The Big Bad Fox and Other Tales (Le grand méchant Renard et autres contes…)


On a moonlit night you could see such a sight that you won’t believe your eyes…

(2017) Animated Feature (GKIDS) Starring the voices of Kamel Abdessadok, Jules Bienvenu, Guillaume Bouchede, Guillaume Darnault, Jean-Loup Horwitz, Augustin Jahn-Sani, Christophe Lemoine, Elise Noiraud, Boris Rehlinger, Céline Ronté, Magali Rosenzweig, Violette Samama, Antoine Schoumsky, Damien Witecka. Directed by Benjamin Renner and Patrick Imbert

The thing about animation is that it is truly universal. Once dominated by one country – and essentially one studio – these days, great animation is coming from all around the globe. While Disney continues to be the 1,000 pound gorilla when it comes to animated features, there have nonetheless been some terrific films coming from elsewhere.

This new French animated feature from Benjamin Renner, the guy who gave us Ernest and Celestine, is definitely on the terrific side – for the most part. Three tales are presented here, all involving animals who don’t act like you might expect them to. The first involves a stork tasked with delivering babies, but the stork is a lazy sort and fakes an injury to get a passing duck, rabbit and a pig. The three try their best but they aren’t really cut out for that kind of work. The second involves a fox who is trying to steal some eggs to eat from a rather violent hen. The fox takes too long to eat them and they hatch. Rather than eat the chicks, he becomes their caregiver – which isn’t easy to do with an angry hen and a murderous wolf on the loose. Finally the third tale involves the rabbit, the duck and the pig who believe they’ve accidentally killed Santa Claus and determine to make sure that the presents are delivered. As in the first tale, that doesn’t go well either. Personally, I liked the second tale the most of the three but all three of them are good. They use a stage show framing device which is reasonably clever.

The animation is kind of a throwback, hand-drawn and 2D rather than computer generated 3D. It looks vivid and minimalist and is gorgeous and fun. The humor has a Chuck Jones/Tex  Avery influence that is delightful; adults may appreciate it a little more than the kids do, although I think kids will love it too. What is also worth looking out for is the warm, sweet charm that infuses the whole movie; it’s perfect rainy day viewing and if you’re not already a kid, it may bring you back to your own childhood.

There are a few things on the negative side to consider as well; The subtitles, which are in white, are hard to read whenever the background is white or a lighter color which is a problem. There’s been no word as of yet whether GKIDS will release a dubbed version as they did with Ernest & Celestine; I’m betting that they will. The film is clearly meant for younger viewers and some of them may be less proficient at reading and may not do well with subtitles. If a dubbed version had been available, I likely would have given this at least a full point higher rating, maybe even two.

Also unlike E&C the story feels a bit dumbed down in places. I got the sense of being talked down to by the filmmakers, a sense I never got in the previous film’s case. That was a bit disconcerting. However, those cases were fairly rare; most of the time I just let the craziness wash over me like a comfortable afternoon in my PJs watching Looney Tunes on the television with a big bowl of Cocoa Puffs in front of me. Now, that is what true happiness is.

Please note that this film is still on the Festival circuit and although it does have a distribution deal with GKIDS, no release date is currently scheduled. You’ll just have to keep an eye out for it at your local film festival or animation festival. Also while I did discuss an English dubbed version, no such version currently exists to my knowledge and GKIDS hasn’t confirmed that there will ever be one. Just so you know. P.S. I’d also like to give a shout-out to GKIDS who have put together an impressive roster of animated features from around the globe that will appeal to adults as well as kids. If you see their logo on anything, you know it’s going to be extremely high quality.

REASONS TO GO: There is a Looney Tunes quality particularly in the first vignette. There is a quality of sweetness throughout.
REASONS TO STAY: The subtitles can be hard to read. The story is on the dumb side.
FAMILY VALUES: There is some mild rude humor.
TRIVIAL PURSUIT: The middle tale was made up by Renner when he was a child; he eventually turned it into a graphic novel from which the film is adapted.
CRITICAL MASS: As of 6/2/18: Rotten Tomatoes: 100% positive reviews: Metacritic: No score yet.
COMPARISON SHOPPING: Zootopia
FINAL RATING: 6.5/10
NEXT:
The Guilty

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