Don’t Look Up

Making America late again.

(2021) Disaster Comedy (Netflix) Leonardo DiCaprio, Jennifer Lawrence, Meryl Streep, Cate Blanchett, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Kid Cudi, Himesh Patel, Melanie Lynskey, Michael Chiklis, Tomer Sisley, Paul Guilfoyle, Robert Joy, Jack Alberts, Ting Lik, Lance A. Williams, Shimali De Silva. Directed by Adam McKay

 

Some of you might remember the competing apocalyptic comet/meteor collision movies Armageddon and Deep Impact, both of which came out in 1998. Both featured American governments that acted decisively upon finding out about the upcoming end of days in an effort to avoid the end of Life as We Know It. But what if such a calamity occurred during the presidency of someone less competent?

Astronomer Dr. Randall Mindy (di Caprio) and the PhD candidate he’s mentoring Kate Diblasky (Lawrence) are by no means the upper echelon in their field, but they do have the advantage of looking in the right place at the right time (or, more to the point, the wrong place at the wrong time). They find a comet heading on a collision course with Earth and it will be here in just six months – time enough to maybe do something about it.

Except that President Orlean (Streep) and her idiot son/Chief of Staff Jason (Hill) are more concerned about the upcoming midterms than they are about a giant rock heading our way. Frustrated by a lack of government action or even interest, the two scientists take their case to the media in the form of the morning news program The Daily Rip. True to form, the talking head anchors Brie (Blanchett) and Jack (Perry) are more concerned with the disintegrating love life of pop star Riley B (Grande) than about their audience being wiped out by an oncoming – and very preventable – disaster.

The characters here are broadly drawn; clearly the President here is meant to be Trump and Jason could be Ivanka. There’s also a billionaire (Rylance) who seems to be cribbed from the Elon Musk book of billionaires. When Randall wonders why people aren’t panicking, we wonder the same thing. Of course, the movie was written to be a satire on the response to climate change (it can also be construed as a satire on the response to the pandemic but it was written years before COVID-19 was even a thing) but don’t that fool you; this is a time capsule of life in These United States circa 2021.

This is also a satire of the State of the Union, as it were. I suspect that even Trump would have reacted with a little bit more alarm had he been faced with an approaching comet, but then again, who knows? I have a feeling that those who really need to see the movie likely won’t; first off, because they’ll see it as another smack in the face from them liberal Hollywood socialists, and secondly won’t recognize themselves in it anyway. As one critic pointed out, how are you supposed to write a vacuous talking head blonde broadcaster when there already is a Laura Ingraham?

There are a few too many moving parts here and some of the big names in the cast are given very little to do, which is only to be expected. The one big sin that the movie commits is trying to do too much; I get that there’s an awful lot to satirize when it comes to our reaction to the climate crisis, but there comes a point where the point gets lost in the noise of all the ancillary points that McKay is making.

And maybe the offense that we’re all guilty of is the same one that this movie makes; we’re too busy talking at people to notice that we’ve stopped talking with people. The latter situation involves listening, and there’s precious little of that going on at this point in time. Maybe that’s the point that McKay is trying to make, but it does get lost in all the points he’s making about social media, broadcast news, the GOP, big business, and our general state of malaise.

REASONS TO SEE: An absolutely stellar cast. A commentary on spin and misinformation, particularly in regards to climate change and the pandemic.
REASONS TO AVOID: Preaches to the choir.
FAMILY VALUES: There is profanity, sexual content, violence and nudity.
TRIVIAL PURSUITS: The film was nominated for four Oscars at the 2022 Academy Awards, including Best Picture.
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 2/11/22: Rotten Tomatoes: 56% positive reviews; Metacritic: 49/100.
COMPARISON SHOPPING: Mars Attacks!
FINAL RATING: 7/10
NEXT:
Catch the Fair One

Advertisement

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.