CRSHD

Digital girls in an internet world.

 (2019) Comedy (Lightyear/1091) Isabelle Barbier, Deeksha Ketkar, Sadie Scott, Ralph Fineberg, L.H. Gonzalez, Isabelle Kenet, Abdul Seidu, Will Janowitz, Jack Reynolds, Elliott Kreim, Brandon Halderman, Gabe Steller, Alyssa Mattocks, Joe Boyle, Zach Dahl, Brandon County, Brandon Richards, Dylan Rogers, Patricia Lawler Kenet, Wulfahrt Blankfield, Kim Rojas. Directed by Emily Cohn

 

At a particular phase in our lives, we become with sex and getting it – particularly if we haven’t had any yet. It can turn into an obsession if we’re not careful, which we often aren’t.

Izzy (Barbier) and her besties Anuka (Ketkar) and Fiona (Scott) all are finishing up their freshman year at a private liberal arts college in Ohio. The three hit it off from the get-go and have formed a deep bond in the course of their first year. While Izzy frets about an astronomy final that she needs to ace, Anuka and Fiona are more into winding down the year with parties – particularly the exclusive “crush party” that is taking place off-campus.

If you aren’t familiar with what a crush party is (and you can be forgiven if you haven’t because, as far as I can tell, it is an invention of this film), you submit the name of a person you have a crush on to the party organizers. They then send an invitation to that person. If someone turns in a crush request for you, then you get one. If nobody turns one in for you, no invite.

The somewhat socially awkward Izzy is looking for this party to be the occasion of the erasure of her virginity. All three girls had made a pact to end the year deflowered and Anuka and Fiona have thus far accomplished that. While Anuka is unaware that Izzy hasn’t, Fiona knows. So Izzy has to decide which crush she needs to invite; the super-cool DJ (Seidu), the barista who may or may not know she’s alive (Gonzalez) or the overeager astronomy student who she has already dismissed as too awkward (Fineberg).

But getting to the party will be a bit of an adventure as the girls decide to get blotto before the party to calm down their nerves and end up…well, let’s just say that stuff happens that isn’t on the agenda. Will Izzy lose her maidenhood? Will she pass astronomy? And who was the one who crushed on her and got her the sought-after invite?

This is a movie that is aimed squarely at Gen Z; Cohn, who also wrote the film, is very social media-conscious and while she has a tendency to mix her visual metaphors (modern app representations and 80s video game graphics?) she at least has a visual style. Unfortunately, that style will serve to make this movie seem dated in a matter of months, given the speed at which we switch from one media platform to another. Facebook? So 2004. Instagram? 2010.

While it is a bit refreshing to see a movie about college kids trying to lose their virginity from a female point of view, there are a lot of the clichés of the subgenre that serve to render the point of view less fresh. Why bother to have girls in a role that has generally been assigned to guys if you’re just going to have them do the same things guys do, and make the same mistakes they do. I suppose the director might be going for a “guys and girls are not really that different” message, but that really doesn’t fly. Cohn goes to the trouble of making Anuka, Fiona and Izzy pretty realistic – these aren’t 30-something super-hotties who nobody would believe for an instant would have any sort of difficulty getting laid. They are girls who are pretty but not spectacular, smart but not perfect, awkward but not buffoons.

We are entering an era in which women are becoming more of a voice in the industry, as creators and as industry executives. Cohn has a legitimate shot at becoming the John Hughes of Generation Z, but she needs to trust in her characters and instincts more and write these girls as if they aren’t Jonah Hill, Michael Cera and Christopher Mintz-Plasse. My intention was to write “This isn’t Superbad, it’s Superworse” but that would be snarky and unfair. There’s a lot here that is admirable, but like Izzy herself, Cohn needs a little more self-confidence to let the girls in her narrative be girls and not like other characters in other movies. That would be a movie I could crush on.

REASONS TO SEE: The lead girls are so much more real than what we usually see in this kind of movie.
REASONS TO AVOID: The app references and visuals are super-dated. The humor falls flat.
FAMILY VALUES: There are a lot of sexual references, some profanity and a bit of drug use.
TRIVIAL PURSUIT: Filmed entirely in the state of Ohio.
BEYOND THE THEATER: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 8/14/20: Rotten Tomatoes: 74% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: Superbad
FINAL RATING: 5/10
NEXT:
Starting at Zero

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