Standing Up, Falling Down


Billy Crystal still looks mah-velous!

(2019) Comedy (SHOUT!) Billy Crystal, Ben Schwartz, Eloise Mumford, Grace Gummer, Nate Corddry, Jill Hennessy, Caitlin McGee, David Castañeda, Leonard Ouzts, John Behlmann, Debra Monk, Kevin Dunn, Wade Allain-Marcus, Kate Arrington, Mike Carlsen, Charlie Hankin, Nathan James, Hassan Jordan, Glenn Kubota, Kelsey Reinhardt. Directed by Matt Ratner

 

It’s not easy to make it out there. These days, it is not uncommon for kids to move back home with their parents when things don’t go their way in a career. I know I did that when I was younger; so did my own son. Most everyone knows someone who has been in that boat at one time or another.

=For Scott Rollins (Schwartz), that ship is on an indefinite cruise. After his attempt to become a stand-up comedian in Los Angeles crashed and burned, he has moved back home to Long Island – not the Hamptons part – with his mom (Monk) who is absolutely thrilled to have him home, his Dad (Dunn) who is disappointed and his younger sister Megan (Gummer) who trades acid-tongued barbs with him and is likely none-too-pleased to see him – her life isn’t going much better than his, although she does have a really great boyfriend (Castañeda).

Scott is 34 years old, with no direction in life and an uncertain future. Although his mom is pushing him in the direction of a post office job – which he is absolutely against – he doesn’t really have much in the way of a plan B. He is pining over his ex-fiancée Becky (Mumford) whom he left to go to the West Coast for. She has since married a mutual friend (Behlmann) and still lives in town.

>He meets the very drunk Marty (Crystal) in a bar bathroom; Marty is drunk enough to be pissing in a sink but not so drunk that his aim is off. He notices a skin condition on Scott’s arm and recommends a dermatologist. As it turns out, he’s the dermatologist. A more sober Marty treats Scott’s “stress hives” and the two develop a friendship.

Like Scott, Marty is damaged goods. He is totally alone and both of his marriages didn’t go the way he wanted. His son Adam (Corddry) can’t stand the sight of him and Marty knows he drinks far too much. But as it turns out, Marty and Scott are good for each other and help each other out in ways neither one of them could have anticipated.

The movie doesn’t break any particularly new ground; the concept of a thirty-something year old kid returning home in failure to his folks’ house has been done a number of times. There aren’t a whole lot of emotional highs and lows here although to be fair the ones that are here are handled well, particularly a scene between Marty and his son late in the film.

What the movie has in spades is charm which is mainly due to the casting. All of the actors, from Parks and Recreation vet Schwartz to the legendary Crystal all exude it and Ratner wisely lets them do their thing. In particular, Crystal is outstanding. This is some of his best work since his SNL days; it’s wonderful to see him display his impressive talent and screen presence again. He’ll be 72 in March but he’s still as funny as he ever was.

Schwartz, not so much. His stand-up routines are kind of flat, even when he’s supposedly killing it; there’s a fundamental lack of understanding of what makes a stand-up funny here. The filmmakers might have been better served picking a different occupation for Scott. However, to be fair, Schwartz has some screen presence and charisma going for him and even if his stand-up material doesn’t work so well, he does a commendable job in his role.

=Definitely, the attraction here is Crystal and fans of his should flock to see this. It is available on the major streaming services now with more to come I’m sure, and at the same time it is making a brief theatrical run including here at the Old Mill Theater in the Villages for those who would prefer to see this on the big screen. This isn’t going to be a movie you can’t live without, but it has enough warmth to make it worth your while.

REASONS TO SEE: There’s enough charm here to see the picture through. One of Crystal’s best performances ever.
REASONS TO AVOID: Is a little bit formulaic. Has a been there done that feel
FAMILY VALUES: There is more than a little profanity and some drug use.
TRIVIAL PURSUIT: The crash scene into the pizza parlor was so well-staged that residents in Long Island called the police.
BEYOND THE THEATERS: Amazon, AppleTV, Vudu
CRITICAL MASS: As of 2/25/20: Rotten Tomatoes: 85% positive reviews: Metacritic: 69/100.
COMPARISON SHOPPING: The Comedian (2017)
FINAL RATING: 6.5/10
NEXT:
Nobody’s Fool

A Private War


War is actually hell.

(2018) Biographical Drama (Aviron) Rosamund Pike, Jamie Dornan, Stanley Tucci, Tom Hollander, Nikki Amuka-Bird, Jérémie Laheurte, Alexandra Moen, Amada Drew, Corey Johnson, Hilton McRae, Greg Wise, Mo’ath Sharif, Raad Rawi, Diana Mohammad, Pano Masti, Ahmad Yassin, Maha Al-Tamar, Rami Delshad, Bassam Hanna Touma, Fady Elsayed, Natasha Jayetileke.  Directed by Matthew Heineman

 

Marie Colvin was, in every sense of the word, a hero. She brought to light the atrocities of war, putting her life at risk by going to some of the most hellish places on Earth – Kosovo, Lebanon, Iraq, Syria – until it finally caught up with her.

Colvin (Pike) didn’t go unscathed by what she saw; she suffered from nightmares and PTSD and relied on binge drinking and chain-smoking to dull the pain. She lost an eye covering the Tamil Tigers but gained a trademark – the distinctive eye patch she wore for the rest of her life. The incident is shown early on in the film.

Pike delivers here; her intensity is palpable as is her despair. This is not an iron-jawed war correspondent who is after the scoop more than speaking for the voiceless; this is a fragile, sometimes caustic woman who paid the price for her daring, eventually paying the ultimate price in Homs, Syria in 2012.

Heineman, who previously directed the Florida Film Festival entry Cartel Land, delivers footage that looks authentic; many of the locations may as well have been on the moon, so desolate are they. These feel like war zones, or at least how you’d imagine a war zone to be like. On the flip side, he also shows Colvin as a woman coping as best she can with the things she’s seen and not always succeeding. At an awards banquet, Colvin is dressed to the nines in a cocktail dress and heels but still she stomps through the venue like she’s marching through Fallujah. It is a telling moment.

I’m not sure that this is the definitive biography of Colvin. There is a bit too much attention paid to her sexual liaisons for my taste, which I found to be unnecessary. Nevertheless, this is a powerful film that gives you at least the spirit of Colvin, although you might want to check out the documentaries on her to get to know her public persona better.

REASONS TO SEE: Pike gives an intense portrayal as Colvin. Gritty and realistic depictions of war.
REASONS TO AVOID: There’s a little bit too much prurient material for my liking.
FAMILY VALUES: There are violent images, some sexuality and brief nudity, as well as profanity throughout.
TRIVIAL PURSUIT: Taron Egerton was originally scheduled to play Paul Conroy, but dropped out of the production. Jamie Dornan was hired to replace him.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 2/25/20: Rotten Tomatoes: 88% positive reviews; Metacritic: 75/100.
COMPARISON SHOPPING: Under the Wire
FINAL RATING: 7.5/10
NEXT:
Standing Up, Falling Down