(2021) Horror (IFC Midnight) Annes Elwy, Nia Roberts, Julian Lewis Jones, Steffan Cennydd, Sion Alun Davies, Rodri Mellir, Lisa Palfrey, Chris Gordon, Caroline Berry. Directed by Lee Haven Jones
Some horror movies are an adrenaline rush from start to finish, keeping one on the edge of the seat, pulses pounding, going from one scare to another with little let-up. Others are slow burns, building up a mood and tension, building up to an explosive climax that leaves the viewer feeling wrung-out and exhausted, like a wet dishrag.
The Feast is the latter kind of film. In the green Welsh countryside, a monstrosity of a house stands out like a sore thumb. It is owned by the Member of Parliament Gwyn (Jones), who is the kind of politician whose idea of service only encompasses his own bank account. His wife, Glenda (Roberts) – Gwyn and Glenda; I wonder if Jones and writer Roger Williams noted the similarity to the title of a classic Ed Wood film? – is from the countryside but yearns to be considered an urban sophisticate. She is supervising a dinner party to be thrown for a local farmer whom Gwyn is anxious to get to sell his mineral rights to a large mining company; it is a deal with the devil from which profit is king and the damage to the countryside not even a consideration.
But Glenda can’t do it all alone, so she has enlisted the aid of Cadi (Elwy), a local waitress who is happy to make a little extra cash at this side gig, but when she arrives, she’s strangely soaking wet and muddy and her whole personality seems a little…off. As we meet the two sons of the house – arrogant triathlete Gweirydd (Davies), and the family black sheep and drug addict Gweithiwr (Gordon), we begin to notice that there’s more than a little bit strange about Cadi and as she observes the family and their guests, it becomes clear that the family is headed for a reckoning, one they richly deserve. But who is Cadi, or perhaps more to the point, what?
The script lets slip only tantalizing tidbits of information, keeping the audience in the dark until the very final act when the true nature of what’s happening is revealed. By then, it’s far too late for the victims, and also for the less patient viewer who may give up on the movie much earlier than that. That would be a mistake; the payoff is pretty satisfying, and while there are no characters who are really going to grab your rooting interest for survival, at least there is some grim satisfaction in seeing some despicable people get made examples of. It’s not justice – unless you believe in the extreme sort – but there is something deeply satisfying with seeing people who put greed and profit above everything else be made to pay big time.
Most of the violence occurs off-screen, although the director Lee Haven Jones doesn’t shy away from showing the results of the violence. The atmospheric cinematography by Bjorn Ståle Bratberg does much to establish the uneasy tone that builds throughout the film. The actors, mostly known for appearances on British television shows and movies, go about their business professionally and keep their performances subtle and centered.
This is not the kind of movie that feels like a roller coaster ride, but it IS the kind of movie that will give you nightmares and leave you feeling creeped out long after you’ve seen it. This is a very striking and solid horror experience that is going to take a few folks by surprise; definitely seek it out if you’re looking to spend the rest of the night jumping at every sound in your house.
REASONS TO SEE: Starts out unsettling and the discomfort only grows from there. A bit of a comment on privilege and class distinctions.
REASONS TO AVOID: May be a little too long in developing for the impatient.
FAMILY VALUES: There is profanity, violence, sexuality and some disturbing images.
TRIVIAL PURSUIT: One of the few films whose entire dialogue is in Welsh.
BEYOND THE THEATERS: Amazon, AppleTV, DirecTV, Microsoft, Vudu
CRITICAL MASS: As of 11/23/21: Rotten Tomatoes: 81% positive reviews; Metacritic: No score yet.
COMPARISON SHOPPING: Beatriz at Dinner
FINAL RATING: 7.5/10
NEXT: King Richard