some scattered drug references.
TRIVIAL PURSUIT: John Griesser began documenting the Hare Krishna movement as a photojournalist in 1970.
CRITICAL MASS: As of 6/16/17: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: The Wolfpack
FINAL RATING: 6/10
Thanks, now movies comes to DR. Plannig to see it next week.
Looking forward to seeing it. And, for the record, I love those kind of titles, I really do