(2018) Romantic Comedy (Stadium Media) Madeline Walter, Michael Blaiklock, Gail Rastorfer, Antoine McKay, Kenneth Yoder, Rammel Chan, Deanna Reed-Foster, Antoine Pierre, Scarlett Harper, Shirl Shang, Sara Sevigny. Directed by J. Wilder Konschak and Stirlling McLaughlin
Moving in with someone is a big step. Not only is it a transition from just dating to be a couple, it is the last step before getting married. It is also a big step into uncertainty – living with someone is a whole lot different than hangin out with them.
Maggie (Walter) and Jonathan (Blaiklock) are taking that step. Maggie, a nurse, works for Dr. Galoup (McKay), the husband of her patrician best friend Ollie (Rastorfer). It is at work that she contracts the Raccoon Flu, an influenza of epic proportions. Unable to function at work, she is sent home where she promptly infects Jon with it. What’s yours is mine and what’s mine is yours after all.
Confined with one another, their love for each other is immediately put to the acid test. It doesn’t help matters that their philosophies to handling sickness couldn’t be more different; Maggie with her medical background puts her faith in doctor visits and pharmacies. Jon prefers home remedies and herbal concoctions. She wants zero contact with people while he happily plans a themed housewarming party.
In an atmosphere like this with both parties feeling like crap, everything is magnified. Little petty disagreements become declarations of war. Innocent remarks become deadly insults. Suddenly home becomes a battlefield with an interloper your deadliest enemy; the two are inexorably drawn into conflict. Battle lines are drawn in this engagement in which no quarter can be given and no prisoners can be taken.
In many ways it’s hard to believe that this is essentially a local (Chicago) production. This is far funnier and of better quality than a lot of major studio productions. The humor begins as fairly low-key and ratchets up by the end of the movie but oddly enough, the final third of the movie loses its edge and degenerates into downright silliness. Most of the rest of the way though the movie takes affectionate pokes at real relationship issues, like bed etiquette. Anyone who has had the sheets pulled off of their bodies in the middle of the night will relate.
Walter and Blaiklock have some sitcom and webisode experience but they act more like seasoned pros. Both have a ton of screen presence, much more than I expected. Walter in particular has enormous potential as a comic actress; she seems to be heavily influenced by Julia Louis-Dreyfus (and indeed resembles the former SNL comedienne facially) with the wry overtones of a Tina Fey. I get the sense that as an actress she is virtually fearless; she’s not afraid to appear as a cast iron bitch nor as an object of desire.
This is one of those pleasant surprises that sometimes come along in this job. This isn’t a film that redefines the genre of romantic comedies but at the same time it is solid entertainment that is worth an hour and a half of your time. Comedies are in fact the hardest kind of film to make; humor is not necessarily universal and what is funny to one person is absolutely not to another. I don’t know that every audience will take to this film like I did but for what it’s worth I most certainly did take to it and if I did, it stands to reason that others will too. Maybe you’ll find it as funny and as enjoyable as I did; there’s only one way to find out.
REASONS TO GO: Walter and Blaiklock are far more charismatic than you normally find in a movie with this kind of budget.
REASONS TO STAY: The comedy descends into silliness in the final third.
FAMILY VALUES: There is some sexual content and brief nudity as well as profanity.
TRIVIAL PURSUIT: The script was inspired by a situation that Konschak and his then-girlfriend (and current wife) experienced when they first moved in together.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Steam, Vudu
CRITICAL MASS: As of 5/26/18: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: War of the Roses
FINAL RATING: 6.5/10
NEXT:Love Always, Mom