(2017) Horror (Epic) Toby Hemingway, Justin Bruening, Murielle Zuker, Jamal Quezaire, Yvonne Zima, Steven Flores, Shiori Ideta, James Storm, Susan Stangl, Phillip Sebal, Pat Scott, Shayne Eastin, Chase Olswang, Zac Cracknell, Allie Marie Costa, Jim Beinke (voice), Victor Mathieu (voice), Martin Lee White, PeiPei Alena Yuan. Directed by Victor Mathieu
So a vampire, a werewolf and a demon go into a bar and… That’s how a joke might begin but that’s loosely the premise in this indie horror film, only it’s an old abandoned house instead of a bar. Although it might have worked out better if it had been a bar; old abandoned houses are so cliché.
Devon (Hemingway) and Jamal (Quezaire) have been pretty successful making homemade YouTube horror movies. Devon is convinced that they are ready to take the next step – and make a horror feature. Jamal is a little hesitant but Devon talks him into a fairly high concept idea; their films have been faked “real” encounters with monsters – Devon in a cheap costume, Jamal running around with the camera. They were getting thousands of hits. What if they recruit people who actually think they’re monsters and interview them?
Devon recruits his ex-girlfriend Murielle (Zuker) and her current beau Bryan (Bruening) who is fresh out of his most recent stint in rehab – yes, there’s been more than one – to direct and run sound, respectively. Murielle is still angry at Devon for the break-up but jumps at the chance to direct a feature. Through Craigslist – iMDB for potential victims – they get responses from Steven (Flores), a native American who is a cop on the reservation and a skinwalker, or a sort of werewolf; Shayla (Zima), a pretty albeit heavily tattooed vampire who apparently has the hots for Bryan, and Shiori (Ideta), a miserable young Japanese girl who believes she’s demonically possessed.
The dashing Devon gathers them all together in a house that has a history – a devil-worshiping coven once operated out of it – on the night of a lunar eclipse. Now I don’t know about you but all sorts of alarm bells would be going off in my head if a friend tried to drag me into a situation like that. I mean, I’ve seen a few horror movies, y’know? In any case, it turns out that not only do these people think they’re monsters, they actually are the monsters they think they are.
Locked in the house with three beings possessed of plenty of fangs, teeth, claws and muscle, the four filmmakers are going to have a hell of a time (pun intended) escaping the house and getting home alive but it soon becomes apparent that there is something much larger at work – and something far more powerful with sinister plans in mind for all of them.
This is a micro-budget indie horror movie which in the genre means nothing; great movies have been made on budgets that wouldn’t cover the coffee budget on a mid-sized studio film. The movie has some strong points – the creature effects, considering the budget, are really effective. The last hour of the film is basically shot in darkness however so there’s a kind of “night vision” sheen to the cinematography that makes things a little murky, so we don’t get the full effect of the effects, if you’ll forgive a bad joke.
Found footage films, which this is, can be entertaining or they can be pretty rote and this one follows a pretty standard found footage template with an ending that isn’t unlike what you get with most found footage films; after all, if the footage is found it must first be lost. It does lack a framing story – if nothing else a graphic stating “this footage was found in the middle of the desert blah blah blah” to give the movie context but then again, considering how it ends, it doesn’t really need it. However, like nearly all found footage films, a lot of the movie consists of terrified videographers running with their cameras. After awhile it gets pretty old and quite frankly, that’s one of the qualities of found footage films that I dislike the most. I’d gladly trade the “you are there” quality for something more watchable.
The performances are pretty solid from the unknown cast. Zima is phenomenally beautiful as the vamp but she does overdo a bit. Beyond that, I can’t really complain; there’s not a lot of character development here but I think the whole point is to get to the part where the monsters show up which is about forty minutes into the hour and forty minute film. Quite frankly, the movie could have used some trimming as well
Still in all, this is a fair to okay effort in indie horror that will certainly have its fans. While I can’t really rave about it, I can say that the movie pretty much meets the standards of the genre. I would have liked some more legitimate scares – the film is far more action-oriented than horror-oriented in delivery which I think doesn’t do the film any favors – but nonetheless I can say that you’re not wasting your time if you rent this or see it in the limited theatrical release it’s getting. Indie horror films have been on a bit of a hot streak lately and while this isn’t one of those big buzz indie scare flicks, it is at least competently made and has some gee whiz moments that will keep the fans happy.
REASONS TO GO: The creature effects are pretty nifty. The acting is for the most part pretty solid.
REASONS TO STAY: The cinematography is murky and like most found footage films the shaky cam gets old. It’s a little light on the scares.
FAMILY VALUES: There is violence and terror, plenty of profanity, drug references and some sexual innuendo.
TRIVIAL PURSUIT: The Shiori demon makes an early appearance in the DVD she gives Devon and Jamal.
BEYOND THE THEATERS: Amazon, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 8/23/17: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: The Blair Witch Project
FINAL RATING: 5/10
NEXT: The Trip to Spain