Corporate Animals


There is no “I” in team but there IS meat…

(2019) Comedy (Screen Media) Demi Moore, Jessica Williams, Ed Helms, Isiah Whitlock Jr, Karan Soni, Martha Kelly, Dan Bakkedahl, Calum Worthy, Jennifer Kim, Nasim Pedrad, Frank Bond, Wendy Meredith, Britney Spears, Courtney Cunningham, Chris Harding, David Phyfer, Richard Beal, Tobiah Powell, LynNita Ellis.  Directed by Patrick Brice

 

There is something inherently funny about corporate life. From the platitudes that are meant to inspire to the team-building exercises that are more an exercise in wasting time to the gorilla in a velvet suit venality of corporate politics, it’s a wonder that the subject hasn’t been mined more often for the comedy gold that is clearly there. Maybe it just hits a bit too close to home for most of us.

Lucy (Moore) is the high-strung platitude-spewing CEO of a company that makes edible cutlery. The corporate culture is supposed to be diverse and inclusive but below the surface of civility there is an awful lot of discontent. Perfect time for a team-building session, right? Of course, right.

Brandon (Helms) is their guide as he attempts to get the group to move a stone sphere that is clearly too heavy for the group to budge until the intern Aidan (Worthy) is injured, but that’s just the warm-up. The main event is spelunking in some deep caves in New Mexico. When the group comes to a fork, Lucy insists that they take the more difficult “advanced” route despite everyone else – including Brandon – trying to dissuade her.

At first, it looks like Lucy might have been on to something when the group reaches the majestic Cathedral Cavern but what little triumph the group can muster is quickly quashed when an earthquake buries them in the cavern and kills one of their number. Bummer.

Finding a way out doesn’t seem to be much of a priority for Lucy who is confident that there will be a rescue party finding them shortly; after all, she had left an itinerary with the ranger’s office and as soon as they’re listed as overdue the cavalry will be coming. When it soon becomes obvious that they are going to be trapped for more than a few hours, it becomes clear that the problem of survival is going to start with the fact they have no food and no water.

This is very much a dark comedy with elements of parody meant to take on the aforementioned subjects of office politics and corporate culture. Brice, who previously helmed the much better comedy The Overnight works off of a script by Sam Bain which is too scattershot for its own good. There are too many subplots, including the rivalry between Jess (Williams) and Freddie (Soni) who were both promised a big promotion by Lucy, Lucy’s sexual harassment of Freddie and the fact that Lucy’s incompetence has left the company nearly bankrupt, a fact her workers are ignorant of.

Lucy is definitely the centerpoint here and the movie could have used an actress with a deft comic touch. Demi Moore is a lot of things, but she has never been known for her comic timing. She ends up coming off as vile and venal, self-absorbed and arrogant who believes herself to be superior in all ways to those who actually do the work that keeps the company going. One has to wonder if Moore was cast because she had a similar role in the drama Disclosure which was also a far better movie than this one. One imagines that Ms. Moore cashed the check as quickly as she could and moved on to something a bit more challenging.

Someone who does have a deft comic touch is Jessica Williams who is note-perfect as the long-suffering assistant Jess who is far more competent than anyone else in the workplace. Anyone who has seen her in the Netflix film The Incredible Jessica James knows what Williams is capable of and the career path in front of her is bright and shiny indeed. I look forward to seeing her in more movies.

By necessity the movie is dimly lit over long stretches and while the cavern set is pretty decent, it also looks like a set. While apparently some of the film was lensed in the famed Frankfurt Caverns of Kentucky, the rocks look like papier machė. The movie would have benefitted from a little more focus and fewer subplots. The critics have pretty much savaged the film so don’t expect there to be much of an audience for it but adventurous readers who are interested can take a chance on it when it hits home video in a few months.

REASONS TO SEE: Jessica Williams is absolutely stellar.
REASONS TO AVOID: This has been done better elsewhere.
FAMILY VALUES: There is plenty of profanity, some drug and sex references, a bit of violence and some gruesome images.
TRIVIAL PURSUIT: Sharon Stone was originally cast as Lucy but had to bow out due to a scheduling conflict. Demi Moore stepped into the role instead.
CRITICAL MASS: As of 9/22/19: Rotten Tomatoes: 31% positive reviews: Metacritic: 31/100.
COMPARISON SHOPPING: Severance
FINAL RATING: 6/10
NEXT:
Moonlight Sonata: Deafness in Three Movements

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