Pick of the Litter – September 2017


BLOCKBUSTER OF THE MONTH

It

(Warner brothers) Bill Skarsgård, Sophia Lillis, Finn Wolfhard, Javier Botet. Stephen King’s creepy novel about a killer clown terrorizing a group of Maine boys and years later, the same boys as men was famously a television miniseries with the great Tim Curry as Pennywise. Now, the book is a movie with an all-new cast and an all-new Pennywise. Children are disappearing in the town of Derry and a creepy clown haunts the woods and sewers of the town, but Pennywise is much more than he seems and the danger even worse. Beware the deadlights! September 8

INDEPENDENT PICKS

Animal Crackers

(Arclight/Blue Dream) Starring the voices of John Krasinski, Emily Blunt, Danny DeVito, Sylvester Stallone. A young family man has the horrible job of taste testing dog biscuits. When he inherits a rundown circus, he discovers the secret to the circus’ past success – a box of magic animal crackers that allows him to turn into any animal in the box and then back to human again. However, he must contend with an evil uncle who wants the circus for himself. The trailer looked awfully cute and heartwarming; this might be a sleeper family hit. September 1

Dolores

(PBS) Dolores Huerta, Cesar Chavez, Hilary Clinton, Robert Kennedy. One of the most successful labor movements in American history was the United Farm Workers, which radically improved working conditions for the mainly Hispanic farm workers of California. Although most associate Cesar Chavez with the movement, the heart and soul of the UFW was truly Dolores Huerta. A firebrand of a leader and an indomitable advocate for those she represented, her contributions are largely unsung due to her being a woman but this documentary aims to rectify that oversight. September 1

 Man in Red Bandana

(Verdi) Gwyneth Paltrow (narrator), Barack Obama. This time of year usually brings back memories of one of the worst days in American history and of course movies about that day – September 11, 2001. There are so many stories about heroism in the face of unspeakable horror but few are as unforgettable as that of Welles Remy Crowther, a young man in a red bandana who saved ten people (at least) at the World Trade Center that terrible day. September 8

School Life

(Magnolia) Neasa Ní Chianáin, David Rane. Education is important and despite attacks on the institutions of education from all sides, there remain places where it is taken seriously. In England, a boarding school in a converted manor has taken a rock and roll attitude towards learning, giving students more of a say in what they learn. With two long-time teachers at the school retiring, we get an inside look at the joys of growing up, learning and being inspired. September 8

The Force

(Kino Lorber) Juan Carlos Zapala, Libby Schaaf. This timely documentary explores an embattled urban police force from the inside out. The Oakland (California) Police Department has a legacy of corruption and police brutality that it struggles to deal with on a daily basis. With the citizens of Oakland growing increasingly frustrated over the dysfunctional relationship between the cops and the African-American community and with pressure mounting from above to fix it, the OPD tries to make real changes from within while keeping the safety of both cops and civilians uppermost in mind. September 15

Loving Vincent

(Good Deed) Starring the voices of Saoirse Ronan, Helen McCrory, Chris O’Dowd, Robert Gulaczyk. Ten years in the making, this is the first film to be fully animated using oil paintings on canvas as the medium. The story revolves around the mysterious death of master Post-Impressionist Vincent Van Gogh; was it suicide or was it murder? A young man charged to deliver a letter from the recently deceased painter to his brother Theo discovers that Theo has also died and becomes determined to understand the painter, his works and his death. September 22

Stronger

(Roadside Attractions) Jake Gyllenhaal, Tatiana Maslany, Clancy Brown, Miranda Richardson. The latest from director David Gordon Green examines the true story of Jeff Bauman, an ordinary man thrust into an extraordinary situation when both his legs were blown off during the Boston Marathon bombing. There only to win back his girlfriend, he battled back to become a symbol of hope that inspired the entire city but it was no easy path to get there. September 22

Lucky

(Magnolia) Harry Dean Stanton, David Lynch, Tom Skeritt, Ed Begley Jr. A 90 year old atheist, reaching the last days of his life, goes on a journey to try and discover the meaning his life has had amidst an odd collection of eccentrics in a desert town. Stanton, one of the legends of cinema, may very well be on his way to a Best Actor Oscar nomination for his performance here. September 29

Advertisements

68 Kill


Now here’s a woman who knows how to get what she wants.

(2017) Action (IFC Midnight) Matthew Gray Gubler, AnnaLynne McCord, Alisha Boe, Sheila Vand, Sam Eidson, Michael Beasley, James Moses Black, David Maldonado, Ajay Mehta, Hallie Grace Bradley, Lucy Faust, Peter Jaymes, Eric Podnar, Carlos Antonio, Walker Babington, Kelly Connolly. Directed by Trent Haaga

This year there’s been a spate of heist action films that have been unusually entertaining. One that’s flown under the radar is this gem that made some waves at South by Southwest and also the Florida Film Festival.

This one is a little bit more graphic than most. Chip (Gubler) is a decent guy who has a problem; he just can’t say no to a pretty girl. His girlfriend Liza (McCord) knows all about it and uses it to her advantage. She’s not a very nice girl in a lot of ways but what she is for whatever its worth is practical. Chip wants to bring in as much cash as he can to support Liza who has lavish lifestyle tastes on a trailer park budget. In fact, they do live in a trailer park and when the couple is short on funds when the rent is due – which occurs pretty often – she makes up for it with blow jobs and other sexual favors.

Liza is pretty much done with this sort of life. She’s learned that the landlord (Jaymes) is keeping a stash of cash in his home safe – to the tune of $68,000. Such a haul, she reasons, would be enough to give her and Chip a brand new life in a much better place than the craphole they live in. It’s an easy, smash and grab job – nobody has to get hurt. However, just in case – a couple of guns might come in handy if they need to defend themselves. Nothing to worry about, honey; I’m sure we won’t need to use them. I’m positive of it, in fact. You can guess how that’s going to go.

Two dead people and a hostage named Violet (Boe) later, a sickened Chip and adrenalized Liza show up at her brother Dwayne’s (Eidson) house to sell him Violet; as it turns out, Dwayne likes to torture and mutilate women for sexual pleasure and Violet is plenty pretty. This is way more than Chip signed on for and he decides to cut his losses and get out with Violet. However, Liza doesn’t take well to breaking up with her boyfriend as you can imagine and as weird as things have been, they are about to get weirder.

Haaga, who has some experience in the Troma factory of low budget genre movies, has a phenomenal sense of pacing; this movie starts off with a shot of a fly caught in honey (a heavy-handed but apt metaphor) and then never lets the foot off the gas. The movie careens – sometimes drunkenly but always sure of its destination – from one set piece to the next. We just hang on for dear life and if we’re smart, enjoy the ride.

AnnaLynne McCord is an absolute revelation. I don’t think I’ve seen any actress play a psychotic bitch quite as ably as McCord in ages. This ranks up there with What’s the Matter with Baby Jane territory in my opinion; she’s that good. One moment she can be tender and loving towards Chip and the next she’s a shrieking banshee with a pump action rifle aimed for your skull. Love hurts, fool.

Gubler who plays the seminal science nerd in Criminal Minds gets to stretch his wings a bit here in a role that is very unlike the one he’s known for. Chip is sweet but spineless and not book smart or street smart. As a result he makes some unwise choices and he is way too naive when it comes to women, particularly in that part of the world which seems to be populated by some mean ones.

I like that the movie just keeps getting better and better as it goes along. It’s not a movie that overstays its welcome in the least nor does it start out so slow that by the time it gets going the viewer has already checked out. Rather by the time the climax is in full gear I was fully invested in the story and characters. That doesn’t happen all the time for both of those elements, so kudos to Haaga.

Now, most of the women in this movie (with the exception of Violet) are stone cold crazy, over-the-top bitches, hookers, double crossers, two timers or some combination thereof. ‘Course, most of the men in the movie (with the exception of Chip) aren’t much better but there seem to be more redeemable men in the film than women. Some might find this anti-woman, although I don’t think it is personally. If anything, it’s anti-low life scumbag and that’s a cause that reaches across both sides of the aisle.

There is plenty of humor here to lighten up the gore and violence; it’s a little on the dry side so those who don’t cotton to that kind of funny might be well-served to stay away. The characters here are also the most misbegotten collection of fever dream psychos ever assembled in an indie film. It’s like David Lynch in charge of Deliverance in a trailer park setting and if that log line intrigues you, this is the kind of film you’ve been waiting for all year. This isn’t for everyone but if you like to have fun at the movies, don’t mind a little gore, get revved up by frenetic action sequences and don’t mind some oddball characters in the mix, your ship has come in.

REASONS TO GO: The film gets better as it goes along. The humor is bone dry in a good way.
REASONS TO STAY: Some may find this a little misogynistic.
FAMILY VALUES: There is plenty of profanity, just as much violence, some gore and sexuality.
TRIVIAL PURSUIT: The film won the audience award in the Midnighters category at this year’s South by Southwest Film Festival.
BEYOND THE THEATER: Amazon, iTunes, Vudu
CRITICAL MASS: As of 9/3/17: Rotten Tomatoes: 87% positive reviews. Metacritic: 56/100.
COMPARISON SHOPPING: Logan Lucky
FINAL RATING: 7.5/10
NEXT: Win It All