The Possession of Hannah Grace

The morgue is NOT the ideal place to hide from a demon.

(2018) Horror (Screen GemsShay Mitchell, Grey Damon, Kirby Johnson, Nick Thune, Louis Herthum, Stana Katic, Max McNamara, Jacob Ming-Trent, James A. Watson Jr., Marianne Bayard, Adrian Mompoint, Matt Mings, Gijs Scholten van Aschat, Guy Clemens, Sean Burns, Andrea Lyman, George Vezina, Melissa McMeekin. Directed by Diederick van Rooijen

 

There is nothing fun or desirable about a trip to the morgue. So when a movie has that as a central premise, you have to hope that they do enough to make it interesting.

The movie starts with an exorcism (where many other horror movies end) that is performed on the luckless Hannah Grace (Johnson). When the ceremony turns into carnage, the girl’s loving father (Herthum) smothers her to death. But, as I said, the movie is only beginning.

Megan (Mitchell), an ex-cop battling alcoholism and inner demons, gets to battle an outer demon now as well. She’s starting a new job as an intake clerk at a hospital morgue which looks like it was designed by the same guys who do urban boutique hotels. Lots of concrete, lots of glass, and incongruously, cross-shaped lights inside the morgue itself. A little obvious, don’t-cha think?

In any case, it isn’t long before Hannah Grace’s corpse is deposited and we begin our “not-quite-dead-yet” shenanigans, although she is most decidedly dead, dead enough to inspire a Munchkin song. That’s bad news for the few workers who are present on the (appropriately) graveyard shift, including Megan’s pal Lisa (Katic) and AA sponsor who figures out too late that she’s not imagining things. Hannah’s got a hankering to rejoin the living and she’ll need some freshly dead folks to do that. Demons; can’t die with them, can’t die without ’em.

Essentially this is a standard haunted house flick set in a morgue and despite the title, there really isn’t much in the way of Satanic ritual other than in the opening minutes, so the truth in advertising thing is out the window. There isn’t a lot to the film that’s highly original, other than having the exorcism at the beginning. Van Rooijen doesn’t do a whole lot to work the tone, inserting a lot of jump scares and utilizing a whole lot of icky images of dead, rotting flesh. The mostly young, not-well-known cast (Mitchell is best known from Pretty Little Liars) does about how you’d expect given the limitations of the script.

It’s not surprising that the movie opened in the no-man’s land of the week after Thanksgiving. Not much was expected of it and it basically delivers on the “not much” department. It’s decent looking and the walking corpse effects are pretty good, although nothing particularly new, so this is a tepid recommendation at best. If you’re in the mood to be scared, there are so many better options to choose from.

REASONS TO SEE: The corpse effects are pretty good.
REASONS TO AVOID: A fairly standard haunted house-type film with many lapses in logic and lost scare opportunities.
FAMILY VALUES: There is plenty of terror and some gruesome images throughout.
TRIVIAL PURSUIT: The exterior of the hospital is actually Boston City Hall.
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, Microsoft, Movies Anywhere, Redbox, Sling TV, Starz, Vudu, YouTube
CRITICAL MASS: As of 4/15/20: Rotten Tomatoes: 19% positive reviews, Metacritic: 37/100
COMPARISON SHOPPING: The Autopsy of Jane Doe
FINAL RATING: 5/10
NEXT:
Bias

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