Sunset (2018)

Patricia (Barbara Bleier) peers out at a bleak future.

(2018) Drama (Random Media) Barbara Bleier, Austin Pendleton, Liam Mitchell, David Johnson, Juri Henley-Cohn, Suzette Gunn, Erin Bruch, Tom Coughlin, Amanda Rae Dodson, Cameron Berner, Faith Bruch, Anthony LoCascio, Michael Pacyna, Erika Rademaker, Susan Feinman. Directed by Jamison M. LoCascio

 

For a very long time the human race has lived with the idea of its own extinction. Whether brought down by the wrath of God or by the hubris of science, there has been a constant Damoclean sword hanging over our heads. For the most part, we try not to think about it, going about our daily lives. How would things change if we knew that end was imminent?

Patricia (Bleier) is given a surprise birthday party by her longtime husband Henry (Mitchell). All of their friends are there, from Henry’s former partner Ayden (Henley-Cohn) who has a successful financial business of his own and Ayden’s girlfriend Breyanna (Gunn). Also in attendance is Henry’s current employee Chris (Johnson), a mentally challenged young man that Patricia and Henry have more or less adopted (he lives in their home), and Patricia’s former colleague Julian (Pendleton). It should be an occasion of joy but hanging over their head was the recent nuclear attack on Los Angeles. They live in New York so they are well aware there’s a huge target painted on their home.

The pall on the occasion is further lengthened by an argument between Henry and Julian regarding the government’s handling of the L.A. situation; Henry believes that retaliation should be part of policy while Julian believes that the government’s conventional weapon attacks have only made matters worse. Patricia, who has mobility issues after an accident permanently damaged her spine and ended her dancing – and dance teaching – careers, decides to call an early night. There is tension between Henry and Julian beyond the argument; it seems that Julian has some strong feelings for Patricia, feelings that Henry is well-aware of.

The next day, the news comes that an attack on New York City is expected and that the city is to be evacuated. That leads to mass panic; looting and worse are the orders of the day. The news provokes different reactions in all of them; some of fear, some of anger, some of confusion but all have decisions to make: where do you go when the world has gone mad?

This is the second feature from LoCascio and there are a lot of good things here. This isn’t a movie that dwells on the geopolitical implications of a nuclear conflict, nor does it get wrapped up in special effects or barrel-chested heroes saving the world from annihilation at the very last possible moment. This is a movie about people, people who are facing the unthinkable and trying to cope. In many ways this is the most real movie about nuclear holocaust that’s ever been made.

But there are flaws here. At times the acting feels stiff; Johnson in particular tries a little too hard and it shows. While Bleier and Mitchell make a believable couple, Bleier doesn’t quite carry off the role the way perhaps it should have been. She needed to be a little more fragile, especially in light of what happens in the last third of the film. Henley-Cohn acquits himself the best here; he has some screen presence and a kind of Mark Harmon-like rugged boyishness that is appealing.

The movie’s main strength – its intelligence – does also lead into something that may prevent audiences from connecting; it’s very talky. Most of the movie is made up of conversations between various characters as they discuss the impending attack and what their plans are. There’s not a lot of action here and I don’t mean in the Arnold Schwarzenegger sense; I mean that the characters are curiously inert. They’re waiting for something to happen rather than making things happen. American audiences tend not to respond to that very well.

The ending though is a hum-dinger. I won’t go much further than that other than to say that you may not find a better one in a movie this year. LoCascio gets points for sticking the landing; that’s not an easy task and a lot of filmmakers these days fail to do so which can take a great movie and turn it into a mediocre one. On the contrary, the last few minutes of the movie are truly magic.

Right now the movie is preparing for a July 3rd release date on most of the major VOD and streaming platforms. Given the interesting premise I imagine that a lot of people looking for something new to watch may end up clicking on it. While I can only muster up a qualified recommendation, the movie does at least not spoil a great premise. If the performances were a little bit better, this might have been one of those sleeper movies that comes up and takes you by surprise, pleasantly so. Still, I can’t honestly say “skip it” either.

REASONS TO GO: Henley-Cohn has a Mark Harmon-like quality. The ending is really terrific.
REASONS TO STAY: Some of the performances are stiff or way over-the-top. Some may find it a little too talky.
FAMILY VALUES: There is some profanity and a brief scene of sexual content.
TRIVIAL PURSUIT: Veteran film lovers will recognize Pendleton as Dr. Larrabee from What’s Up Doc.
CRITICAL MASS: As of 6/4/18: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: Miracle Mile
FINAL RATING: 5.5/10
NEXT:
The Cakemaker

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