All Eyez on Me

Everyone wants to rap with ‘Pac.

(2017) Musical Biography (CODEBLACK) Demetrius Shipp Jr., Danai Gurira, Kat Graham, Hill Harper, Annie Ilonzeh, Lauren Cohan, Keith Robinson, Jamal Woolard, Dominic L. Santana, Cory Hardrict, Clifton Powell, Jamie Hector, DeRay Davis, Chris Clarke, Ronald Brooks, Jarrett Ellis, Erica Pinkett, Rayven Symone Ferrell, Josh Ventura, Chanel Young. Directed by Benny Boom

 

Tupac Shakur remains one of the most vital and influential artists of the 20th century; while there have been documentaries on his brief but meteoric life, there hasn’t been a biopic up until now. Shipp as ‘Pac is a dead ringer for the late rapper and displays at least some of the charisma that Tupac possessed; some have groused that Shipp is not even close in that aspect but that’s like bitching about a match because it isn’t the sun. For my money he did a pretty decent job and has nothing to be ashamed of.

The movie is a touch over two hours long and sadly you feel every moment of it. We get little sense of Tupac the artist and instead we spend a whole lot of time seeing Tupac the party animal. The movie reinforces a lot of the stereotypes Middle America has of rap culture – the misogyny, the violence, the drugs and alcohol and the conspicuous consumption. At no point during the course of the movie do we see Tupac actually creating anything; mostly we see him railing against the forces that were against him, hanging out with his boys and getting in confrontations with rivals. We get the highlights of his turbulent life and most of the soundtrack is made up of his more pop-oriented songs which may serve as a nice introduction to those unfamiliar with his work but will likely frustrate his fans.

Shakur is one of the most important artists of the last decade of the 20th century and his genius reverberates through modern rap without any let-up since his 1996 murder (which remains unsolved to this day) at the age of 25. He deserves a film that is as powerful as the music he created, but this isn’t it. What this is however is a fairly bland introduction to the life and music of Tupac and for now it will just have to do.

REASONS TO GO: Shipp is a star in the making.
REASONS TO STAY: The movie concentrates too much on the parties and the thug life and not enough on Tupac as an artist.
FAMILY VALUES: There is all sorts of profanity, violence, sexuality, nudity and drug use.
TRIVIAL PURSUIT: Shipp’s father worked with Death Row Records as a producer and produced some of Tupac’s work near the end of his life.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 11/8/17: Rotten Tomatoes: 18% positive reviews. Metacritic: 38/100.
COMPARISON SHOPPING: Straight Outta Compton
FINAL RATING: 6/10
NEXT:
Cars 3

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