(2017) Crime Dramedy (Artsploitation) Konstadinos Aspiotis, Makis Papadimitriou, Mirto Alikaki, Christos Loulis, Argyris Xafis, Panos Koronis, Themis Panou, Aris Antonopoulos, Stephanos Mwange. Directed by Dimitris Tsilifonis
When you are trapped in a working porn studio, having made what’s intended to be a viral video confession exonerating a crime boss who is in jail for murder, and you are surrounded by gun-toting killers employed by said crime boss, escaping with your life may require a little do-it-yourself inventiveness.
That’s exactly the situation that small-time criminal Alkis Vidalis (Aspiotis) finds himself, conveniently enough for this review. He is no criminal mastermind nor is he much of a fighter. He’s more of a run away and hide sort of guy. With the building crawling with armed guards who are, fortunately for Alkis, they are not nearly as bright as he is. Using whatever he can find which includes some porn film accouterments, he will have to figure out a way to get out alive and with time ticking down until the film is loaded to the Internet, the prospect of a life extending more than an hour or two are looking mighty bleak.
This Greek action-packed dramedy owes a lot to both Tarantino and Scorsese in equal measures. If that sounds like a great combination to you, then this is your jam. Tsilifonis takes great care not to make anyone too awful or too likable. Everyone in the movie is a criminal in some way shape or form – even the crime boss’ lawyer (Alikaki) is fully aware that once the video goes live Alkis will have outlived his usefulness. This is a film with no clear bad guys (Loulis as jailed crime boss Daniel Bezerianos comes closest) and while we have a rooting interest in Alkis, no clear good guys either.
There are some genuinely funny moments that lighten the frenetic mood, as well as some ingenious Rube Goldberg-like inventions that Alkis creates. The cinematography is slick and crisp which give a sense of realism to the film. However, the thing that keeps this from being an unreserved recommendation is that Tsilifonis has a tendency to get a bit cute, using Go-Pro-like shots on moving objects (such as a wheelchair) more than he needed to. Once is fine; twice is okay; more than that is repetitive and annoying.
The performances are solid, with Aspiotis in the lead being particularly satisfying. He gives Alkis a kind of hangdog air that makes him appealing, but as he promises in the voice-over narration, he does things that aren’t cricket. Papadimitriou as the killer tasked with whacking Alkis once the word comes down also gives a nice balance of menace and moronic.
Movies like this don’t come on down the pike very often and while the film is certainly flawed, the entertainment value is pretty high all things considered. It is subtitled and during the initial sequence in which the circumstances are essentially explained through the use of newspaper headlines, a bit hard to read so you might find yourself rewinding and pausing so you can actually read the entire subtitle. Speed reading can come in handy here. Anyway, devotees of movies full of hoods who can’t shoot straight will find this one right in their sweet spot.
REASONS TO SEE: Overall, very entertaining.
REASONS TO AVOID: At times, Tsilifonis gets a little too cute for his own good.
FAMILY VALUES: There is profanity, brief drug use, some sexual content and a fair amount of violence.
TRIVIAL PURSUIT: Tsilifonis’ 2012 short The Way of Styx is also included on the Blu-Ray edition.
BEYOND THE THEATER: Amazon, Fandango Now, Google Play,
CRITICAL MASS: As of 7/8/19: Rotten Tomatoes: No score yet: Metacritic: No score yet.
COMPARISON SHOPPING: The Raid: Redemption
FINAL RATING: 6.5/10
NEXT: Terror 5
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