Radioflash


The production went underwater quickly.

(2019) Suspense (IFC Midnight) Brighton Sharbino, Dominic Monaghan, Will Patton, Fionnula Flanagan, Miles Anderson, Michael Filipowich, Kyle Collin, Sean Cook, Arden Myrin, Max Adler, Lance Valentine Butler, Juli Erickson, CJ Legare, Shawn Law, Jerry Basham, Amir Abdullah, Ryan Shrime, Eryn Rea. Directed by Ben McPherson

 

There’s no doubt that our society functions on technology. It is both a blessing and a curse; it has allowed us to lead lives more comfortable than any of our predecessors but at the same time, what would become of society if all our technology suddenly was no longer available to us?

Nothing good, posits this film. Reese (Sharbino) is a bright teenage girl with superior problem-solving skills. She lives with her dad (Monaghan): both are still grieving the death of Reese’s mom from cancer a year earlier. When the power flickers out, it’s no big whoop at first. After all, power outages are a function of life as our devices suck more and more juice from the grid.

But the power doesn’t come back on and soon it becomes apparent that it won’t anytime soon. Reese’s survivalist grandpa (Patton) has been preparing for this all his life and he urges Reese and her pa to gather up as much gas as they can get hold of and head out to his place in the mountains before things turn to anarchy back in the city. They are just shy of too late.

At that point, the movie goes off the rails as Reese is kidnapped by Maw (Flanagan) and her brutish son Bill (Filipowich) and grandson Quinn (Collin) and the film takes a wide left into The Hills Have Eyes territory. The movie seemed really promising at first, with Reese being set up as a modern heroine who is smart, savvy and strong but she is essentially reduced to a typical damsel in distressed, trussed up in a burlap sack or locked in a basement. Her problem-solving skills we see early on are nowhere to be found.

Faring slightly better is Monaghan who plays the dad well; we’ve seen him as a irresponsible hobbit and a drug-addled rock star but he excels here as a devoted but sad-eyed dad. The film is bolstered by some beautiful Northwestern vistas, often mist-shrouded but McPherson is unable to generate a whole lot of excitement or suspense, leaving audiences indifferent to the fate of the characters. Considering the introduction he gave Reese, it’s a damn shame; I would have liked to have seen her less in peril and more in charge. Patton, a veteran character actor, is given little to do, showing up in brief moments to show concern and worry, for the most part.

This is one of those frustrating films where you see that if the filmmakers had just taken a certain direction that the movie had tons of potential to be something more than it turned out to be. While there are some worthwhile elements here, overall it ends up being a mediocre thriller that doesn’t quite do the job it’s supposed to do.

REASONS TO SEE: Monaghan does a crackerjack job in a type of role he’s not known for.
REASONS TO AVOID: Doesn’t really generate a lot of excitement.
FAMILY VALUES: There is profanity and violence herein.
TRIVIAL PURSUIT: McPherson has partnered with the Conservative View and Glenn Beck on short film projects, and co-writer Matt Redhawk is the founder of a survivalist supply company.
BEYOND THE THEATER: Amazon, Google Play, Vudu, YouTube
CRITICAL MASS: As of 11/20/19: Rotten Tomatoes: 0% positive reviews: Metacritic: 34/100.
COMPARISON SHOPPING: Walking Out
FINAL RATING: 5/10
NEXT:
Synonyms

Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton


Jim Carrey channels Andy Kaufman.

(2017) Documentary (NetflixJim Carrey, Andy Kaufman, Bob Zmuda, George Shapiro, Danny DeVito, Carol Kaufman, Judd Hirsch, Paul Giamatti, Stacey Sher, Milos Forman, Ron Meyer, Carol Kane, Bill Corso, Peter Bonerz, Michael Stipe, Jerry Lawler, Courtney Love, Gerry Becker, Elton John, Lynne Margulies, Linda Hill, Angela Jones. Directed by Chris Smith

 

Sometimes an actor will get so lost in their role that it’s nearly impossible to tell where the character ends and the actor begins. Is it art or is it simply self-indulgence?

Jim Carrey notoriously went through this when he was playing the late cult comic Andy Kaufman in Milos Forman’s Man in the Moon back in 1999. Carrey refused to break character during filming, even allowing the notorious lounge lizard/obnoxious jerk character Tony Clifton to take over, sometimes to uncomfortable lengths. Universal kept the backstage footage in the vaults for nearly 20 years before they finally allowed it to be shown in this documentary.

We get a sense of the method here and Carrey candidly discusses the strain of playing Kaufman and the way it effected his career. You get the sense that Carrey doesn’t enter any role lightly but this one did a number on him, as he admits to feeling the emotional after-effects for years afterwards. The documentary is well-filmed, utilizing footage filmed by Smith in 2016 as well as the backstage footage from the shoot in 1998 shot by Kaufman’s writing partner Zmuda and his girlfriend Margulies. Members of Kaufman’s family even came on set to commune with their deceased loved one (Kaufman passed away from lung cancer in 1984) in the form of Carrey.

I wasn’t a big fan of Man in the Moon when it came out but the documentary does give a better appreciation of the film. I wish that someone had asked Carrey the question that stays with me after seeing the doc: was the performance worth the pain? I suppose that’s a question for posterity to figure out.

REASONS TO SEE: Carrey comes off more thoughtful than you’d imagine. A portrait of a man lost in his role.
REASONS TO AVOID: Doesn’t ask some important questions.
FAMILY VALUES: There’s a bit of profanity and some nudity.
TRIVIAL PURSUIT: Both Kaufman and Carrey share a birthday (January 17th).
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 11/19/19: Rotten Tomatoes: 96% positive reviews: Metacritic: 767/100.
COMPARISON SHOPPING: Lost in La Mancha
FINAL RATING: 7/10
NEXT:
Radioflash