This is Congo


In the Congo even amenities we take for granted are corrupted.

(2017) Documentary (Abramorama) Mamadou Ndala, Joseph Kabila, Colonel Kasango, Matenga, Hakiza Nyantaba, Paul Kagame, Isaach de Bankolé (voice), Mama Romance. Directed by Daniel McCabe

 

One of the most beautiful places on Earth is Congo, the Republic formerly known as Zaire. It is the 11th largest nation on Earth and has mineral wealth that is absolutely staggering. Of course, none of that wealth filters down to the people of Congo. What does filter down is the nearly continuous state of Civil War that has been underway in that region for more than 20 years.

First-time feature filmmaker McCabe focuses on four people to tell his story; Mamadou Ndala, a charismatic colonel in the Congolese army who is idealistic and passionate. He loves his country genuinely and defends it without hesitation. Colonel Kasango is another army officer who in order to protect himself and his family has taken on anonymity (he is photographed in silhouette, uses a false name and his interview is voiced by noted actor Isaach de Bankolé.

Then there are the civilians; Hakiza Nyantaba is a tailor who ekes out a living with a battered sewing machine. He has been forced to flee his village six times, taking only what he could carry. Finally Bibanne, known as Mama Romance, sells gems on the black market in Kenya. It is a highly risky move that could lead to arrest but she has to take care of her kids somehow.

McCabe intersperses their stories with the history of the Congo, from Emperor Leopold II of Belgium’s brutal and ruthless colonial reign to the hopeful prime ministry of Patrice Lumumba, the coup that led to strongman Joseph Mobuto that dominated the Congolese political landscape. It is a history of corruption, brutality and nonstop violence.

Much of the film takes place during the 2012-13 assault by the rebel group M-83 in the South Kivu region, one of the richest in minerals in the country. Ndala would defend the regional capital of Goma from rebel troops which brought him great popularity among the people of the Kivu – and the nervous eye of the army officers who were concerned about someone being so popular and renowned.

This is not a feel-good documentary; there are no quick fixes, no answers. Since the events shown here war has continued to drone on and their current president Joseph Kabila who is as corrupt and as ruthless as any dictator in the world (and who just suspended all presidential elections, essentially making him President for life). Life for the Congolese continues to be miserable with no end in sight and the world has essentially abandoned them. While I suppose one may say “well why bother watching this then” the reason is that the more people who see what’s happening the more people will start demanding action to protect the Congolese who are caught in the crossfire and to demand the removal of Kabila and his cronies. The depressing reality though is that in all likelihood the replacement would just be business as usual.

REASONS TO GO: The film is very compelling and very sad. It’s a very beautiful country.
REASONS TO STAY: 20 years of non-stop war; we can only imagine…
FAMILY VALUES: There is some war violence as well as a few disturbing images.
TRIVIAL PURSUIT: The genesis of the film came when McCabe was sent to Congo as a photojournalist in 2008 documenting the CNDP rebellion.
CRITICAL MASS: As of 7/1/18: Rotten Tomatoes: 93% positive reviews: Metacritic: 75/100.
COMPARISON SHOPPING: The Enclave
FINAL RATING: 7.5/10
NEXT:
Coverage of the 17th New York Asian Film Festival begins!

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Three Identical Strangers


Bros in triplicate.

(2018) Documentary (Neon/CNN) David Kellman, Robert Shafran, Eddy Galland, Ron Guttman, Silvi Alzetta-Reali, Adrian Lichter, Andrew Lovesey, Michael Domnitz, Howard Schneider, Ellen Cervone, Alan Luchs, Hedy Page, Elliott Galland, Alice Shafran, Ilene Shafran, Justine Wise Polier, Mort Shafran, Janet Kellman, Brenda Galland, Lawrence Wright, Paula Bernstein, Elyse Schein, Rachel VanDuzer. Directed by Tim Wardle

The maxim goes “Truth is stranger than fiction” and while that isn’t always the case, it certainly was in this story. Some of you who lived in the New York area around 1980 might remember some of it.

Bobby Shafran was attending a community college for the first time and knew nobody there – but a lot of people seemed to know him. They seemed to have a case of mistaken identity; they identified him as Eddy Galland. With a close friend of Eddy’s, he decided to meet this guy and was shocked to find out that they looked identical and like him, Eddy Galland was adopted. It turned out that they were twins who had been separated at birth.

But the story gets weirder. Their story appears in Newsday, the Long Island paper of record and is seen by David Kellman who is shocked to see two other guys who look exactly like him. It turns out that they were identical triplets, an incredibly rare occurrence to begin with. The three guys all had the same taste in girls, all smoked the same brand of cigarettes, all had the same bright smile.

As it turned out, the three boys had been placed into three completely different environments; one in an upper class home, another in a middle class home, a third in a working class home. One of the fathers was a disciplinarian, a second more laid-back, a third somewhere in between. Despite all the similarities between the boys (which would indicate that in nature versus nurture, the former trumped the latter) they grew up to be different individually speaking. So that nature versus nurture thing (a big theme in the film) may not be quite so settled after all.

The three young men became inseparable, moving in together in New York City and opening up their own restaurant, Triplets, in SoHo. They were regulars on the downtown club scene, and made the talk show rounds on such shows as Phil Donahue and the Today show. At first glance this might be one of those “whatever happened to” kinds of documentaries but then the story turned yet even weirder…and darker.

More than this I will not tell you. This is a story that will seem at first like a trip down memory lane for a feel-good story that grabbed the attention of New Yorkers in the early 80s but it will take you in a completely different and unexpected direction and it works best if you don’t know what comes next. Suffice it to say that you will leave the theater completely blown away.

The actual format of the documentary isn’t particularly different than most; lots of talking heads, lots of archival footage with the occasional re-enactment of scenes to heighten the drama. Nothing new here but the story itself is so compelling, so riveting that you won’t be able to look away let alone notice that the style isn’t particularly innovative. And you probably won’t notice that things slow down a little bit in the final third of the film, although I did. However the movie will come at you like a gut punch and leave you breathless as you leave the theater. It’s only playing in a few cities at the moment following a run on the festival circuit but you should pester your local art house to book this one; it’s easily one of the best documentaries of the year.

REASONS TO GO: The story gets more bizarre as you go along. The movie you think you’re going to see is not the movie you actually see. Nature versus nurture is a large part of the story. This is the kind of movie that will blow you away.
REASONS TO STAY: The movie drags a little bit in the final third.
FAMILY VALUES: There is some profanity.
TRIVIAL PURSUIT: The movie made its debut at Sundance earlier this year.
CRITICAL MASS: As of 7/1/18: Rotten Tomatoes: 94% positive reviews: Metacritic: 79/100.
COMPARISON SHOPPING: Catfish
FINAL RATING: 9.5/10
NEXT:
This is Congo