Welcome to Marwen

A bunch of living dolls.

(2018) Drama (DreamWorks/Universal) Steve Carrell, Leslie Mann, Diane Kruger, Merritt Weaver, Janelle Monáe, Elza Gonzalez, Gwendoline Christie, Leslie Zemeckis, Falk Hentschel, Matt O’Leary, Nikolai Witschl, Patrick Roccas, Alexander Lowe, Stefanie von Pfetten, Neil Jackson, Samantha Hum, Siobhan Williams, Eric Keenlyside, Clay St. Thomas, Kate Gajdosik, Veena Sood. Directed by Robert Zemeckis

 

Welcome to Marwen is a dramatic version of the acclaimed 2010 documentary Marwencol (which if you haven’t seen, stop right now and see it) which is the story of artist Mark Hogancamp, who was viciously beaten outside of a bar in 2005 by a bunch of guys who objected to the fact that he likes to wear women’s shoes. The men got off lightly; all of them had been released by the time the documentary came out.

Here, Hogancamp (Carrell) has no memory of his life before the attack (as was the case for the real Hogancamp) and used a fictional Belgian village populated by action figures, mostly modeled after women that Hogancamp knows – from his physical therapist (Monáe) to the clerk at the hobby shop where he buys his supplies (Weaver) – and Hogancamp himself (an idealized heroic version of himself he calls Captain Hogie) set during World War II. Mark’s lawyer is trying to get the reclusive artist to appear at the sentencing hearing of his attackers but Mark is very reluctant; anything that reminds him of that night sends him into severe panic attacks.

Helping matters is the appearance of a new neighbor, Nicol (Mann) who is compassionate and kind, and whom Mark develops an instant crush on. She could be his way out to normalcy or a reminder of past traumas that will send him spiraling hopelessly back into near-catatonia.

Critics tended to hate the film (see below) which I can understand; it’s not an easy story to get across and quite frankly, Zemeckis was not an awe-inspiring choice to make it. His sentimentality tends to rub critics the wrong way, but I found it affecting here, and there are some scenes when Carrell, who is absolutely wonderful at times, just breaks your heart. The romance between Marc and Nicol is absolutely realistic as well.

The movie ends on a bit of a predictable note and might turn people off – the dolls can look a little bit creepy. Some find men playing with primarily female dolls to be un-woke, but in the context of a man badly traumatized trying to deal the best way he can, I think it’s forgivable. Not the greatest movie Zemeckis has done, but it is entertaining and heartwarming enough to be enjoyable.

REASONS TO SEE: Carrell does a good job. Nice special effects.
REASONS TO AVOID: The ending is predictable. A bit creepy in places.
FAMILY VALUES: There is a fair amount of violence, some of it bloody. There are also disturbing images, some brief sexual references and some profanity.
TRIVIAL PURSUIT: The real life doll village Marwen is based on is called Marwencol, which is a combination of Mark, Wendy and Colleen. The Nicol character is based on Colleen, but her name was dropped from the town’s name.
BEYOND THE THEATER: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, HBO Now, Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 4/30//20: Rotten Tomatoes: 35% positive reviews. Metacritic:  40/100
COMPARISON SHOPPING: Marwencol
FINAL RATING: 6,5/10
NEXT:
The Wretched

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