New Releases for the Week of January 12, 2018


THE POST

(20th Century Fox) Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Jesse Plemons, Alison Brie.  Directed by Steven Spielberg

After the New York Times published the Pentagon Papers, they were in the center of a firestorm of controversy. Not to be outdone, the Washington Post also acquired some of the classified documents that detailed American acts that violated the Constitution as well as the Geneva Convention. With the Nixon Administration threatening to shut down the freedom of the press over the Papers, new Post publisher Katherine Graham – already a rarity in the newspaper business for being a woman as a publisher of a major newspaper – and her crusty editor Ben Bradlee face a decision to do what’s safe for the newspaper or what’s right for the country.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: PG-13 (for language and brief war violence)

Agnyaathavaasi

(Haarika and Hassine Creations) Pawan Kalyan, Keerthi Suresh, Anu Emmanuel, Aadhi. An exiled heir to a massive fortune in India returns home in disguise as an ordinary employee of his father’s company in order to discover the identity of his father’s murderer and to make things right with the company, only to become a target himself.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: AMC West Oaks, Cinemark Artegon Marketplace

Rating: NR  

Call Me By Your Name

(Sony Classics) Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar.  In 1983 the son of an American researcher working in Northern Italy is enjoying a leisurely summer enjoying the cultural delights of the region. However when his father’s research assistant arrives, the teen discovers that his own emerging sexuality may be more difficult to deal with than his academic pursuits.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for sexual content, nudity and some language)

The Commuter

(Lionsgate) Liam Neeson, Vera Farmiga, Patrick Wilson, Sam Neill. A businessman is taking the commuter train home from work when he is given an offer he can’t refuse; to find the person on the train who “doesn’t belong there” or else face increasingly dire consequences. However, this businessman has a particular set of skills…

See the trailer and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for some intense action/violence, and language)

Condorito: The Movie

(Pantelion/Lionsgate) Starring the voices of Omar Chaparro, Jessica Cediel, Cristián de la Fuente, Jey Mammon. A soccer-playing condor (and the star of a Chilean comic strip) must save the world – and especially his family – from evil invading aliens.

See the trailer here.
For more on the movie this is the website (Spanish)

Release Formats: Standard
Genre: Animated Feature
Now Playing: Regal The Loop, Regal Waterford Lakes

Rating: PG (for rude and suggestive humor, and some mild action)

I, Tonya

(Neon) Margot Robbie, Sebastian Stan, Allison Janney, Julianne Nicholson. Figure skater Tonya Harding comes from an impoverished background which places her at a competitive disadvantage – the snooty judges of the sport count her background and trailer park look against her. Still, there’s no denying her ability as the first woman to attempt and complete a triple axel. She could be on the way to Olympic gold; but her husband and his best friend take her down the road to scandal and late night talk show jokes instead. Look for the Cinema365 review tomorrow.

See the trailer, interviews and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Dramedy
Now Playing: AMC Disney Springs, Barnstorm Theater, Cinemark Artegon Marketplace, Regal Waterford Lakes (expanding next week)

Rating: R (for pervasive language, violence and some sexual content/nudity)

Paddington 2

(Warner Brothers) Michael Gambon (voice), Ben Whishaw (voice), Sally Hawkins, Imelda Staunton (voice). Now comfortably ensconced with the Brown family and a beloved member of the community, Paddington is looking to buy the perfect gift for Aunt Lucy’s 100th birthday – a pop-up book. He takes on a variety of odd jobs so that he can afford to buy the tome. However when it turns up stolen, Paddington looks to be the prime suspect. The Browns and their friends must find the real thief in order to clear the bear’s name and save Aunt Lucy’s birthday.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: Wide Release

Rating: PG (for some action and mild rude humor)

Proud Mary

(Screen Gems) Taraji P. Henson, Neal McDonough, Danny Glover, Xander Berkeley. Mary is a paid assassin for a Boston crime family. In the course of a hit, things go South and she ends up crossing paths with a young boy. That fateful meeting turns her life completely around which is a dangerous thing to have happen when you’re in her line of work.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for violence)

ALSO OPENING IN ORLANDO/DAYTONA:

Acts of Violence
Ang Panday
The Ballad of Lefty Brown
Jai Simha

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Acts of Violence
Dim the Fluorescents
Hostiles
Inside
Jai Simha
Sketch
Thaanaa Serndha Koottam

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Gang
Inside
Jai Simha
Rangula Ratnam
Sketch
Thaanaa Serndha Koottam

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Ang Panday

SCHEDULED FOR REVIEW:

The Commuter
Hostiles
I, Tonya
Paddington 2
The Post
Proud Mary

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Another Programming Note


As is usual this time of year, the studios take a week off from adding any new movies to local theaters which in many ways is a relief; it gives us a chance to catch up on the big holiday films and Oscar contenders that flooded our local multiplexes last week. Therefore there won’t be a New Releases column this week but rest assured that it will return next Thursday as Insidious: The Last Key and I, Tonya are both scheduled to arrive in local theaters to kick off the new year, plus maybe a few other goodies as well.

As always thanks so much for checking out Cinema365 for your movie review and preview needs. From our family to yours, do have a safe and happy new year and let us hope that things get better for all of us in 2018 – from a movie standpoint it’s been a very good year in 2017 so there will be a very high bar when it comes to quality films next year.

Mother, I Love You (Mammu, es Tevi milu)


A kid running from his troubles.

(2013) Drama (108 Media) Kristofers Konovalovs, Vita Varpina, Matiss Livcans, Indra Brike, Haralds Barzdins. Directed by Janis Nords

 

I’ve said it before and I’m not the first to say it: it’s not easy being a single mom. We’ve seen plenty of movies that back up that very thing. However, it is not often we see the story from the child of a single mom’s viewpoint. What must that be like?

Raimonds (Konovalovs) – whose name is pronounced “Raymond” – lives in the Latvian capital city of Riga. He’s a bright boy who goes to school, plays saxophone in the school orchestra, plays Wii at night when his mother allows and rides his push scooter around town getting from the apartment he shares with his mom to school mostly with occasional side trips to visit his best friend Peteris (Livcans).

Raimonds’ mom (Varpina) is an obstetrician who works brutal hours; often she has late night shifts at the clinic she works at and is from time to time called in for an emergency. Some of these late night shifts though are less work and more play; she has been developing a romantic relationship with a colleague. Raimonds is no fool; he is aware his mother is lying to him.

Peteris’ mom (Brike) is a housecleaner and often the two boys accompany her to one home or another. One that catches the boy’s eye is one that the owner is rarely home at. The man has a motor scooter parked in one of the rooms of his apartment which of course to young 12-year-old boys is absolutely irresistible. Raimonds manages to snatch the key to the apartment so the boys can come back and rev up the scooter.

Raimonds has, like most 12-year-old boys a streak of devilish behavior. When tall girls are mean to him, he is not above fighting back and when he uses a bra that one of his mates has stuffed down his shirt to plug up the horn of a particularly snooty girl, he gets written up. This is a disaster; he is required to tell his mother and get her signature on a form which would undoubtedly get a beating for him. His mother believes in corporal punishment which seems a bit alien to American audiences these days. In any event, he endeavors to conceal his malfeasance from his mom which leads to a spiraling series of events that grow progressively more serious. Extricating himself from the web he has woven for himself may be more than he can handle.

An awful lot of this is going to resonate with those who have grown up with a single parent and those who have been single parents. The very real issues of balancing work and quality time with one’s child as well as keeping control over children when they grow unruly are addressed here without sentimentality. The mom is no saint but she’s no worse than most mothers either. She’s doing the best she can and often she is operating in the dark as to what her child is truly up to. This is the part that parents will nod in sympathy with.

Konovalovs is a very natural actor who never over-emotes; his fear of his mother is very real and very natural. Like most kids, he operates on the philosophy that what his mother doesn’t know won’t hurt her (and won’t get him hurt) and while there is no doubt that Raimonds loves his mother very much and wants her respect and love back, he often plays her for a fool simply because he can.

I think it is more reasonable to say that Raimonds isn’t so much a bad child as he is a bored child. He has so much unsupervised time on his hands that it seems fairly natural that he would find ways to get into trouble. Each bad decision Raimonds makes from his own point of view makes sense and Nords who also wrote the film makes sure the audience is seeing that point of view clearly. At times audiences who may have less experience with child-raising may shake their heads at some of the things Raimonds does but at every turn it feels exactly what an unsupervised 12-year-old boy whose whole philosophy of life is avoiding punishment would do or decide.

Raimonds spends much of his time wandering the streets of Riga at night and it doesn’t feel as if he is unsafe at any time although he sometimes ventures into what appear to be rough neighborhoods. By day Riga looks grey and drab as if in a perpetual overcast; I have never been to Riga although I’m told it is a beautiful city but this film isn’t going to inspire anyone to visit it anytime soon.

Although it is essentially a film about kids this isn’t a kids film. The deeper Raimonds gets into his lies the grimmer things get. There are real-world repercussions for Raimonds and it isn’t pretty. While the ending of the film is a bit ambiguous it is more hopeful than the rest of the movie is so it isn’t completely a downer but it does take a while to get there. I haven’t seen a lot of Latvian films but if this movie is any indication there is some real quality filmmaking going on there.

REASONS TO GO: The cinematographer uses a fairly grim and grey palate. The movie is an accurate portrayal of a troubled boy.
REASONS TO STAY: This is not what you would call the most uplifting of films.
FAMILY VALUES: There is some brief sensuality but mostly the themes here are adult.
TRIVIAL PURSUIT: The film won a major prize at the 2013 Berlin Film Festival and was the official submission of Latvia for the 2014 Foreign Language category for the Academy Awards.
BEYOND THE THEATERS: Amazon, Google Play, iTunes, YouTube
CRITICAL MASS: As of 12/18/17: Rotten Tomatoes: No score yet. Metacritic: No score yet
COMPARISON SHOPPING: The Bicycle Thief
FINAL RATING: 7.5/10
NEXT:
Agnelli

Woodpeckers (Carpinteros)


Julian is on the inside looking out.

(2017) Drama (Outsider) Jean Jean, Judith Rodriguez Perez, Ramón Emilio Candelario, Mario Nunez, Aleja Johnson, Manuel Raposo, Carlota Carrelero, Toussaint Merionne, Orestes Amador, Fernando De Jesús Mejia, Cape Ramirez, Gilberto Hernández, Jose Cruz, Keunis Alvarez, Karina Valdez. Directed by José Maria Cabral

Incarceration is no joke; going to prison is not a preferable situation for anyone, anywhere in the world. In the Dominican Republican, prisons suffer from brutal punishment, terrible overcrowding and crumbling living conditions that come from having too many dangerous men in close proximity to one another. Of course, once someone is convicted most of society doesn’t really give a hoot what happens to them.

Julian Sosa (Jean) is a petty thief who gets arrested for stealing a motorcycle. As is the custom in the Dominican Republic where he lives, he is jailed in the notorious Najayo Prison outside of Santo Domingo. Prison conditions are inhuman with overcrowding, a lack of basic human facilities, brutal discipline enacted by brutal guards and of course surrounded by hard, violent prisoners.

Julian, who is of Haitian descent (which is not a very pleasant place to be in Santo Domingo) initially wants to keep to himself and just do his time but he finds that increasingly impossible. Eventually he falls in with Manaury (Candelario) who like Morgan Freeman in The Shawshank Redemption is the kind of guy who can get things for you. Unlike Mr. Freeman, Manaury has a hair-trigger temper and is borderline psychotic.

He introduces Julian to woodpecking, a detailed sign language that the prisoners use to communicate with the female inmates who are housed a mere 400 feet away across a yard. Through woodpecking, romances bloom and prisoners fall in love with one another. Manaury has a “girlfriend” named Yanelly (Perez) who is a bit temperamental herself. When Manaury gets in a fracas and gets sent to solitary, he prevails upon Julian to communicate with Yanelly via woodpecking.

The problem is that Yanelly had discovered that Manaury had been woodpecking with another girl in while she was in solitary herself. As she “talks” to Julian she begins to fall for him and he for her. By the time the suspicious and paranoid Manaury gets released back into the general population, Yanelly and Julian are deeply in love. He has even managed to wrangle a work detail in the women’s prison so that the two of them can exchange a quick and furtive kiss. She arranges to smuggle her own panties to him which leads to Manaury finding out that his paranoia was justified…and for him to plot brutal revenge against Julian.

This movie played the Miami Film Festival earlier this year and is the Dominican Republic’s official Oscar Foreign Language Film submission for the upcoming Academy Awards. The movie is gritty and realistic which you know it had to be, considering the filming location and extras (only the leads were professional actors). You get a sense of the overcrowding and volatile conditions.

The movie spins around the relationship between Yanelly and Julian and if that doesn’t work, neither does the film. Fortunately despite being something of an odd couple – Yanelly is volatile and passionate, Julian introspective and quiet – the love aspect works and one ends up rooting for the couple. Both Perez and Jean do strong jobs here, particularly the former. Unfortunately, the same can’t be said for Candelario who seems to be screaming at the top of his lungs most of the time. It’s an over-the-top performance that makes his character more of a caricature.

Unfortunately the filmmakers can’t sustain the momentum the movie builds early on and during the last third, after both Julian and Manaury are transferred to the even more brutal La Victoria prison and a prison riot breaks out. It does lead to a final shot that is compelling and almost redeems the rest of that plot point – but not quite. Still this is a superior movie that made the rounds on the festival circuit (and continues to do so) and even had a brief New York run. It’s a little hard to find at the moment but no doubt it will get some streaming service or another to pick it up and once it does you should give it a chance. This is a fine movie from a filmmaker who has enormous potential.

REASONS TO GO: A gritty and realistic depiction of prison life in the Dominican. The love story is believable and fascinating.
REASONS TO STAY: The film loses momentum during the final third.
FAMILY VALUES: There is a lot of profanity, some nudity and sexuality as well as drug use.
TRIVIAL PURSUIT: The movie was filmed inside a Dominican prison utilizing actual prisoners in small roles.
CRITICAL MASS: As of 10/8/17: Rotten Tomatoes: 80% positive reviews. Metacritic: 68/100.
COMPARISON SHOPPING: Crown Heights
FINAL RATING: 7.5/10
NEXT:
Te Ata

Back Online


After more than two weeks dealing with hurricane jitters, a loss of power and a loss of Internet Cinema365 is back. I’ll be publishing a review TBD later on today.

There will not be a Weekly Preview or Pick of the Litter however. Both of these features will resume publication next Thursday and November respectively. We apologize for any inconvenience this might cause and look forward to being back in the saddle again.

Publicists, I will be binge watching the movies you’ve requested over the next few days. I will be publishing the reviews shortly and will send out links as they are published. Your patience has been very much appreciated.

Irma Update


Just wanted to let all my readers know that my family and I all weathered the storm and are safe. Our homes are undamaged. We were without power for a time but electricity has since been restored. Unfortunately, our Internet service has been out and will continue to be unavailable for awhile. I am preparing to leave on a family vacation (needed much more than ever now) tomorrow and will be unavailable until September 29. I am confident our Internet will be back up and running at that point. For those who have sent messages of concern, thank you very much and know that it is much appreciated. Thank you as always for reading my scribblings on movies and I will continue to do my best to make Cinema365 a useful and entertaining site.