A.X.L.

A dog and his boy.

(2018) Young Adult Sci-Fi (Global RoadAlex Neustaedter, Becky G, Alex MacNicoll, Dominic Rains, Thomas Jane, Lou Taylor Pucci, Patricia De Leon, Niko Guardado, Marie-Francoise Theodore, Ted McGinley, Madeline Bertani, Andrew Ortenberg, Hassie Harrison, Magdalene Vick, Sam Upton, Eric Etebari, Jonathan Camp, Donnie Smith, Dan Callahan, Ashley Gibson. Directed by Oliver Daly

I have a gripe about teen-oriented movies/TV shows in which teens do unbelievably dumb things against the advice of any reasonable adult and end up saving the day because “they’re true to themselves.” Sometimes the trope works but more often than not it gives young people the attitude that anything they do is okay because they’re being “true to themselves.”

Miles (Neustaedter) is an up-and-coming motocross rider with tons of natural talent. He lives in a small central California town with his widowed dad (Jane) who wants his kid to go to college, but Miles ain’t buying it. He doesn’t think he’s smart enough for college and later events prove him right. But I’m being mean, gentle reader so disregard the snark. Even if it is true.

He has a rivalry with Sam (MacNicoll) whose dad (McGinley) is wealthy and bankrolling his son’s attempt at motocross fame. Sam is jealous of Miles’ talent and sets out to humiliate him at every turn. He ends up stranding Miles in the middle of nowhere, where Miles stumbles on a robotic dog the size of a small pony. The robot is actually a weapon developed by an unscrupulous researcher (Rains) meant to be used in war. The dog, known as A.X.L. (Attack, Explore, Logistics) has run away from its cruel designer and is cowering alone in the desert. Miles’ kindness strikes a chord in the mechanical canine and the two become fast friends. However, the evil weapon developer wants A.X.L. back and sends some ruthless mercenaries to fetch. Sam is out to put a beating down on Miles after Sara (G), the daughter of Sam’s maid, gets sweet on Miles instead of Sam. What’s a robotic mutt to do?

Get a better agent, maybe. This is meant to be the first film in a franchise but no franchise has ever started out with bland, cardboard characters, a plot thin enough to see through and credibility stretching that would make Willy Wonka jealous. There are some fairly well-known adults in the cast (Lou Taylor Pucci, for example, plays a sniveling lab assistant) but for the most part the film rests on the shoulders of the young cast who simply aren’t up to the task.

While some of the digital effects are okay, really there isn’t enough to recommend this movie other than morbid curiosity. It isn’t the worst thing you’ll ever see but it is far from the best.

REASONS TO SEE: Some of the digital effects are ok.
REASONS TO AVOID: Stiff acting and a cliché-ridden script. Has all the negative qualities of an Afterschool special or an ABC Family Channel drama.
FAMILY VALUES: There is a bit of mild profanity, some sci-fi action, teen peril and adult thematic material.
TRIVIAL PURSUIT: During the first race, Miles wears a pink breast cancer ribbon. While this may imply his mother had (or even passed away as a result of) the disease, it is not specifically stated in the film that she was afflicted with it. Miles only comments that she died, never elaborating what of.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Netflix, Vudu, YouTube
CRITICAL MASS: As of 1/7/20: Rotten Tomatoes: 27% positive reviews: Metacritic: 74/100.
COMPARISON SHOPPING: Short Circuit
FINAL RATING: 4/10
NEXT:
The ballad of Buster Scruggs

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.