Kfc


Kentucky Fried Children.

(2016) Horror (Self-Distributed) Tony Nguyen, Ta Quang Chien, Hoang Ba Son, Tram Primose, Vo Quang Chi, Thien Phoc, Dao Anh Tuan, Thuy Hoang, Nguyet  Anh. Directed by Le Binh Giang

Some movies defy simple description. Perhaps it’s because their director is a visionary who is filming outside the box; it might also be that the movie is just an unholy mess. Somewhere between Luis Brunel and Ed Wood is where this particular film lies.

The streets of Hanoi are unforgiving. Violent street gangs play out their songs of vengeance and violence in rain-drenched alleyways as the children of dead prostitutes try to eke out an existence by stealing wallets and selling Zippo lighters. The streets are prowled by a sinister ambulance whose doctor deliberately runs down people, occasionally rapes their corpses particularly when they are attractive women and consumes their flesh otherwise, sharing the tidbits with his corpulent son.

Women are tortured, their teeth pulled out and their flesh burned with cigarettes. What little romance lives in this world is snuffed instantly by the marauding ambulance. Among it all, implacable, are American corporate icons – Coca-Cola and Pepsi which one character waxes rhapsodic about the virtues of mixing the two soft drinks together into one mighty cola – as well as Kentucky Fried Chicken which is apparently the second choice of Vietnamese cannibals. I guess we really do taste like chicken.

This turbo-charged fusion of Grand Guignol, social treatise on globalization and slice of life for the marginalized is the brainchild of Le Binh Giang who took three years to get this hour long film made despite the powers that be claiming it was too violent and expelling him from University because of it. I can see where conservative professors might be confounded by this shocking hour of nearly every taboo being almost gleefully played out on the page or the screen. If you had any preconceptions of  Vietnam before watching this you’ll have them completely blown out of the water after this.

There is a story here but it’s told with flashbacks and flash-forwards and even those who are veteran cinema buffs might have some difficulty in following it. Things do get explained (more or less) by the end of the film but think of the story as something of a circle being closed and then dismembered with a machete. You may not understand what’s going on but I don’t think that it’s vital that you do.

There are some really wonderful images mixed in among the carnage and even the gore looks pretty much up to Hollywood standards. There is certainly an artistic aesthetic here but think of Herschell Gordon Lewis and Frida Kahlo having a love child and then handing it a camera. It’s lowbrow and highbrow all at the same time.

I’m not exactly what to think of this one. On the one hand, I admire the skill and imagination. On the other hand, this seems to be a pointless exercise in gratuitous gore and human depravity as well. I’m not sure what Giang had in mind when he wrote this and I suspect you won’t either. I gave it the middling rating because on the one hand there is much that is commendable about this film; on the other hand too many won’t be able to get past the excessive gore and taboo subjects. This is torture porn taken to its logical extreme.

=Fans of Orlando’s legendary Uncomfortable Brunch will likely find something enticing here and the cannibalism scenes will certainly go down more smoothly with pancakes and eggs. Whether or not this makes its way to Will’s Pub remains to be seen; it has no US distribution and not even an entry on iMDB. It is playing the New York Asian Film Festival and previously played Rotterdam so there is hope that eventually it will work its way to a more adventurous streaming service or a niche distributor. Either way, this is strictly for those who aren’t offended by much of anything. This is cinema for the discerning vulgarian.

REASONS TO GO: This is not what you’d expect from a Vietnamese film. There are some really impressive images here.
REASONS TO STAY: The graphic violence and gore may be off-putting to some. The story is told in a somewhat disjointed fashion.
FAMILY VALUES: Not for the young or the sensitive in any sense; it’s got violence, sex, cannibalism, graphic gore and bloodshed, profanity, sexuality, necrophilia and animal cruelty.
TRIVIAL PURSUIT: Giang submitted this film as a graduate project at the University of Ho Chi Minh but was denied graduation because the script was deemed too violent.
CRITICAL MASS: As of 7/6/17: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Slave of the Cannibal God
FINAL RATING: 5/10
NEXT: BnB Hell

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New Releases for the Week of July 7, 2017


SPIDER-MAN: HOMECOMING

(Columbia/Marvel) Tom Holland, Michael Keaton, Robert Downey Jr., Marisa Tomei, Jon Favreau, Gwyneth Paltrow, Zendaya, Donald Glover, Tyne Daly. Directed by Jon Watts

Peter Parker makes his long-awaited feature film debut in the Marvel Cinematic Universe after a well-received appearance in Captain America:  Civil War. Here, the young wall-crawler gets used to his life as a high school sophomore while contending with his nascent superpowers. Supported by Tony Stark, the young superhero feels constrained by Stark’s attempts to keep him facing more neighborhood concerns but with the emergence of the Vulture, a villain who has an axe to grind of his own, everything and everyone Peter holds dear is in danger.

See the trailer, interviews, featurettes and a clip here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sci-fi action violence, some language and brief suggestive comments)

The Big Sick

(Lionsgate/Amazon) Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano. Based on the real-life courtship of Pakistan-born comedian Nanjiani, he falls in love with a white American grad student. They have a difficult time navigating their cultural differences as well as their parents disapproval but when Emily falls prey to a mysterious life-threatening illness Kumail must try to get through the crisis with her parents and fend off the emotional tug-of-war that follows.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Disney Springs, Regal Winter Park Village

Rating: R  (for language including some sexual references)

OPENING IN ORLANDO/DAYTONA

Cartels
Mom
Ninnu Kori

ALSO OPENING IN MIAMI:

Guest in London
The Journey
Letters from Baghdad
Maudie
Moka
Mom
Ninnu Kori
The Ornithologist
The Painting
The Skyjacker’s Tale
Undercover Grandpa

ALSO OPENING IN TAMPA:

The Hero
Mom
Ninnu Kori
Undercover Grandpa

ALSO OPENING IN JACKSONVILLE:

The Hero
Moka
Mom
Ninnu Kori